. . Poignant." The Wall Street JournalIn this extraordinary work of insight and interviews, bestselling author Gay Talese shares with us the lives of those we don't know and those we might wish we did: Frank Sinatra, Joe DiMaggio, Manhattan mobsters, Bowery bums, and many others -- fascinating men and women who define our country's spirit and lead us to an understanding of ourselves as a nation.From the Paperback edition.

    At sixteen, having failed to achieve an adequate academic standard, he left and went to work at the Hogarth Press.After he left the Hogarth Press he took a journalists' course at University College, London, and subsequently he went to the Regent Street Polytechnic where he worked industriously as an art student for two years. In the years preceding the war he worked in an advertising agency. He married Olive Johnstone whom he had met at University College and has three children.During the war Richard Kennedy served in the RAF ground staff and rose to the rank of Corporal. Since then he has occupied himself in illustrating children's books, which are known to children throughout the world. He has also written A Parcel of Time, a record of his life before he joined the Hogarth Press.

    Religio Medici is a fascinating, witty and intimate exploration of his views on faith and tolerance, while substantial selections from Pseudodoxia Epidemica display Browne's breadth of knowledge and omnivorous curiosity in his account of common errors in a startling array of subjects including sciences, history, literature and philosophy. Hydriotaphia or 'Urn Buriall' is an intriguing meditation on death and the desire for immortality, The Garden of Cyrus considers the mysterious order to be found in nature, and A Letter to a Friend and the aphoristic Christian Morals provide profound spiritual guidance to readers.

    . . Powers of Horror is an excellent introduction to an aspect of contemporary French literature which has been allowed to become somewhat neglected in the current emphasis on paraphilosophical modes of discourse. The sections on Céline, for example, are indispensable reading for those interested in this writer and place him within a context that is both illuminating and of general interest." -Paul de Man

    These culminated in What is Art?, published in 1898. Although Tolstoy perceived the question of art to be a religious one, he considered & rejected the idea that art reveals & reinvents through beauty. The works of Dante, Michelangelo, Shakespeare, Beethoven, Baudelaire & even his own novels are condemned in the course of Tolstoy's impassioned & iconoclastic redefinition of art as a force for good, for the improvement of humankind.

    In fact, they are capable of developing an understanding of “the good,” a moral code that influences their motives and actions. Hearne’s thorough studies led her to adopt a new system of animal training that contradicts modern animal behavioral research, but—as her examples show—is astonishingly effective. Hearne’s theories will make every trainer, animal psychologist, and animal-lover stop, think, and question.

    His account of this time perfectly captures the city-dweller's naivety and wonder both at the workings of nature and the toughness of life on a farm. Collis's thoughtful curiosity leads him to explore a broad variety of subjects - from humorous sketches of the characters he works alongside to beautifully written pieces such as Contemplation Upon Ants, The Mystery of Clouds, Colloquy on the Rick and celebrations of the earthworm, the pea and potato.Includes While Following the Plough (1946) and Down to Earth (1947).Cover illustration by Angie Lewin.

    Nobel laureate Gerald M. Edelman takes issue with the many current cognitive and behavioral approaches to the brain that leave biology out of the picture, and argues that the workings of the brain more closely resemble the living ecology of a jungle than they do the activities of a computer. Some startling conclusions emerge from these ideas: individuality is necessarily at the very center of what it means to have a mind, no creature is born value-free, and no physical theory of the universe can claim to be a ”theory of everything” without including an account of how the brain gives rise to the mind. There is no greater scientific challenge than understanding the brain. Bright Air, Brilliant Fire is a book that provides a window on that understanding.

    He was also a murderer and a braggart, a shameless adventurer who at different times experienced both papal persecution and imprisonment, and the adulation of the royal court. Inn-keepers and prostitutes, kings and cardinals, artists and soldiers rub shoulders in the pages of his notorious autobiography: a vivid portrait of the manners and morals of both the rulers of the day and of their subjects. Written with supreme powers of invective and an irrepressible sense of humour, this is an unrivalled glimpse into the palaces and prisons of the Italy of Michelangelo and the Medici.

