Mythic themes as well as many other topics are masterfully explored in this rich selection of 134 lyrics chiefly selected from six volumes of verse published between 1889 and 1914. Among the poems included are "The Stolen Child" and "Down by the Salley Gardens" (Crossways, 1889); "To the Rose upon the Rood of Time," "The Lake Isle of Innisfree," "When You Are Old," and "To Ireland in the Coming Times" (The Rose, 1893); "The Song of Wandering Aengus" and "A Poet to His Beloved" (The Wind Among the Reeds, 1899); "The Song of Red Hanrahan" (In the Seven Woods, 1903); "No Second Troy" and "The Fascination of What's Difficult" (The Green Helmet and Other Poems, 1910); "To a Friend Whose Work Has Come to Nothing" and "To a Shade" (Responsibilities, 1914); and many more. This representative selection offers readers a splendid sampling of the distinctive Yeatsian voice — romantic, yearning, full of the magic and mysticism Yeats imbibed as a boy in the West of Ireland, later counterbalanced by an anguished realism grounded in the poet's nationalistic and political sympathies.

    Maurice Manning extolls the virtues of nature and its many gifts, and finds deep gratitude for the mysterious hand that created it all. that bare branch that branch made black by the rain the silver raindrop hanging from the black branch Boss I like that black branch I like that shiny raindrop Boss tell me if I’m wrong but it makes me think you’re looking right at me now isn’t that a lark for me to think you look that way upside down like a tree frog Boss I’m not surprised at all I wouldn’t doubt it for a minute you’re always up to something I’ll say one thing you’re all right all right you are even when you’re hanging Boss

    Brown. Brown is the winner of the Texas Book of The Year Prize, 2013. The New York Times calls his work a rekindling of the faith in the shocking, weird and beautiful power of words. Brown finally sold the ship, The Sea Section, upon which he lived for years in the Long Beach harbor, after which he took to hunting for a city that was affordable and had a bustling writer s community. He landed in Austin, Texas and when the progress of that town got to be intense, he moved to the nearby countryside in Elgin, Texas, and from that pastoral setting came unfurling this new collection of his most personal work to date. Brown has been known as one of the most touring, well travelled living poets in America. He has based his whole writing career on changing peoples minds about poetry and he feels a quality, unforgettable live experience can achieve that. Brown told himself he needed a 10-year hiatus from writing poetry when he felt the well of creativity had dried up. 2 years ago, he wrote a one-hour long poetic play called Strange Light, commissioned by The Noord Nederlands Dans Group in Holland. The piece was performed by 14 dancers and accompanied by a live orchestra using music composed by fellow Americans, Emily Wells and Timmy Straw. While he was working on a new libretto for Wayne State University in Detroit, he was set up in a seemingly pastoral country setting, where, as Brown says, an incredible war broke out inside and out, such bright, massive storms, snakes, guns, howling wind, hard sun: all kinds of poems gushed forth. I gave in to the process and my best work to date was born, this will be my 5th book. Our Poison Horse touches on more autobiography than the romantic and fantastical that was so present in his past work. In Derrick Brown s words: I found a poetry in the real events that shaped or broke me. Every morning, I would quiet down, stare out into the field where we were watching our neighbors horse, a horse that was poisoned with pesticide by some local boys, a horse with massive scars all down its body from it s skin peeling from the poison sprayed upon it maliciously by some bastard kids. I watched the horse heal and finally come to me, and trust me and eat carrots. Something about that horse, Lacey, about it not trusting me and then warming up pulled something out of me that I didn t know I was ready for. There is a theme that in beautiful places, you will"

    Ryo Yamaguchi describes Nguyen’s writing as “a kind of stuttering with intelligences, impressions, and emotions flaring up as the words find their pathways.” As grounded in the earth as in the stars, her poems are reminders of the possibilities of contemplation in every space and moment.A Brief History of WarAnd what if Jupiteris your faitha balloonbut I call youby the impropernames I'm stainedby the world hereTo be brave and endurethe losing    To be braveand be the losingLuck    BrutalBorn in the Mekong Delta and raised in the Washington, DC area, Hoa Nguyen studied Poetics at New College of California in San Francisco. With the poet Dale Smith, Nguyen founded Skanky Possum, a poetry journal and book imprint in Austin, TX, their home for fourteen years. She is the author of several poetry collections, most recently Red Juice: Poems 1998-2008 and As Long as Trees Last. She lives in Toronto, Ontario where she curates a reading series and teaches poetics privately and at Ryerson University.

    "Sweetheart, was I talking war in my sleep / again?" he asks, and the question is hardly moot: "Sometimes I hold you like Achilles' / shield," and indeed all relationships, in this telling, are sites of violence and battle. His line is longer and looser than in Taboo and Talking Dirty to the Gods, and in long poems like "The Autobiography of My Alter Ego" he sounds almost breathless, an exhausted, desperate prophet. Warhorses is the stunning work of a Pulitzer Prize–winning poet who never ceases to challenge and delight his readers.

