They had already made films that redefined the gangster movie, the screwball comedy, the fable, and the film noir, among others. No Country is just one of many Coen brothers films to center on the struggles of complex characters to understand themselves and their places in the strange worlds they inhabit. To

    It also runs through the veins of all the women in the Pacific Heights Moms & Tots Club:Besides dealing with the politics of the Pacific Heights Moms & Tots Club, Lorna discovers a secret that will scandalize the members--and perhaps have one them leaving in disgrace;As for Jade, her new part-time job on the UC Berkeley campus allows Reggie to see her in a whole new light--one that will either make, or break, their relationship;Jillian is juggling too much--not just the twins, the growth of Life of Pie, and the details of her wedding, but the guardianship of the infant, Scotty. Will her fiancé, Caleb man up to fatherhood--or will he be scared off by threats of a lawsuit from Rona, the mother her deceased ex-husband, Scott?And Brady's frustration over Ally's refusal to commit to marrying him leads him down a slippery slope-into her past.And finally, Bettina's idea for a new mobile app may get her out of hock--but will it keep her in the good graces of Daniel Warwick, the Federal agent chasing down Art?

    1962) did not go to film school and hates being defined as an auteur. He prefers to see himself as a craftsman, dutifully going about the art and business of making film. Trouble is, it's hard to be self-effacing when you are the director responsible for Se7en, Fight Club, and The Social Network. Along with Quentin Tarantino, Fincher is the most accomplished of the Generation X filmmakers to emerge in the early 1990s.This collection of interviews highlights Fincher's unwavering commitment to his craft as he evolved from an entrepreneurial music video director (Fincher helped Madonna become the undisputed queen of MTV) into an enterprising feature filmmaker. Fincher landed his first Hollywood blockbuster at twenty-seven with Alien3, but that film, handicapped by cost overruns and corporate mismanagement, taught Fincher that he needed absolute control over his work. Once he had it, with Se7en, he achieved instant box-office success and critical acclaim, as well as a close partnership with Brad Pitt that led to the cult favorite Fight Club.Fincher became circumspect in the 2000s after Panic Room, shooting ads and biding his time until Zodiac, when he returned to his mantra that -entertainment has to come hand in hand with a little bit of medicine. Some people go to the movies to be reminded that everything's okay. I don't make those kinds of movies. That, to me, is a lie. Everything's not okay.- Zodiac reinvigorated Fincher, inspiring a string of films--The Curious Case of Benjamin Button, The Social Network, and The Girl with the Dragon Tattoo--that enthralled audiences and garnered his films dozens of Oscar nominations.

    But the time is not far off, Live Cinema and Its Techniques demonstrates, when a director or a collaborative team of filmmakers working across the internet will create "live" movies that will be sent instantly via satellite for viewing throughout the world.Yet the creative demands posed by airing live sporting contests, as impressive as the final product is, pale in contrast with the ambitions of "cinematic auteurs," who are inspired by great directors, like Serge Eisenstein, Max Ophuls, or Alfred Hitchcock, among many others. As daunting as the challenge is, the process of integrating the highest artistic standards of previous generations into the medium of "live cinema" can, Coppola explains, be achieved, thus creating an entirely new art form for the so-called "screen." Tapping into his own encyclopedic knowledge of twentieth-century film history, Coppola threads his vision of this burgeoning cinematic medium with autobiographical and historical vignettes gleaned from the past, recalling his own boyhood obsession with film and his early fascination with the "Golden Age of Television," when 1950s viewers were treated to live productions of classics, like Days of Wine and Roses and Requiem for a Heavyweight.Especially exciting is the exhilaration and drama that results from retraining actors and using a multitude of cameras to create a film that has the in-the-moment energy of a live event. Having already tried out this new medium with "proof-of-concept workshops" at Oklahoma City Community College and at UCLA, Coppola has created an invaluable guide for students and teachers alike. Filled with discussions of how to rehearse actors, how to choose scenery and location, and how to overcome theatrical, as well as technical, obstacles, Live Cinema and Its Techniques reveals how the spontaneity of this new genre can ultimately transport filmmaking into a new era of creativity still unimaginable today.Featuring chapters on:A Short History of Film and TelevisionThe Actors, Acting, and RehearsalThe Question of Style in the CinemaObstacles and Other Thoughts on Live Cinema No Matter What They May BeEquipment: Now and in the Near Future