    The author of Bad Land realizes a lifelong dream as he navigates the waters of the Mississippi River in a spartan sixteen-foot motorboat, producing yet another masterpiece of contemporary American travel writing.  In the course of his voyage, Raban records the mercurial caprices of the river and the astonishingly varied lives of the people who live along its banks.  Whether he is fishing for walleye or hunting coon, discussing theology in Prairie Du Chien or race relations in Memphis, he is an expert observer of the heartyland's estrangement from America's capitals ot power and culture, and its helpless nostalgia for its lost past.  Witty, elegaic, and magnificently erudite, Old Glory is as filled with strong currents as the Mississippi itself.

    He returned to Argentina in 1984. Founder of two Argentine weekly news magazines in the 1960s and a commentator on radio and television, he was best-known as the publisher and editor of the newspaper La Opinión from 1971 until his arrest in 1977. An outspoken champion of human rights and freedom of the press, he criticized all repressive governments and organizations, regardless of their political ideologies. His other books include The Longest War: Israel in Lebanon, Cuba: A Journey, and Chile: A Death in the South.The Americas, Ilan Stavans, Series EditorWinner of a 1982 Los Angeles Times Book Prize Selected by the New York Times for "Books of the Century" With a new introduction by Ilan Stavans and a new foreword by Arthur Miller.

    S. G. Boggs, an artist whose consuming passion is money, or perhaps more precisely, value. Boggs draws money-paper notes in standard currencies from all over the world-and tries to spend his drawings. It is a practice that regularly lands him in trouble with treasury police around the globe and provokes fundamental questions regarding the value of art and the value of money.

    At the time he was best known for a career of daring flights over the Sahara, the Pyrenees, and Patagonia and for his contributions to the science of aviation. But the solitary hours he spent above the earth in open cockpit airplanes gave birth to a more famous legacy, a series of enchanting, autobiographical novels and the classic story The Little Prince, still the most translated book in the French language.An impoverished aristocrat from one of France's oldest families, Saint-Exupéry moved at age twenty-seven to the western Sahara Desert, to live alone in a plank shack and manage the way station for the Aéropostale, the French mail service. His careers as a novelist and an aviator were born here, and his life once he returned to Europe was defined—with brilliant and catastrophic results—by the sense of isolated fascination and curiosity he developed in the desert.In this definitive biography, Pulitzer Prize winner Stacy Schiff reveals an intrepid and unconventional life that rivals the best adventure stories."A remarkable biography; indeed, it is impossible to imagine the job better done. It is balanced, perceptive, thoroughly researched, and exceptionally well-written." —The New Yorker

    Written by the famous nonobjective painter Wassily Kandinsky (1866–1944), it explains Kandinsky's own theory of painting and crystallizes the ideas that were influencing many other modern artists of the period. Along with his own groundbreaking paintings, this book had a tremendous impact on the development of modern art.Kandinsky's ideas are presented in two parts. The first part, called "About General Aesthetic," issues a call for a spiritual revolution in painting that will let artists express their own inner lives in abstract, non-material terms. Just as musicians do not depend upon the material world for their music, so artists should not have to depend upon the material world for their art. In the second part, "About Painting," Kandinsky discusses the psychology of colors, the language of form and color, and the responsibilities of the artist. An Introduction by the translator, Michael T. H. Sadler, offers additional explanation of Kandinsky's art and theories, while a new Preface by Richard Stratton discusses Kandinsky's career as a whole and the impact of the book. Making the book even more valuable are nine woodcuts by Kandinsky himself that appear at the chapter headings.This English translation of Über das Geistige in der Kunst was a significant contribution to the understanding of nonobjectivism in art. It continues to be a stimulating and necessary reading experience for every artist, art student, and art patron concerned with the direction of 20th-century painting.

    He addresses the scope of Modern Art, from its founding days as Abstract Expressionism through its transformations to Pop, Op, Minimal, and Conceptual. This is Tom Wolfe "at his most clever, amusing, and irreverent" (San Francisco Chronicle).