On a bright Saturday morning, a Wall Street investment banker is shot dead while jogging in Central Park. Hours later, one of New York City's savviest hedge-fund managers is gunned down outside a restaurant. Are these killings a coordinated terrorist attack, or just a coincidence? Investigative journalist Ellen Dorsey has a hunch they're neither, and when an attempt is made on the life of another CEO, her theory is confirmed. The story blows wide open, and as Ellen races to stay ahead of the curve, her path collides with that of a recession-hit architect, Frank Bishop, whose daughter's disappearance may be tied to the murders.Set deep in a shadow world of corrupt business deals and radical politics—with a plot that echoes today's headlines in haunting and unexpected ways—Graveland is a mind-blowing thriller that intensifies with every page.

    But those are just whispers of a past lost to time. The summer of 2000 was different. Iggy in the Baptist church. Gasoline and a match. Twenty-five people dead. This, Harmony couldn’t forget. Told in a kaleidoscope of timelines and voices, Michael Bible examines every dimension of a tragic but all-too-American story in The Ancient Hours. The victims, witnesses, perpetrators, and condemned comingle and evolve as the passage of time works its way through their lives. What emerges is a fable of the American South in the highest tradition: soaring, tragic, and eternally striving for redemption.

    A tragic childhood event left her haunted, in the company of a cast of prattling saints who pop in and out of her life like tourists. Other than visiting her agoraphobic neighbor, Maud keeps to herself, finding solace in her work and in her humble existence–until she meets Mr. Flood.Cathal Flood is a menace by all accounts. The lone occupant of a Gothic mansion crawling with feral cats, he has been waging war against his son’s attempts to put him into an old-age home and sent his last caretaker running for the madhouse. But Maud is this impossible man’s last chance: if she can help him get the house in order, he just might be able to stay. So the unlikely pair begins to cooperate, bonding over their shared love of Irish folktales and mutual dislike of Mr. Flood’s overbearing son.Still, shadows are growing in the cluttered corners of the mansion, hinting at buried family secrets, and reminding Maud that she doesn’t really know this man at all. When the forgotten case of a missing schoolgirl comes to light, she starts poking around, and a full-steam search for answers begins.Packed with eccentric charms, twisted comedy, and a whole lot of heart, Mr. Flood’s Last Resort is a mesmerizing tale that examines the space between sin and sainthood, reminding us that often the most meaningful forgiveness that we can offer is to ourselves.

    A hard-drinking wild man of literature and a stubborn outsider to the poetry world, he wrote unflinchingly about booze, work, and women, in raw, street-tough poems whose truth has struck a chord with generations of readers.Edited by John Martin, the legendary publisher of Black Sparrow Press and a close friend of Bukowski's, The Pleasures of the Damned is a selection of the best works from Bukowski's long poetic career, including the last of his never-before-collected poems. Celebrating the full range of the poet's extraordinary and surprising sensibility, and his uncompromising linguistic brilliance, these poems cover a rich lifetime of experiences and speak to Bukowski's “immense intelligence, the caring heart that saw through the sham of our pretenses and had pity on our human condition” (New York Quarterly). The Pleasures of the Damned is an astonishing poetic treasure trove, essential reading for both longtime fans and those just discovering this unique and legendary American voice.

    All of his prodigious gifts of language, character, and setting in these eleven exquisite stories transport the reader to an Ireland both timeless and recognizably modern. Shot through with dark humor and the uncanny power of the primal and unchanging Irish landscape, the stories in That Old Country Music represent some of the finest fiction being written today.

    And in their midst travels Madeleine, the dreamer, who is trying to make sense of her own metamorphosis as she leaves home, joins a gypsy circus, and falls into an unexpected triangle of desire and love.

    And they certainly weren’t all heroes.Give-a-Damn Jones, a free-spirited itinerant typographer, hates his nickname almost as much as the rumors spread about him. He’s a kind soul who keeps finding himself in the wrong place at the wrong time.That’s what happened in Box Elder, a small Montana town. Tensions are running high, and anything (or anyone) could be the fuse to ignite them: a recently released convict trying to prove his innocence, a prominent cattleman who craves respect at any cost, a wily traveling dentist at odds with a violent local blacksmith, or a firebrand of an editor who is determined to unlock the town’s secrets.Jones walks into the middle of it all, and this time, he may be the hero that this town needs.

    Babel was best known for his mastery of the short story form—in which he ranks alongside Kafka and Hemingway—but his career was tragically cut short when he was murdered by Stalin's secret police. Edited by his daughter Nathalie Babel and translated by award-winner Peter Constantine, this paperback edition includes the stunning Red Cavalry Stories; The Odessa Tales, featuring the legendary gangster Benya Krik; and the tragic later stories, including "Guy de Maupassant." This will be the standard edition of Babel's stories for years to come.

