The book was written as an answer to the glut of tired A-Z screenwriting books that have flooded the market over the years. Instead of another extensive How-To guide, Scriptshadow Secrets looks at 50 popular movies from the past six decades and offers 10 (give or take) screenwriting tips from each. The idea is to not only teach screenwriters valuable lessons, but show how those lessons have been incorporated into successful films. This way, writers learn by example, instead of having to take the author's word for it. From Aliens to Pirates Of The Caribbean to The Hangover to The Empire Strikes Back, Secrets teaches you screenwriting lessons from the greatest films of all time. Author Carson Reeves began as a screenwriter himself, yet struggled to figure out the elusive formula for writing a successful screenplay. Then, about seven years ago, he started getting his hands on spec sale scripts and reading them. Within weeks, he'd learned more about screenwriting than he had in the past seven years combined. He then turned his attention from writing to helping others write. This was the genesis behind the Scriptshadow website - a way to teach screenwriting through reading professional screenplays.The site blew up but quickly became controversial, due to Reeves breaking down material that Hollywood considered private. As such, the site's become a "love it or hate it" fixture in both Hollywood and the screenwriting community. Still, the site has tens of thousands of aspiring screenwriters who visit daily and make it the most popular screenwriting site on the web. The site's most popular feature, the "What I learned" section at the end of each review, was the main inspiration behind Scriptshadow Secrets, as Reeves saw how positively writers responded to quick context-relevant tips.

     You will learn the ancient secrets of human psychology: the nine fundamental fears that motivate human behavior the nine core character types the nine stages of character change and so much more Complete beginners and seasoned veterans will benefit greatly from this material. You don’t even have to be a writer. The only requirement is that you come open-minded and ready to learn. About story. About character. And about yourself. Scroll up and get your copy now. What readers are saying… "Highly recommended to the writer wanting an effective tool to help develop believable characters." ~ Amazon Andy "Full of useful ideas." ~ Untamed Pen "Great book—must have for creating characters and developing plot around them!" ~ Susan Mi "Great jumping off point for characters and arcs." ~ Gail Clifford "I heartily recommend this book as a great tool for all writers." ~ Harry Rankin "A wonderful book." ~ Candace Segar "Gave me that AHA! moment of epiphany. I would recommend this book." ~ Dcortez "A great piece for new and veteran writers suffering from character block." ~ Cullen "They don't get better than this. It will fix your story and possibly your life." ~Amazon Customer Scroll up and grab your copy today. Scroll up and get your copy now.

    

    Main Street comes to life after lying dormant since the summer crowd left, many of the small shops and eateries all opening up again to cater to the visitors as well as to compete in the many “Best Of” contests that run every year.This year, best friends Annie, Jackie and Marie all have a lot going on in their personal and business lives and look forward to making some great memories over the busy holiday season.Join Annie and her friends as they continue to navigate through this funny thing we call life, all from the beauty of Crosby’s Cove.While this book can be read as a standalone, it is part of the Crosby’s Cove series and has several references to previous scenes that are in Crosby’s Cove Book 1 and Book 2.

    So she did. But she didn’t know about the other occupant that never left, not until it was much too late. Piper Williams is barely keeping her larder stocked, and is way behind on the rent when for the price of the back taxes she can claim a house that has been in her family for generations past. Seeing it as a solution to her financial woes and an opportunity to be left alone to work in peace  Piper empties what is left of her bank account and moves in. Yet old places need work and everything is on the fritz. But ‘old’ doesn’t account for the face that sometimes appears in the window. And 'old' doesn’t account for that stain that keeps returning on the rug. And ‘old’ doesn’t account for the old armoire that holds an ancient cloak that is only sometimes dry. When events turn hellishly evil and Piper finds herself in the battle of her life, can she find a way to put the house to rest or, like those that her passed before her, will she be destroyed and bound to the house forever?

    ​Screenwriter Jamie Nash takes up Snyder’s torch to lay out a step-by-step approach using Blake’s principles so that both new and experienced writers can learn how to: -Use all the nuances, tricks, and techniques of pilot-writing (The Opening Pitch, The Guided Tour, The Whiff of Change) with examples from today’s hottest series -Discover the Super-Secret Keep It On The Downlow TV Pitch Template that combines all the critical points of your amazing TV series into one easy-to-read-over-lunch high-level document -Define the 9 TV Franchise Types -Crack your story using the Save the Cat! beat sheet -Devise high-level series concepts with multi-season potential -Map out and organize TV pilots and multi-season shows -Break down the best and most diverse TV series using examples from Atlanta, Barry, Ozark, The Marvelous Mrs. Maisel, What We Do in the Shadows, Black-ish, The Mandalorian, Law and Order: SVU and more -Create layered characters who are driven by complex internal struggles It’s time for Save the Cat! Writes for TV to help you create your binge-worthy TV series!

