I have spent my life under his saddle - with him in it, too, and he is good for two hundred pounds, without his clothes; and there is no telling how much he does weigh when he is out on the war-path and has his batteries belted on. He is over six feet, is young, hasn't an ounce of waste flesh, is straight, graceful, springy in his motions, quick as a cat, and has a handsome face, and black hair dangling down on his shoulders, and is beautiful to look at; and nobody is braver than he is, and nobody is stronger, except myself. Yes, a person that doubts that he is fine to see should see him in his beaded buck-skins, on my back and his rifle peeping above his shoulder, chasing a hostile trail, with me going like the wind and his hair streaming out behind from the shelter of his broad slouch. Yes, he is a sight to look at then - and I'm part of it myself. I am his favorite horse, out of dozens. Big as he is, I have carried him eighty-one miles between nightfall and sunrise on the scout; and I am good for fifty, day in and day out, and all the time. I am not large, but I am built on a business basis. I have carried him thousands and thousands of miles on scout duty for the army, and there's not a gorge, nor a pass, nor a valley, nor a fort, nor a trading post, nor a buffalo-range in the whole sweep of the Rocky Mountains and the Great Plains that we don't know as well as we know the bugle-calls. He is Chief of Scouts to the Army of the Frontier, and it makes us very important. In such a position as I hold in the military service one needs to be of good family and possess an education much above the common to be worthy of the place. I am the best-educated horseoutside of the hippodrome, every-body says, and the best-mannered. It may be so, it is not for me to say; modesty is the best policy, I think. Buffalo Bill taught me the most of what I know, my mother taught me much, and I taught myself the rest. Lay a row of moccasins before me - Pawnee, Sioux, Shoshone, Cheyenne, Blackfoot, and as many other tribes as you please - and I can name the tribe every moccasin belongs to by the make of it. Name it in horse-talk, and could do it in American if I had speech.

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    Icky" "Jemina"

    Wrenn," who would be writing you directly and explaining everything most satisfactorily. At thirty-four Mr. Wrenn was the sales-entry clerk of the Souvenir Company.

    What then? A harsh word can not be hung up by the neck. He gives you impertinence, give him the same; if he give you a slap, return the blow; he a second, you a third; in the end we will compel you to make peace. Whilst if you fight--well, if _you_ should kill _him_, God be with him for I do not like him much; but if he should perforate you, what a nice piece of business Then who will pay for the broken pots?

    1 Aunt Jo's Scrap Bag, Vol. 2 (Shawl Scraps) Aunt Jo's Scrap Bag, Vol. 5 Aunt Jo's Scrap Bag, Vol. 6 Kitty's Class Day and Other Stories Spinning Wheel Stories Silver Pitchers and Independence A Garland for Girls Behind A Mask The Abbot's Ghost The Candy Country The Mysterious Key and What it Opened Pauline's Passion and Punishment A Modern Cinderella Story Marjorie's Three Gifts Mountain Laurel and MaidenhairThe Plays Comic Tragedies Norna; Or, The Witch's Curse Captive of Castile The Greek Slave Ion Bianca The Unloved WifeNon-Fiction Little Women Letters From The House of AlcottBiography Daughters of The Puritans By Seth Curtis Beach

    K. Chesterton (1874–1936) is best known as the creator of detective-priest Father Brown (even though Chesterton's mystery stories constitute only a small fraction of his writings). The eight adventures in this classic British mystery trace the activities of Horne Fisher, the man who knew too much, and his trusted friend Harold March. Although Horne's keen mind and powerful deductive gifts make him a natural sleuth, his inquiries have a way of developing moral complications. Notable for their wit and sense of wonder, these tales offer an evocative portrait of upper-crust society in pre–World War I England.

    This publication from Boomer Books is specially designed and typeset for comfortable reading.

    This powerful novel explores the dynamics of the financial world during the Civil War and after the stock-market panic caused by the Great Chicago Fire. The first in a ''trilogy of desire,'' The Financier tells the story of the ruthlessly dominating broker Frank Cowperwood as he climbs the ladder of success, his adoring mistress championing his every move. Based on the life of financier C. T. Yerkes, Dreiser's cutting portrayal of the corrupt magnate Cowperwood illustrates the idea that wealth is often obtained by less than reputable means.

    It is the story of Lassiter, a gunslinging avenger in black, who shows up in a remote Utah town just in time to save the young and beautiful rancher Jane Withersteen from having to marry a Mormon elder against her will. Lassiter is on his own quest, one that ends when he discovers a secret grave on Jane’s grounds. “[Zane Grey’s] popularity was neither accidental nor undeserved,” wrote Nye. “Few popular novelists have possessed such a grasp of what the public wanted and few have developed Grey’s skill at supplying it.”

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    As in all Delphi Classics, the work is presented in a scholarly fashion, with all of the novels placed in chronological order, allowing readers to explore the author's gradual development in writing. The majority of texts are from Constance Garnett's celebrated translations, bringing the true spirit of Dostoyevsky's work to the English reader. Please note: we aim to provide the most comprehensive author collections available to Kindle readers. Sadly, it’s not always possible to guarantee an absolutely ‘complete’ works, due to copyright restrictions or the scarcity of minor works that have been translated into English. However, we do ensure our customers that every possible major text and a wealth of other material are included. We are dedicated to developing and enhancing our eBooks, which are available as free updates for customers who have already purchased them.CONTENTS:The NovelsPOOR FOLKTHE DOUBLENETOCHKA NEZVANOVAUNCLE’S DREAMTHE VILLAGE OF STEPANCHIKOVOTHE INSULTED AND HUMILIATEDTHE HOUSE OF THE DEADNOTES FROM UNDERGROUNDCRIME AND PUNISHMENTTHE GAMBLERTHE ETERNAL HUSBANDTHE IDIOTTHE POSSESSEDTHE RAW YOUTHTHE BROTHERS KARAMAZOVThe Short StoriesMR. PROHARTCHINTHE CHRISTMAS TREE AND THE WEDDINGTHE HEAVENLY CHRISTMAS TREETHE CROCODILEBOBOKA GENTLE SPIRITTHE DREAM OF A RIDICULOUS MANTHE PEASANT MAREYTHE LITTLE ORPHANA WEAK HEARTWHITE NIGHTSTHE MEEK GIRLPOLZUNKOVA LITTLE HEROTHE HONEST THIEFA NOVEL IN NINE LETTERSTHE LANDLADYAN UNPLEASANT PREDICAMENTANOTHER MAN'S WIFETHE GRAND INQUISITORThe Non-FictionDOSTOYEVSKY’S JOURNALTHE COMPLETE LETTERSThe CriticismON RUSSIAN NOVELISTS BY WILLIAM LYON PHELPSRUSSIAN ROMANCE BY EARL OF EVELYN BARING CROMERA SURVEY OF RUSSIAN LITERATURE BY ISABEL FLORENCE HAPGOODAN OUTLINE OF RUSSIAN LITERATURE BY MAURICE BARING

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    Written shortly after The Scarlet Letter, The House of the Seven Gables re-addresses the theme of human guilt in a style remarkable in both its descriptive virtuosity and its truly modern mix of fantasy and realism.

    This short story is taken from one of Steinbeck's early works, "The Pastures of Heaven."