“Gay Bar is an absolute tour de force.” (Maggie Nelson)"Beautiful . . . Atherton Lin has a five-octave, Mariah Carey-esque range for discussing gay sex.” –New York Times Book ReviewStrobing lights and dark rooms; throbbing house and drag queens on counters; first kisses, last call: the gay bar has long been a place of solidarity and sexual expression—whatever your scene, whoever you’re seeking. But in urban centers around the world, they are closing, a cultural demolition that has Jeremy Atherton Lin wondering: What was the gay bar? How have they shaped him? And could this spell the end of gay identity as we know it?In Gay Bar, the author embarks upon a transatlantic tour of the hangouts that marked his life, with each club, pub, and dive revealing itself to be a palimpsest of queer history. In prose as exuberant as a hit of poppers and dazzling as a disco ball, he time-travels from Hollywood nights in the 1970s to a warren of cruising tunnels built beneath London in the 1770s; from chichi bars in the aftermath of AIDS to today’s fluid queer spaces; through glory holes, into Crisco-slicked dungeons and down San Francisco alleys. He charts police raids and riots, posing and passing out—and a chance encounter one restless night that would change his life forever. The journey that emerges is a stylish and nuanced inquiry into the connection between place and identity—a tale of liberation, but one that invites us to go beyond the simplified Stonewall mythology and enter lesser-known battlefields in the struggle to carve out a territory. Elegiac, randy, and sparkling with wry wit, Gay Bar is at once a serious critical inquiry, a love story and an epic night out to remember.

    Decipher     love. To make what was once whole     whole again: or to see     why it never should have been thought whole.     This “ancient work” reflects what the poet sees as fundamental in human feeling, what psychologists and mystics have called the “hunger for the Absolute”—a hunger as fundamental as any physical hunger. This hunger must confront the elusiveness of the Absolute, our self-deluding, failed glimpses of it. The third section of the book is titled “History is a series of failed revelations.”     The result is one of the most fascinating and ambitious books of poetry in many years.One of Publishers Weekly's Best Poetry Books of 2013A New York Times Notable Book of 2013An NPR Best Book of 2013

    Moving between past and present, Alison relives her unique childhood playing at the family's Bechdel Funeral Home, her growing understanding of her own sexuality, and the looming, unanswerable questions about her father's hidden desires. Fun Home is a refreshingly honest, wholly original musical about seeing your parents through grown-up eyes.

    Set in upstate New York, the novel follows these characters as they achieve their aims in lives redolent with loss and hope, humor and sadness, union and alienation. Russell picks up the thread of his critically acclaimed novel The Salt Point 20 years later and tracks the lives of these friends, some of whom not only lost touch with each other but have also lost their way. Moving, at times shocking, and always memorable, Immaculate Blue points to where the personal and the political come together and shape our lives in unexpected ways. With this newest novel, Paul Russell reminds us of why he is one of the most important voices on the literary scene.

    Frederick Bailey is a quiet, cultured, closeted architect reluctantly drawn into the effort to save Pennsylvania Station from being demolished. But when he meets Curt, a vibrant, immature gay activist more than half his age, he is overtaken by passions he hasn't felt in years, putting everything he cares about--his friends, his family, his career and reputation--at risk. As the elegant old train station is dismantled piece by piece to make way for the crass new Madison Square Garden sports arena, Frederick must undergo a reckoning he has dreaded all his life. Award-winning author Patrick E. Horrigan delves into the fractured psyches of mid-twentieth-century gay men, conjuring a picture of New York City and the nation on the brink of explosive cultural change.

    For one of these adventurers, the trip will hold consequences that may well shape the rest of her life. Allison Stern, an executive with a New York financial firm, finds her world turned upside down, when her manager puts her in charge of a character-building adventure, and things go terribly wrong. Cynthia Brooks, a ranger with the forestry service finds herself thrown in with Allison, as she attempts a rescue. Allison is floundering in a loveless marriage and Cynthia wants nothing to do with any sort of relationship, having left her heart on a mountainside in Colorado, years before. Can a city girl with an affinity for nature, find love with a devout mountain girl with a broken heart? Read Eagle Ridge, and find out if opposites really do attract.(Author's note: 2nd Edition of this book contains various corrections of grammatical and ease of reading problems that had been brought to my attention following the publication of the original manuscript.)

    “Irresistible” (Out). Black-and-white photographs.

    

    Lyly took up the story of two young women, Galatea (or Gallathea) and Phillida who are dressed up in male clothes by their fathers so that they can avoid the requirement of the god Neptune that every year "the fairest and chastest virgin in all the country be sacrificed to a sea-monster." Hiding together in the forest, the two maidens fall in love, each supposing the other to be a young man. "Galatea" has become the subject of considerable feminist critical study in recent years. "Midas" (1590) uses mythology in quite a different way, dramatizing two stories about King Midas in such a way as to fashion a satire of King Philip of Spain (and of any tyrant like him) for colossal greediness and folly. In the wake of the defeat of Philip's Armada fleet and its attempted invasion of England in 1588, this satire was calculated to win the approval of Queen Elizabeth and her court.

    This is the first full-length account of one of its key players, Jack Saul, a working class Irish Catholic rent boy who worked his way into the upper echelons of the aristocracy, and wrote the notorious pornographic memoir The Sins of the Cities of the Plain. Glenn Chandler, creator of Taggart, explores his colourful but tragic life and reveals for the first time the true story about what really went on behind the velvet curtains of Number 19 Cleveland Street.