    No other writing craft book teaches you the secret of how to "show, don't tell." Best-selling authors of every genre know the secret to hooking readers—by showing, not telling, their story. But writers are not taught how to “show” scenes in a cinematic way. Without a clear, concise, and precise method for constructing dynamic scenes, a writer will likely end up with a flat, lifeless novel. Filmmakers, screenwriters, and movie directors utilize cinematic technique to create visual masterpieces, and novelists can too—by adapting their methods in their fiction writing. By “shooting” your novel, you can supercharge your story! Sol Stein, in his book Stein on Writing said, “Readers, transformed by film and TV, are used to seeing stories. The reading experience . . . is increasingly visual.” Novelists today—regardless of genre—need to learn cinematic storytelling because that's what readers want! Inside, you’ll learn: The real secret to “show, don’t tell” and how it’s all about “the moment” More than a dozen “camera shots” novelists can borrow from screenwriters and directors to create powerful, active scenes Instruction on how to piece camera shots together to create cinematic scene segments Examples from novels and screenplays showcasing each facet of cinematic technique How to devise a thematic image system of key shots, motifs, and images Ways to use colors, shapes, sounds, and angles for purposeful subliminal effect Shooting your novel with a filmmaker’s eye will transform your good novel into a great one and will change forever the way you approach constructing your scenes. No other book gives you such deep, thorough instruction in cinematic storytelling for fiction writing. Here's what some best writing instructors and best-selling authors have to say about this essential novel writing book: “With such an extensive amount of experience in the screenwriting process (since childhood), it comes as no surprise that C. S .Lakin writes with a trustworthy authority and wealth of insight when it comes to the craft of building dynamic scenes within novels. The pace and flow of Shoot Your Novel makes it easy to follow and the various tips and pointers strewn throughout are succinct. Of particular note is the smart curation of novel excerpts, authors, and filmmakers she cites as examples for the tips she suggests. If you have trouble understanding some of the pointers/tips theoretically, the excerpts always make it more clear. Having myself adapted The War of the Roses for both film and stage I can say that I have actually used quite a few of the techniques Lakin discusses and the one I like the most is the use of portraying "daydreaming" when writing from the POV of a character, effectively blending past, present, and future in one single scene—there is a lot of this going on in The War of the Roses and it is one of the aspects of the story flow that has made the rendering of the character a success.

    Some remembered her as the innocent daughter of a local minister, while others whispered rumors about a recent lascivious turn. Was she really the 'other woman' who came between her friends' engagement? Is it true she convinced someone to give up a life of crime? Did she really spend time in jail for a DUI? After failing to maintain a blogging career, Jessica Carter must return to her home town of Hampton, New Hampshire. The place is nice enough: a beautiful summer destination with sandy beaches, a touristy boardwalk and a cozy, small-town atmosphere. But Jessica knows coming home means owning up to her mistakes and mending relationships with everyone she left behind. Corinne's death brings Jessica closer to her former friends, but as she digs into Corinne's life, she exposes dark secrets her friends wish would remain hidden. Caught between her investigation and her friends, Jessica seeks to answer the one question everyone else seems content to leave unresolved: who knew the real Corinne, and why would someone want her dead?

    Until it arrives. From the desk of Honor Raconteur comes the tale of one guild, who believes in the impossible, and fight with everything they have to prevent the war they see coming. ~ Contains all three books in the trilogy "Deepwoods," "Blackstone," and "Fallen Ward," as well as "Origins," the collection of short stories.

    You can jump-start your plot and bring your characters and scenes vibrantly alive on the page - by watching your favorite movies and learning from the storytelling tricks of great filmmakers.With this workbook, based on award-winning author/ screenwriter Alexandra Sokoloff’s internationally acclaimed Screenwriting Tricks For Authors blog and workshops, you'll learn how to use techniques of film writing such as:- the High Concept Premise- the Three-Act, Eight-Sequence Structure- the Storyboard Grid- the Index Card Method of Plotting- as well as tricks of film pacing and suspense, character arc and drive, visual storytelling, and building image systems - to structure and color your novel for maximum emotional impact, unbearable suspense and riveting pacing, no matter what genre you're writing in.You'll create your own personalized workbook of genre tricks based on your favorite books and movies and tailored to your own brand of storytelling, and a collage book to build visual image systems. And the emphasis on premise is invaluable for crafting that all-important query and pitch.In this rapidly changing world of publishing, more and more agents and editors are looking for novels that have the pacing, emotional excitement, and big, unique, "high concept" premises of Hollywood movies (and the potential for that movie or TV sale!). And if you're indie publishing, it's even more important to craft and polish your book to stand out from the crowd.Whether you're just starting to develop a book or script, or rewriting for maximum impact, this workbook will guide you through an easy, effective and fun process to help you make your book or script the best it can be.Includes detailed film breakdowns and analysis as well as chapters and resources on how to get a literary agent, writing a query letter, professional networking, and screenwriting contests.For sample chapters please visit http://screenwritingtricks.comTABLE OF CONTENTSIntroductionPART ONE: STORY STRUCTURE1. The Master List2. What's Your Premise?3. What is "High Concept"?4. The Three-Act, Eight-Sequence Structure5. The Index Card Method and Story Elements Checklist6. Elements of Act I7. Hero/ine, Protagonist, Main Character8. Protagonist Case Study: Jake Gittes9. What Makes a Great Villain?10. Villains, Part 2: The Forces of Antagonism11. Elements of Act Two12. Elements of Act Two, Part 213. Elements of Act Three14. What Makes a Great Climax?15. Visual Storytelling16. Creating Suspense17. Plants and Payoffs18. The Big Twist19. Character Introductions20. Fairy Tale Structure21. Meta Structure22. Your First Draft is Always Going to Suck23. Top Ten Things I Know About Editing24. Life is a Pitch MeetingPART TWO: STORY BREAKDOWNS25. Harry Potter and the Sorcerer's Stone26. Romancing the Stone27. Chinatown28. The Mist29. Act Climaxes and Turning PointsPART THREE: THE BUSINESS30. How Do I Get a Literary Agent?31. Internet Resources for Writers32. So You Want to Know About Screenwriting33. Recommended ReadingFigure 1: Story Grid