    Whether posing kittenishly in a pinup shot or dramatically for a classic portrait, this shy, vulnerable, enormously insecure woman was transformed by the lens.Marilyn posed for nearly every major photographer of her day, and this pictoral chronicle of her affair with the camera, featuring shots from Richard Avedon, Cecil Beaton, Henri Cartier-Bresson, Alfred Eisentaedt, Elliott Erwitt, Philippe Halsman, Weegee, and thirty other artists, brings together the most beautiful and unusual images available. From her early days as a "fashion model" for ads and pinup calendars, through the film stills that follow her career as a minor actress and then major starlit, to the now-famous portraits by Avedon, and Cecil Beaton, as well as the paparazzi shots from the hordes of photographers who trailed her every move -- Marilyn emerges in all her many moods: girlish and gay, sexy and serious, glamorous and girl-next-door. And, in a fascinating and revealing interview with French writer George Belmont, Marilyn sets the record straight about much of her early life, and about her ambitions, fears, and dreams. Jane Russell, Marilyn's friend and costar in Gentlemen Prefer Blondes, enhances this portrait with an affectionate foreword that describes what it was like to work with the young actress. Although we will never know the "real" Marilyn, this sumptuous volume goes a long way toward preserving the memory of an utterly unforgettable woman.

    Film geeks, cinema snobs, VHS collectors, and anyone else who likes their entertainment a little on the weird side will appreciate author Danny Peary’s in-depth approach to their favorite sci-fi films ranging from Barbarella to Liquid Sky.

    He studies Lynch's talent for blending the bizarre and the normal to emphasize the odd nature of normality itself. Hollywood is often criticized for distorting reality and providing escapist fantasies, but in Lynch's movies, fantasy becomes a means through which the viewer is encouraged to build a revolutionary relationship with the world.Considering the filmmaker's entire career, McGowan examines Lynch's play with fantasy and traces the political, cultural, and existential impact of his unique style. Each chapter discusses the idea of impossibility in one of Lynch's films, including the critically acclaimed Blue Velvet and The Elephant Man; the densely plotted Lost Highway and Mulholland Drive; the cult favorite Eraserhead; and the commercially unsuccessful Dune. McGowan engages with theorists from the "golden age" of film studies (Christian Metz, Laura Mulvey, and Jean-Louis Baudry) and with the thought of Sigmund Freud, Jacques Lacan, and Hegel. By using Lynch's weirdness as a point of departure, McGowan adds a new dimension to the field of auteur studies and reveals Lynch to be the source of a new and radical conception of fantasy.

    The result is a highly entertaining book on Hollywood's extravagant relationship with the past, a celebration of the cinema as an illuminator of the story of mankind. By the author of the bestselling Flashman novels. 200 photos.

    With equal parts cynicism and humor, Puzo recounts the book deal and his experiences in Hollywood while writing the screenplay for the movie. Francis Ford Coppola, Robert Evans, Peter Bart, Marlon Brando, and Al Pacino all make appearances-as does Frank Sinatra, in his famous and disastrous encounter with Puzo. First published in 1972, the essay is now available as an ebook for the first time. A must-have for every Godfather fan!Featuring a foreword by Ed Falco, author of The Family Corleone.

    From David Gerrold's "The Martian Child" (winner of the Hugo Award, Nebula Award, Locus Award, and HOMer Award) to brand new works published here for the first time by David Gerrold and Lawrence Watt-Evans to modern masterpieces by Pamela Sargent and Jay Lake to classics by E.E. "Doc Smith" and Alan E. Nourse -- we have everything a science fiction fan could want. Almost 1,500 pages of great reading!Fiction:TORQUING VACUUM, by Jay LakeCOLLECTORS, by Pamela SargentVICTORY, by Lester del ReyTHE TREE OF LIFE, by C. L. MooreYE OLDE RESIGNATION, by Rhys HughesFACE TO FACE, by Adrian ColeBEYOND THE THUNDER, by H. B. HickeyCAPTIVES OF THE THIEVE-STAR, by James H. SchmitzTHE DEEPS, by Keith RobertsMADMEN MUSTERED, by Connor Freff CochranEXILE FROM SPACE, by Judith MerrilTHROUGH TIME AND SPACE WITH FERDINAND FEGHOOT: THE CHAIRMAN DANCES, by David GerroldTHE FROZEN PLANET, by Keith LaumerTHE TAIL-TIED KINGS, by Avram DavidsonTHE GRAIN KINGS, by Keith RobertsHIS MASTER'S VOICE, by Randall GarrettBACK TO JULIE, by Richard WilsonBRIGHTSIDE CROSSING, by Alan E. NourseTHE SECRET OF THE SCARAB, by Ron GoulartREINVENTING CARL HOBBS, by James GlassTHE OLD SHILL GAME, by H.B. FyfeNOTES TOWARD A NEW TRAIT AS REVEALED BY CORRELATION AMONG ITEMS OF THE MMMPI, by M. Purrzillo, U. R. A. Ferball, and C. KitirunTHE SLEEPER IS A REBEL, by Bryce WaltonTHE TEACHER FROM MARS, by Eando BinderNIF'S WORLD, by Lawrence Watt-EvansA MAN OBSESSED, by Alan E. NourseFIRST LENSMAN, by E.E. “Doc” SmithREINCARNATE, by Lester del ReyTHE MAN WHO LIVED FOREVER, by R. DeWitt Miller and Anna HungerTHE MARTIAN CHILD, by David GerroldPoetry:I’VE NEVER SEEN, by Hannes Bok (poem)THOUGHT AND SPACE, by Ray BradburyNovel Serial:FIREBIRD, by Tony Rothman (part 1 of 3)If you enjoy this MEGAPACK™, don't forget to search your favorite ebook store for "Wildside Press Megapack" to see the 240+ other entries in this series, including science fiction, fantasy, mysteries, adventure, horror, westerns -- and much, much more!