    The collection includes:RUPERT BROOKEPEACESAFETYTHE DEADTHE DEADTHE SOLDIEREDWARD THOMASADLESTROPTEARSTHE OWLRAINTHE CHERRY TREESAS THE TEAM'S HEAD-BRASSSIEGFRIED SASSOON"THEY"THE REAR-GUARDI STOOD WITH THE DEADSUICIDE IN TRENCHESTHE GENERALHOW TO DIEGLORY OF WOMENTHEIR FRAILTYDOES IT MATTER?SURVIVORSEVERYONE SANGTO ANY DEAD OFFICERSICK LEAVEIVOR GURNEYTO HIS LOVETHE SILENT ONEISAAC ROSENBERGBREAK OF DAY IN THE TRENCHESLOUSE HUNTINGON RECEIVING NEWS OF THE WARDEAD MAN'S DUMPRETURNING, WE HEAR THE LARKSWILFRED OWENANTHEM FOR DOOMED YOUTHAPOLOGIA PRO POEMATE MEODULCE ET DECORUM ESTSTRANGE MEETINGFUTILITYDISABLEDMINERSS.I.W.

    "Mr. Tate is an elegant and anarchic clown. A lord of poetic misrule with a serious, subversive purpose."-John Ash, New York Times Book Review "Tate brings to his work an extravagantly surrealistic imagination and a willingness to let his words take him where they will. Nonchalant in the midst of radical uncertainty, he handles bizarre details as though they were commonplace facts. [Tate's poetry draws upon] so rich a fund of comic energy that is may well prove an antidote to the anxiety some readers feel with poems that refuse to lend themselves to instant analysis."-David Lehman, Washington Post Book World

    One of his best-loved and most famous plays, it exposes the lies plaguing the family of a wealthy Southern planter of humble origins.

    Wildly written in a sleep deprived haze, these pages contain an assortment of subject matter and styles all put together into one- which just feels so incredibly human..

     even when our days are darker than ever we hold on to hope knowing that time will heal our wounds. -time heals all things

    Excerpt: Long lines of cliff breaking have left a chasm ;And in the chasm are foam and yellow sands ;Beyond, red roofs about a narrow wharfIn cluster ; then a moulder'd church ; and higherA long street climbs to one tall-tower'd mill ;And high in heaven behind it a gray downWith Danish barrows ; and a hazelwood,By autumn nutters haunted, flourishesGreen in a cuplike hollow of the down.[...]

    Howard, and Shakespearean Romance by Walter Cohen. Like its parent volume, this concise edition gives students the vibrant introductions, readable single-column format, helpful glosses and notes, and extensive reference materials maps, a timeline, annotated bibliographies and film lists, documents that have made The Norton Shakespeare, Second Edition the best-selling classroom edition worldwide."

    The topics may vary widely, from love to mental illness to the most recent "Florida Man" headline, but it's all in the same handwriting. Welcome to The Immortal Soul Salvage Yard.

    You never mourned loudly, in the streets. You never stopped (couldn’t stop) to wonder if drowning parts ofyourself was a mistake. You never kissed them goodbye.Why didn’t you kiss them goodbye?Was it too hard?Were you ashamed?Of them, or of you?Don’t tell me to be quiet.You need to hear this. Christina Hart, bestselling author of Empty Hotel Rooms Meant for Us, Letting Go Is an Acquired Taste, and There Is Beauty In the Bleeding releases her new poetry chapbook, written in second person POV, which focuses on love, loss, and hope.

    "Alabanza" means "praise" in Spanish, and Espada praises the people Whitman called "them the others are down upon": the African slaves who brought their music to Puerto Rico; a prison inmate provoking brawls so he could write poetry in solitary confinement; a janitor and his solitary strike; Espada's own father, who was jailed in Mississippi for refusing to go to the back of the bus. The poet bears witness to death and rebirth at the ruins of a famine village in Ireland, a town plaza in México welcoming a march of Zapatista rebels, and the courtroom where he worked as a tenant lawyer. The title poem pays homage to the immigrant food-service workers who lost their lives in the attack on the World Trade Center. From the earliest out-of-print work to the seventeen new poems included here, Espada celebrates the American political imagination and the resilience of human dignity. Alabanza is the epic vision of a writer who, in the words of Russell Banks, "is one of the handful of American poets who are forging a new American language, one that tells the unwritten history of the continent, speaks truth to power, and sings songs of selves we can no longer silence." An American Library Association Notable Book of 2003 and a 2003 New York Public Library Book to Remember."To read this work is to be struck breathless, and surely, to come away changed."—Barbara Kingsolver "Martín Espada is the Pablo Neruda of North American authors. If it was up to me, I'd select him as the Poet Laureate of the United States."—Sandra Cisneros "With these new and selected poems, you can grasp how powerful a poet Espada is—his range, his compassion, his astonishing images, his sense of history, his knowledge of the lives on the underbelly of cities, his bright anger, his tenderness, his humor. "—Marge Piercy "Espada's poems are not just clarion calls to the heart and conscience, but also wonderfully crafted gems."—Julia Alvarez "A passionate, readable poetry that makes [Espada] arguably the most important 'minority' U.S. poet since Langston Hughes."—Booklist"Neruda is dead, but if Alabanza is any clue, his ghost lives through a poet named Martín Espada."—San Francisco Chronicle