But one day, Millie’s mum leaves her alone beneath the Ginormous Women’s underwear rack in a department store, and doesn’t come back.Agatha Pantha is an eighty-two-year-old woman who hasn’t left her home since her husband died. Instead, she fills the silence by yelling at passers-by, watching loud static on TV, and maintaining a strict daily schedule. Until the day Agatha spies a little girl across the street.Karl the Touch Typist is eighty-seven years old and once typed love letters with his fingers on to his wife’s skin. He sits in a nursing home, knowing that somehow he must find a way for life to begin again. In a moment of clarity and joy, he escapes.Together, Millie, Agatha and Karl set out to find Millie’s mum. Along the way, they will discover that the young can be wise, that old age is not the same as death, and that breaking the rules once in a while might just be the key to a happy life.

    After lunch, a group of three of the girls climbed into the blaze of the afternoon sun, pressing on through the scrub into the shadows of Hanging Rock. Further, higher, till at last they disappeared.They never returned.Whether Picnic at Hanging Rock is fact or fiction the reader must decide for themselves.

    When their mother's appetite for destruction leads the little family into the arms of Ray Crow, Jesse sees the brooding violence and knows that, this time, the trouble is real. But Jesse is just a kid and even as he tries to save his sister, he makes a fatal error that exposes them to the kind of danger from which he has sworn to protect Rachel. As their little world is torn to pieces, the children learn that when you are lost and alone, the only thing you can trust is what's in your blood.

    Her life has taken her from a failed marriage in Sydney to freedom in London; she forged a modest career as a seamstress and lived with two dear friends through the happiest years of her adult life.At home, the neighborhood children she remembers have grown into compassionate adults. They help to nurse her back from pneumonia, and slowly let her in on the dark secrets of the neighborhood in the years that have lapsed.With grace and humor, Nora recounts her desire to escape, the way her marriage went wrong, the vanity that drove her to get a facelift, and one romantic sea voyage that has kept her afloat during her dark years. Her memory is imperfect, but the strength and resilience she shows over the years is nothing short of extraordinary. A book about the sweetness of escape, and the mix of pain and acceptance that comes with returning home.

    A sequel to McGahan's "1988".

    She smirked with one side of her mouth and looked up at me through the black spray of her fringe. Her eyes were dark and already she was playing some kind of game with me, or that's how it seemed. Her voice was a little deeper and huskier than I might have expected, so her last line had come out with a hint of something that might have been menace or even seductiveness or just a pitch at adult banter. Whatever it was, it stuck with me and it punctuated the moment and it didn't feel quite right for a conversation with a schoolgirl on my doorstep.”With his chart-topping band, Butterfish, Curtis Holland lived the cliched rock dream. Residing in hotels and recording studios, travelling in custom-built buses, he got married after a soundcheck in a wedding chapel in Nevada and barely noticed when his wife left him in Louisville.But no dream lasts forever.When Annaliese Winter walks down Curtis Holland's front path, he's ill-prepared for a sixteen-year-old schoolgirl who's a confounding mixture of adult and child. He's back in Brisbane trying to build a life and he is not used to having a neighbour at all.So when Curtis receives an invitation to dinner from Annaliese's mother, Kate, he is surprised when he not only accepts but finds himself being drawn to this remarkably unremarkable family. Even to fifteen-year-old Mark who is at war with his own surging adolescence.Curtis soon realises that with Kate divorced, Annaliese and Mark need a male role model in their lives, but it's hard for him to help when he's just starting to grow up himself and harder still when Annaliese begins to show an interest in him that is less than filial.Filled with acute observation, humour and tenderness, Butterfish is Nick Earls at his very best.

    Through the story of two brothers who grew up in patriotic, suburban Melbourne, George Johnston created an enduring exploration of two Australian myths - that of the man who loses his soul as he gains worldly success, and that of the tough, honest, Aussie battler.