    Lara shares her experience of fashion photography in the digital age, including dedicated sections on retouching, genres of fashion photography, and making the best use of social media. Whether you're taking your first-ever shot, working with a professional model for the first time, or pitching to new clients, here is everything you need to produce moody, magical images that leap from the page straight into the viewer's imagination.

    But he knows there are some things money can’t buy, like Kendra Shepherd’s heart. Can a rough-and-tumble cowboy and a ladylike divorcée find lasting love? Crazier dreams have come true under the vast Montana sky. Bad News Cowboy by Maisey Yates If Kate Garrett could choose her dream man, he wouldn’t be her older brother’s best friend, Jack Monaghan. Sexy and shameless, Jack is the kind of trouble you don’t tangle with unless you want your heart broken. But when Kate lassoes him into giving her some flirting tips, the two of them get caught up in the kind of trouble he’s spent his life avoiding. Can Kate convince Jack that love is the best risk of all?

    Wrap up your holiday shopping with this boxed set, which includes the author's first novel, A Time To Kill. Set includes 1 mass market paperback edition each of: The PartnerThe Street LawyerA Time To Kill

    So Reed tries his hand at the detecting business and what follows is a humorous journey into suspense territory. FAREWELL, MY DEUCE (Book 4) Reed Ferguson returns in his most harrowing adventure yet! Life and the detecting business are running smoothly for private eye Reed Ferguson, until one of the Goofball Brothers goes missing. Reed leads the search and soon discovers Deuce's connection to some unscrupulous characters. As Reed learns more about Deuce's activities, the clues point to intrigue, danger and death. But will Reed find his friend alive, or will it be "Farewell, My Deuce." OUT OF THE PAST (Book 5) Compelled by a dark secret from his past, private investigator Reed Ferguson takes on his most unique case yet: bodyguard for young, spoiled trust-fund baby Stephanie McMahon. As Reed tries to protect her from her father’s enemies, he gets more than he bargained for. Things are not what they seem, no one can be trusted, and the past has a way of coming back to haunt us. And when suspicious deaths begin piling up, Reed knows he might be next. With a twisting plot and film noir fun that readers have come to expect, Out of the Past is Reed Ferguson at his best. TORCH SCENE (Book 6) Denver private investigator Reed Ferguson is between cases when a house fire threatens to consume the home of his girlfriend, Willie. The police think it's arson, and they look to Willie - the owner of the building - as the logical suspect. Worse yet, when a body is found in the charred third-floor apartment, the police think Willie is the killer. Reed hops into action to clear her name, but as his own list of suspects grows, so does the danger. Can Reed find the culprit who committed murder, or will his investigation go up in flames?

    When he gets seriously injured and the gang takes him for dead, he is convinced that this is the opportunity to escape from them once and for all. He has no idea though that the notorious criminals will find out he is alive and they will be thirsty for revenge for his shameful betrayal. Is John going to be prepared for the greatest battle of his life? Will he manage to enjoy a quiet and ordinary life and finally leave his troubled history behind?While John is barely escaping death, a kind woman named Maude finds him and nurses him back to health. From that point on, John believes that luck is finally smiling at him. His life in the small town of Custer becomes even better when he finds a new job and realizes that there is a spark between him and the woman who saved his life. However, the smile will fade from his face when ghosts from the past return with evil intentions. What sacrifices will John have to make in order to save Maude and restore harmony in town?Just when the Wagner Gang starts hounding the citizens, both John and Maude find themselves embroiled in a war with the past, where not everyone can be the winner. Will John manage to face the ruthless outlaws who are threatening to turn every single dream in his life to dust? Will he survive the dangerous undertaking and wipe the slate clean against all odds?A pulse-pounding drama, which will make you turn the pages with bated breath until the very last word. A must-read for fans of Western action and romance."Bloody Confrontation in the West" is a historical adventure novel of approximately 60,000 words. No cliffhangers, only pure unadulterated action.