These stories are captivating, erotic, enigmatic and disturbing. Irenosen Okojie’s gift is in her understated humour, her light touch, her razor-sharp assessment of the best and worst of humankind, and her unflinching gaze into the darkest corners of the human experience.In these stories Okojie creates worlds where lovelorn aliens abduct innocent coffee shop waitresses, where the London Underground is inhabited by the ghosts of errant Londoners caught between here and the hereafter, where insensitive men cheat on their mistresses and can only muster enough interest to fall for one- dimensional poster girls and where brave young women attempt to be erotically empowered at their own peril. Sexy, serious and at times downright disturbing, this brilliant debut collection sizzles with originality.

    edition features an extra 16 pages of insights into the book, including author interviews, recommended reading, and more.

    Two sisters quarrel over an inheritance and a new baby; a child awake in the night explores the familiar rooms of her home, strange in the dark; a housekeeper caring for a helpless old man uncovers secrets from his past. The first steps into a turning point and a new life are made so easily and carelessly: the stories focus in on crucial moments of transition, often imperceptible to the protagonists. A girl accepts a lift in a car with some older boys, or a young woman reads the diaries she comes across when she’s housesitting. Small acts have large consequences, and some of them reverberate across decades; things fantasised in private can reach out to affect other people, for better and worse. An older woman recovering from serious illness speaks to a lonely young man on a train; an old friend brings bad news to a dinner party; a schoolteacher in the throes of a painful affair in 1914 has mixed feelings about her pupils’ suffragette craze. The real things that happen to people, the accidents that befall them, are every bit as mysterious as their longings and their dreams.Bad Dreams shows yet again that Tessa Hadley is a master of her art, one of the very finest writers at work in Britain today.

    In these stories, a teacher obsesses over a student who comes to class with scratch marks on his face; a Catholic girl graduating high school finds a warped kind of redemption in her school’s contrived class rituals; and a woman looking to rent a house is sucked into a strangely inappropriate correspondence with one of the landlords. These are just a few of the powerful plotlines in Suzanne Rivecca’s gorgeously wrought collection. From a college student who adopts a false hippie persona to find love, to a young memoirist who bumps up against a sexually obsessed fan, the characters in these fiercely original tales grapple with what it means to be honest with themselves and the world.

    Written to be read over a long commute or a short journey, they are original and exclusively in digital form. This is a poignant novella from Anita Brookner. 'I rather hope I shall die at the hairdresser's, for they are bound to know what to do. At least that is what I tell myself.' Solitude is a familiar burden for Elizabeth Warner. She lives in a basement flat near Victoria and leaves the house only to go shopping and to have her hair done - until a chance encounter at the hairdresser's brings unexpected change. At the Hairdresser's is a deeply moving, unflinchingly observed story about trust and betrayal by one of the greatest writers of contemporary fiction.

    Henry Awards, The Pushcart Prize, and The Best American Short Stories of 2000 (selected by E.L.Doctorow.) These are provocative, often shocking, tales of obsession, love, racism, addiction, betrayal, even murder, but told in such sensuous, richly-textured prose each story is rendered magical and timeless. A young girl obsessed with her tattooed, Yakuza uncle wit-nesses his horrific ending. A woman is condemned to death for loving a man outside her culture. Two cousins learn the terrible toll of drug addiction. A boy with amputated legs is introduced to love by an older woman. A girl of mixed-race heritage discovers her white father's racist background, and spends her life trying to 'run her genes off, like fat.' Two beautiful sisters, professional taxi-dancers, abandon their daughters, leaving them with no clues or codes on how to survive. A house of dysfunctional and wounded people are finally redeemed by the strength of love.The stories are set in islands across the Pacific where the author has lived and traveled extensively - Hawaii, Papua New Guinea, Nauru, Fiji, Vanuatu - parts of of the world only barely ex-plored in contemporary literature. Davenport offers her readers not just mesmerizing writing, but also brings them bulletins from an ancient, yet seemingly brave, new world. *****Of Davenport's writing, ALICE WALKER has said, "She ex-hibits the character great writers must have, passionate love of people, dedication to the memory of people who have suffered. You can't read Kiana Davenport without being transformed." ISABEL ALLENDE has said, "Reading Davenport is an over-whelming experience. Her prose is sharp and shining as a sword, yet her sense of poetry and love of nature permeate each line."A Sampling of Reviews of Stories in this Collection:"The story, HOUSE OF SKIN, transcends the very good and achieves the beautiful. It describes what is essentially a love story between the uncle, aunt and niece. After the tattooed uncle finally dies comes an ending as appropriate and mortifying as any I have ever read." - W.P. Osborn, Manoa, Journal of International Writing"THE LIPSTICK TREE had a magical effect on me. The pro-tagonist's dream of a better life, and her determination to go to the furthest extremes to achieve it, is heroic. The price of freedom is mitigated with grievous loss and bittersweet victory." - Thom Jones, author of Pugilist at Rest"DRAGON SEED is a spooky tale of addiction and self-destruction." - Jeff Yang, Reviewer, The Village Voice"The haunting, junkie ecstasy of Davenport's DRAGON SEEDis both abhorrent and beautiful." - Jessica Hagedorn, author of Dog Eaters"Hypnotic and amazing tales. Her writing is astonishing. Along the way, we learn about important and under-represented cultures. BONES OF THE INNER EAR still haunts me, and I believe some of these stories will stand as long as there is written language." - Tillie Olsen, author of Silences, Tell Me a Riddle *****