    There he must deal with both the bullying of the other boys and the intense affection of Penworth, one of the masters. But then, home for the holidays, he meets Margaret, a girl staying at a nearby farm, and a passionate bond develops between them. Published in 1937 to extraordinary acclaim when Kenneth Mackenzie was in his early twenties, The Young Desire It is an unparalleled account of erotic awakening.‘Among Australian novels it is unique and very nearly perfect, a hymn to youth, to life, to sexual freedom and moral independence.’ David Malouf

    Once the land is cleared and a rudimentary house built, he brings his wife Amy to the wilderness. Together they face lives of joy and sorrow as they struggle against the environment.

    It is the story of Albert Facey, who lived with simple honesty, compassion and courage. A parentless boy who started work at eight on the rough West Australian frontier, he struggled as an itinerant rural worker, survived the gore of Gallipoli, the loss of his farm in the Depression, the death of his son in World War II and that of his beloved wife after sixty devoted years - yet he felt that his life was fortunate.Facey's life story, published when he was eighty-seven, has inspired many as a play, a television series, and an award-winning book that has sold over half a million copies.

    The most famous work by the Australian novelist and poet, For the Term of His Natural Life is a powerful tale of an Australian penal settlement, which originally appeared in serial form in a Melbourne paper.

    The first novel written about the bushcountry gunslinger who was both the national hero and devil incarnate of Australia, Ned Kelly imagines the inner life of a figure described by historian Manning Clark as "a wild ass of a man, snarling, roaring and frothing like a ferocious beast when the tamer entered the cage." Written with brilliant clarity and impressionistic economy, Ned Kelly follows Kelly and his outlaw gang of "bushrangers" through the wild land of Australia as they declare war on the police, the bankers, the squatters, the teachers, the preachers, the railway, and the electric telegraph-carrying readers into a dream world of astonishing and violent revelation.

    But when the handsome John Beck-a former Methodist preacher turned novice whaler with a mysterious past-arrives at the Davidson's door pleading to join her father's crews, suddenly Mary's world is upended.As her family struggles to survive the scarcity of whales and the vagaries of weather, and as she navigates sibling rivalries and an all-consuming first love for the newcomer John, nineteen-year-old Mary will soon discover a darker side to these men who hunt the seas, and the truth of her place among them. Swinging from Mary's own hopes and disappointments to the challenges that have beset her family's whaling operation, RUSH OH! is an enchanting blend of fact and fiction that's as much the story of its gutsy narrator's coming-of-age as it is the celebration of an extraordinary episode in history.

    It’s November 1948, and the widowed Hanora Sparrow and her teenage daughters, Aria and Rosy, have fallen on tough times; when they move into a housing commission camp on the outskirts of Sydney, their spirits are low and their prospects few. While Hanora copes via various pharmaceutical offerings and Rosy with nothing other than indignity, the spirited Aria rises immediately to the challenge of keeping the family together in such trying circumstances. With her endless curiosity and lively sense of humor, Aria draws the Sparrow women into close friendships with other camp residents and supports her family through her work as a photographic model in the city. Despite the setbacks, Aria strives toward their eventual salvation.

    Since her mother’s death when Neve was seven, she’s learned to look after herself and to keep her cards close. But now her deliberately constructed world has collapsed: her partner’s left her when she was eight months pregnant. And so, alone with her newborn son, she’s retreated to her cliff-top holiday house in coastal Flinders.There, another child comes into her life. The first time Neve sees Jessie, the small girl is playing on an empty stretch of beach. On the cold autumn day, she is bare-legged and alone, while her mother is distracted by her own troubles. At once, almost despite herself, Neve is intrigued and concerned, and Jessie is drawn to Neve’s kindness – and to her home. To Neve’s surprise, Jessie becomes an unlikely source of much needed care for her and her baby. Having been lost in the sleepless haze of new motherhood, Neve is touched, and finds herself grappling with how to best help the forgotten girl. She has the spacious house, the full pantry, the resources . . . But how much can you – should you – do for a stranger’s child?