    People click to it from the cover. They click to it from ads. They click to it from other books. But how do you write one that turns views into sales?Do you get conflicting advice on how to write a blurb from books, blogposts and internet comments? Have you tried gimmicks from blurb gurus only to see no difference in sales?This book delivers methods that will work for you. It studies blurbs from a copywriting, neuroscience and artistic perspective.Because a good blurb is all these things.This book will dispel blurb myths, and explain effective tactics. Finally, it’ll deconstruct great blurbs so you see their moving parts.Enter the cutting-edge world of advanced blurbs and learn: The neuroscience behind persuasion The bad advice that’s killing your sales Copywriting super-hooks other than teasers How blurbs really work Distilled here is decades of knowledge from a full-time author who used to be employed to persuade people.You’ll never look at blurbs the same way again. Are you ready to unleash the power of yours?

    None of them needed a man to give them anything but love; yet each of them had standards that no man could measure up to. Meadow who is the oldest of the three gave up on men her freshman year in college when her ex cheated on her; causing her to lose focus and ending up on academic probation. She swore men off for the next few years because of it. Now that she's graduated, she decided to find someone to occupy her lonely nights. The man she falls for is a Boss with a secret that can destroy everything he was trying to build with her. Melina found her knight and shining amour; however when she reveals something that she's been holding to he will turn his back on her, leaving her with a broken heart.Maci is the youngest of the crew who is finally finished with high school and finds herself falling for her first bad boy. He is a few years older but can't seem to get enough of her and vows to make her his no matter what the cost. These three sisters will take you on a ride with them and their men that will have you wondering what the hell just happened.

    So does conflict, and scenes, and every other aspect of the fiction craft. But without unforgettable characters, your books will always be less than they could be.Don't let that happen.In WRITING UNFORGETTABLE CHARACTERS you'll learn:•How to lay the foundation for a memorable character•How to bond the reader with the main character from the start•The super power of unpredictability•The secrets of grit, wit, and moxie•How to bring your character to life on the page•How and when to reveal backstory•All about arcs and what they truly mean•The key to unforgettable villains•How to make minor characters memorable, too•How to create a great series characterAnd more, PLUS the powerful exercises James Scott Bell has taught in his sold-out writing workshops.No more flat stories! Give your readers what will turn them into career-long fans—characters who jump off the page.

     Lyra has been keeping a secret from everyone. Still stinging from her parents’ divorce, her life is falling apart. When her mom finds out what Lyra’s been hiding, she pulls her from her world of partying and takes her to a reclusive cabin in the woods to get herself together. At first, Lyra wants nothing to do with the solitude of nature, until she stumbles upon a small commune deep in the forest and three gorgeous, intriguing men who live there. Completely different from one another, Rain, Paul, and X grab Lyra’s attention and pique her curiosity each in their own unique way. Can these three men living a simple life in the woods help Lyra find herself and the love and intense pleasure she’s been missing with all of them?.

    He’s done things wrong in the past, but he’s ready to make it right. Can a bad memory be turned into a fresh holiday romance start?HollyComing back to Ribbon Cove wasn’t my idea, and I’m not totally happy to be here.And then I see him. My crush, who crushed me, from high school—Abe Roman.Back then he was the one every girl wanted and most of us couldn’t have.He’s got a little more around the middle, and so do I, but he’s as charming and honest as ever.When I realize he doesn’t recognize me, I wonder if this is a chance to have a dream come true.But my past comes with heartbreak and I’m not sure if he’ll break me again.AbeThere’s something about Holly I just can’t put my finger on. She’s familiar. Comfortable. Maybe even…a good memory. And I don’t have a lot of those these days.Football. Many hits to the head. And ignoring my pain all led me to this point.I might not remember the old days, but I’m positive I’ll never forget the curvaceous, colorful sprite that is Holly Thomas.After a beautiful night, my brother takes my dream of a future with her and tells me a nightmare of my past.Can I be better than the man I don’t want to remember to fix what I did?Or will she forever be a memory that I can’t forget?Holiday Hotties is a sweet & steamy instalove series of five curvy, strong women who will find their happily ever after with the man of their dreams--sugar plum dreams, that is.