    Born in Wellington, New Zealand in 1888, she came to London in 1903 to attend Queen's College and returned permanently in 1908. her first book of stories, 'In a German Pension', appeared in 1911, and she went on to write and publish an extraordinary body of work. This edition of The Collected Stories brings together all of the stories that Mansfield had written up until her death in January of 1923. With an introduction and head-notes, this volume allows the reader to become familiar with the complete range of Mansfield's work from the early, satirical stories set in Bavaria, through the luminous recollections of her childhood in New Zealand, and through the mature, deeply felt stories of her last years. Admired by Virginia Woolf in her lifetime and by many writers since her death, Katherine Mansfield is one of the great literary artists of the twentieth century.

    In ten captivating and tender stories, E. J. Levy takes readers through the surprisingly erotic terrain of the intellect, offering a smart and modern take on the age-old theme of love--whether between a man and woman, a man and a man, a woman and a woman, or a mother and a child--drawing readers into tales of passion, adultery, and heartbreak. A disheartened English professor's life changes when she goes rock climbing and falls for an outdoorsman. A gay oncologist attending his sister's second wedding ponders dark matter in the universe and the ties that bind us. Three psychiatric patients, each convinced that he is Christ, give rise to a love affair in a small Minnesota town. A Brooklyn woman is thrown out of an ashram for choosing earthly love over enlightenment. A lesbian student of film learns theories of dramatic action the hard way--by falling for a married male professor. Incorporating theories from physics to film to philosophy, from "Rational Choice" to Thorstein Veblen's "Theory of the Leisure Class," these stories movingly explore the heart and mind--shooting cupid's arrow toward a target that may never be reached.

    Screenwriter, director, and star of the acclaimed film Me and You and Everyone We Know, Miranda July brings her extraordinary talents to the page in a startling, sexy, and tender collection.

    In the title story, a woman struggles with the death of her friend in a plane crash. A daughter decides whether to take her father off life support in the Pushcart Prize-winning "Cowboys." And in "Underthings," when a man hits his girlfriend, she calls it an accident. Spectacle bears witness to alarming and strange incidents: carnival rides and plane crashes, affairs spied through keyholes and amateur porn, vandalism and petty theft. These wounded women stand at the edge of disaster and risk it all to speak their sharpest secrets.In lean, acrobatic prose, Susan Steinberg subverts assumptions about narrative and challenges conventional gender roles. She delivers insight with a fierce lyric intensity in sentences shorn of excessive sentiment or unnecessary ornament. By fusing style and story, Steinberg amplifies the connections between themes and characters so that each devastating revelation echoes throughout the collection. A vital and turbulent book from a distinctive voice, Spectacle will break your heart, and then, before the last page is turned, will bind it up anew."Experimental but never opaque, Steinberg's stories seethe with real and imagined menace." —Publishers Weekly* A San Francisco Chronicle, Complex, Flavorwire, Vol. 1 Brooklyn, Largehearted Boy and Slaughterhouse 90210 Best Book of the Year *

    Ehrhardt’s stories, adultery and impropriety become disquietingly mundane. Mothers expect daughters to be complicit in their love affairs, children seek shelter in families that aren’t their own, fathers court their daughters, a couple enters into a marriage that lasts thirty days a year, and a young girl takes to the road with the simple guy who bags groceries at Piggly Wiggly while her mother imagines her safely at school. Beautifully restrained and shot through with tenderness, Famous Fathers and Other Stories establishes Ehrhardt as both a leading practitioner of the short story and an empathetic interpreter of the lives of wounded people who–instead of asking for what they want–take what is offered.

    Whether writing about the love (and conflict) between parents and children or between husband and wife, or about the struggles of aging single mothers or disheartened political organizers to make sense of the world, she brings the same unerring ear for the rhythm of life as it is actually lived.The Collected Stories is a 1994 National Book Award Finalist for Fiction.

    Now they are on the brink of the inevitable.Sally Rooney is one of the most acclaimed young talents of recent years. With her minute attention to the power dynamics in everyday speech, she builds up sexual tension and throws a deceptively low-key glance at love and death.

    “The literary ‘Oscars’ features twenty outstanding examples of the best of the best in American short stories.” — Shelf Awareness for ReadersThe Best American Short Stories 2014 will be selected by national best-selling author Jennifer Egan, who won the 2011 Pulitzer Prize and the National Book Critics Circle Award for fiction for A Visit from the Goon Squad, heralded by Time magazine as “a new classic of American fiction.” Egan “possesses a satirist’s eye and a romance novelist’s heart” (New York Times Book Review).

    Attrib. and other stories celebrates the tricksiness of language just as it confronts its limits. Correspondingly, the stories are littered with the physical ephemera of language: dictionaries, dog-eared pages, bookmarks and old coffee stains on older books. This is writing that centres on the weird, tender intricacies of the everyday where characters vie to 'own' their words, tell tall tales and attempt to define their worlds. With affectionate, irreverent and playful prose, the inability to communicate exactly what we mean dominates this bold debut collection from one of Britain’s most original new writers.