     Anthony had a special feeling about Jonathan Larson's rock musical from his first audition, so he was thrilled when he landed a starring role as the filmmaker Mark Cohen. With his mom's cancer in remission and a reason to quit his newly acquired job at Starbucks, his life was looking up. When Rent opened to thunderous acclaim off Broadway, Rapp and his fellow cast members knew that something truly extraordinary had taken shape. But even as friends and family were celebrating the show's success, they were also mourning Jonathan Larson's sudden death from an aortic aneurysm. By the time Rent made its triumphant jump to Broadway, Larson had posthumously won the 1996 Pulitzer Prize. When Anthony's mom began to lose her battle with cancer, he struggled to balance the demands of life in the theatre with his responsibility to his family. Here, Anthony recounts the show's magnificent success and his overwhelming loss. He also shares his first experiences discovering his sexuality, the tension it created with his mother, and his struggle into adulthood to gain her acceptance. Variously marked by fledgling love and devastating loss, piercing frustration and powerful enlightenment, Without You charts the course of Rapp's exhilarating journey with the cast and crew of Rent as well as the intimacies of his personal life behind the curtain.

    Now, after breaking up with his longtime boyfriend, Smith looks back to his painfully normal childhood to see where all the trouble really began. Like every other American kid, Bob's adolescence was marked by alternating moments of blissful ignorance, hazy confusion, and humiliating self-consciousness. And in these pages, Bob evokes his youth with a vividness that will make you shudder and howl with recognition.In these hysterically humorous pages, Bob Smith introduces readers to his comically unsympathetic grandmother, who makes light of his carsickness: "Bob only throws up because he's near the window and he can"; to his first teacher crush, whose "five-o'clock shadow could plunge a room into darkness"; and to his first brush with fame, when he fainted from his chair during a biology filmstrip ("Way to go, Smith!"). Sharp, observant, ingeniously ironic and wholly satisfying, this new Lambda Award-nominated collection is at once bittersweet nostalgic fun and a testament to the unquestionable gifts of a highly original comic writer.

    Structured like a classic novel of legal suspense, The Child explores what happens when Stew, a lonely fifteen-year-old boy, looks for and finds an adult boyfriend online. In short order his lover is arrested in an Internet pedophilia sting and Stew's world is turned upside down. He's exposed to his family and community, leaving the outcast to fend for himself against forces intent on his destruction. Desperate and enraged, the confused Stew murders his nephew in a panic. Schulman's novel considers the impact of these events on all those involved — from the parents of the murdered child, to Stew's staunchly Catholic parents, and the attorneys working on his case. Carefully untangling the actions of an isolated teenager denied a natural outlet for his feelings during a critical time in his life, The Child is a haunting meditation on isolation and the prejudices of culture and family.

    Thankfully, the sexy stranger sitting next to me is more than willing to share a few kisses in the name of revenge. It gets even better when those scorching kisses turn into a night of fiery passion.  The only problem? Turns out the stranger's brother is marrying my sister later this week. Tristan: I have one rule: no messing with the guests at my vineyard resort. Of course the one exception I make turns out to be the brother of the woman my brother’s about to marry. Now we’re stuck together for a week of wedding activities, and there’s no avoiding the heat burning between us.  So fine, we make a deal: one week. One week to enjoy each other’s bodies and get it out of our system. Once the bride and groom say I do and we become family, it’ll all be over between us. Right? Brad: When Brad opens his Vegas hotel room door to find a hot police officer waiting on the other side, he assumes crazy Aunt Tilly has sent him a strip-o-gram. But instead of getting naked, Detective Gorgeous pulls out his cuffs — turns out, the badge and uniform aren’t just props, this cop is the real deal. Taming Teddy: Teddy: If there’s one thing I don’t do, it’s commitment. You don’t become an award-winning photographer by staying in one place. I’m always on the road, looking for the next shot, the next award, the next hot body. Which is how I end up on Dr. James Marian’s front porch in the middle-of-nowhere Alaska. He’s known as the Wildlife Whisperer, and I want to photograph him in action. He’s reluctant at first, but I can be persuasive.  Soon enough I have him in bed saying yes over and over and over again, but my ability to shoot and scoot is frozen by a Denali snowstorm. Jamie: I always thought of myself as the marrying type. Until I got left at the altar. Now I have a new motto: never commit and never fall in love. So when a cocky nature photographer decides I’m the key to his next masterpiece, it seems like the perfect arrangement: the hotshot’s only in town for a brief assignment and then he’ll be gone. No commitment, no strings, and no chance of getting my heart broken again. There’s just one problem: I think I’m falling in love. Now I’m afraid that maybe I’m the marrying type after all. And he definitely is not. Jumping Jude: Jude: Reaching the top of the country music charts brings out the crazy, and there’s no one crazier than my ex. Unfortunately, his threats to out me are escalating. Enter the bodyguard of my dreams. I’d probably chafe under his constant presence if his attention to my body wasn’t so… ah… thorough. Now I have to worry about outing myself to millions of fans if I can’t keep my hands off him in public. Derek: Now I’m an ex-Marine turned babysitter. If I have to hear Jude sing his mega-hit Bluebells one more time, I might murder him myself, and after 6 years in special ops, I know my way around a weapon. Unfortunately, so does he. Except his arsenal includes washboard abs and a killer set of pipes.

    . . [Mart] Crowley's point is about how the humor is shaped and defined by the pain."-The New York TimesThe Boys in the Band was the first commercially successful play to reveal gay life to mainstream America. Alyson is proud to release a special fortieth anniversary edition of the play, which includes an original preface by acclaimed writer Tony Kushner (Angels in America), along with previously unpublished photographs of Mart Crowley and the cast of the play/film.Mart Crowley's other plays include the autobiographical A Breeze from the Gulf (1973) and The Men from the Boys (2002).