    In "Blythe," an attorney who has become a stay-at-home mother takes a night class in poetry and meets another full-time mother, one whose charismatic brilliance changes everything. In "The Wife of the Dictator," that eponymous wife ("brought back . . . from [the dictator's] last visit to America") grows more desperately, menacingly isolated every day. In "Delicate Edible Birds," a group of war correspondents--a lone, high-spirited woman among them--falls sudden prey to a brutal farmer while fleeing Nazis in the French countryside. In "Lucky Chow Fun," Groff returns us to Templeton, the setting of her first book, for revelations about the darkness within even that idyllic small town. In some of these stories, enormous changes happen in an instant. In others, transformations occur across a lifetime--or several lifetimes. Throughout the collection, Groff displays particular and vivid preoccupations. Crime is a motif--sex crimes, a possible murder, crimes of the heart. Love troubles recur--they're in every story--love in alcoholism, in adultery, in a flood, even in the great flu epidemic of 1918. Some of the love has depths, which are understood too late; some of the love is shallow, and also understood too late. And mastery is a theme--Groff's women swim and baton twirl, become poets, or try and try again to achieve the inner strength to exercise personal freedom. Overall, these stories announce a notable new literary master. Dazzlingly original and confident, Delicate Edible Birds further solidifies Groff's reputation as one of the foremost talents of her generation.

    His stories opened up crime fiction to the realities of American streets and American speech. Now The Library of America collects the finest of them: 24 in all, along with some revealing essays and an early version of his novel The Thin Man. The texts, reprinted here for the first time, are those that appeared originally in the pulps, without the cuts and revisions introduced by later editors.Hammett's years of experience as a Pinkerton detective give even his most outlandishly plotted mysteries a gritty credibility. Mixing melodramatic panache and poker-faced comedy, his stories are hard-edged entertainment for an era of headlong change and extravagant violence, tracking the devious, nearly nihilistic exploits of con men and blackmailers, slumming socialites and deadpan assassins. As guide through this underworld he created the Continental Op, the nameless and deliberately unheroic detective separated from the brutality and corruption around him only by his professionalism.

    Hunting in broad daylight or stalking from the shadows, we are their prey and their hunt is never done until they are caught or killed.With a worrying number of them living in our communities, working alongside us at our places of employment and sharing the same spaces where we spend time with our families, serial killers are typically just another neighbor that we barely think about. A worrying thought, to be honest.In The Big Book of Serial Killers Volume 2 we go through the lives of 150 serial killers who allowed themselves to fall under the influence of their darkest desires and took the lives anywhere from one to one hundred victims; we speak of their motives and how their stories ended (if they ended…), and remind you of the fear and pain that they left behind.But what can you expect from The Big Book of Serial Killers Volume 2? You will find such things as: An excellent A-Z list of all of these deadly killers, allowing you to reference the encyclopedia whenever you need to find out more about any single murderer. All of the uncensored details of their crimes, with much effort taking into account to describe their horrific acts. Important information on their date and place of birth, date of arrest and number of victims, among other facts. A list of Trivia facts for each killer, allowing you to learn more about their personalities and any films or documentaries made about them. So, with nothing more to add – it’s only time now for you purchase this book and begin learning about 150 of the sickest, most dangerous serial killers in world history. This is the next level in murder: are you ready to learn about the evilest men and women in history?

    It revolves around a limited number of characters, confines itself in time and space, and has a well-plotted narrative that drives its central theme. Within the traditional framework, however, creativity flowers and a fresh and imaginative story emerges. This volume is chock-full with such stories, written by authors well known in their regional languages as well as those who have made a name for themselves in English literary circles. Carefully selected by India's literary giant, the late Khushwant Singh, these pieces represent the best of Indian writing from around the country.

    Angel is convinced that the voice belongs to his beautiful and enigmatic neighbor, Angela -- and that she is terrified for her life. He paces the floor, waiting for the phone to ring again, calls the police, searches her apartment, but there is no trace of her anywhere, not for days. So begins a haunted man's quest to uncover what happened to the woman he has fallen in love with. Only now does he realize that he knows nearly nothing about her. Angel has his secrets, too. He is the son of one of Hollywood's most successful movie producers, but he has turned away from that bright and power-ridden world. Instead, he leads a cloistered existence, nursing an unfinished screenplay as Ridley Scott's Blade Runner loops ceaselessly in his darkened apartment. But now, for the first time in years, because of Angela's sudden disappearance, Angel is propelled into action. Following the few clues he has gathered about her, he trails Angela through the hard glitter of Los Angeles days and nights. With every new piece of knowledge arrives another question and an even more chilling possibility: Did he merely imagine Angela? Is someone deliberately leading him? Is the phantom he is pursuing the very fear he has been running from? In the murky underworld beneath the bright surface of Los Angeles, everything he knew about her -- and himself -- begins to unravel. In this city of secrets that aren't meant to be told and people who aren't meant to be found, Angel may soon discover that the most dangerous lies of all are the ones you tell yourself.

    Using excerpts and written prayers from her journal, Kate Gosselin offers an intimate look at the heart of a mother during the three years her family transitioned from obscurity into television fame.

    Among them are some of Stanley Elkin's finest, including the fabulistic "On a Field, Rampant," the farcical "Perlmutter at the East Pole," and the stylized "A Poetics for Bullies." Despite the diversity of their form and matter, each of these stories shares Elkin's nimble, comic, antic imagination, a dedication to the value of form and language, and a concern with a single theme: the tragic inadequacy of a simplistic response to life.