This compilation of the first six issues of The Journey to the Hidden Sea tells the story of Rocketo's idyllic childhood and his early training as an explorer and Mapper. After returning from the deadly Solarium War a broken man, Rocketo Garrison is swept away on a journey to the Hidden Sea, a fabled, dangerous land that may hold the key to undreamed of treasure as well as the truth about an ancient mystery.

    Jim Woodring's captivating and enigmatic body of "Frank" stories is an astonishing work of imaginative splendor.Included in Volume 1 is the complete, award-winning masterpiece "Frank in the River" -- 32 pages of breathtaking painted color -- as well as 60 pages of crisply beguiling black-and-white pen-and-inkwork.

    

    Intricately drawn, quirky, surreal and very funny, this text introduces two comic artists, Gauld and Lia.

    Collecting issues 1-6 of The Tick in one volume, with a few supplemental materials.

    The flooded metropolis of London has adapted to the rising sea levels: the elite gaze out over the Thames from their ivory towers, while the inhabitants of submerged pubs peer into the streets like specimens in an aquarium. Hired by a notorious underworld figure, Leo Noiret uncovers a terrifying conspiracy that stretches from the depths of Drowntown to the highest echelons of power. Meanwhile, aqua-courier Gina Cassel learns that young love can be a dangerous game when she becomes romantically involved with the heir to the Drakenberg Corporation. There’s a storm brewing in Drowntown, with Gina and Noiret at its heart…

    But as Olivia gets closer to Calix, she realizes that he is not exactly who he says he is; Olivia soon recognizes that she may be in too deep, and that they may no longer be playing her game.

    And it's Lydia Lopez's first night behind the front desk. Every guest's got a story to tell and a lesson to learn... Co-written by film and music superstar Machine Gun Kelly with Eliot Rahal (Archie Comics) and Ryan Cady (DC Comics). Art by Martin Morazzo (Ice Cream Man) and a host of talented illustrators.

    Once you put on The Mask, you're a homicidal lunatic with a bad taste for bad jokes and seriously deranged violence. And nothing -- but nothing -- can kill you!When her boyfriend Stanley died, Kathy thought the weird mask had been lost forever. Now gangsters are dying like flies, victims of everything from comic-book bombs to crossbow shafts, and she knows that somehow it's back. Only Kathy can stop the rampage, but first she has to get around the gangwar erupting around her, the new Mask -- whoever he is -- and the worst bad-guy of all, Walter!

    Mark Beyer was breathing delirious, heartbreaking, otherworldly life into it by means of Amy and Jordan. Obviously, you weren’t reading New York Press. But I sure was. Voraciously. Back in 1989, when I discovered that Beyer’s strips were appearing regularly in this new “alternative weekly” paper, I quickly became hooked, and a thought seized me: I had to clip and save them–they were exquisite poems of urban despair, dreamy and nightmarish. I was already a fan of Beyer’s talent based on his book Agony (Pantheon, 1988), but these new strips revealed, week by week, a whole new dimension to his work–an ingenious reinvention of panel-design that redefined what a comic strip could be. As with Peanuts, it helps to try and picture these in the context which they first appeared in order to appreciate just how profoundly they emerged from anything else on the newspaper page. Even the “outré” NYP ads and listings which often ran alongside them were hopelessly dull by comparison. One of its most impressive aspects was the way Form served the Content–no matter how eccentric the layout got, it somehow never confused the narrative. And what narrative: it was as if Candide had been transported to the East Village and split in two like an amoeba and holed up in a squat on Avenue C. Along with giant bugs from outer space. So I did clip and save them, and put them into an envelope, which was then placed in a shoebox with a lot of other envelopes (receipts, receipts!), which was shoved to the back of the closet of my sixth-floor walk-up studio apartment, which I moved out of three years later and in the process I unwittingly threw them all away. Which frankly is just the sort of thing that Amy and Jordan would do. Drat. “Oh well,” I thought, once I’d realized it, “at some point someone will collect and publish them, and I’ll get them back that way.” And that was that. Fast forward more than ten years, to the spring of 2002. During a panel of cartoonists I was chairing in Philadelphia, a member of the audience asked what Mark was working on and where he was. No one seemed to know. The discussion was transcribed and published in The Comics Journal that summer, and in the fall Mark contacted me with the best possible news: He’d read the panel transcript and wanted to publish again. And the Amy and Jordan strips had never been comprehensively collected. So now, as an editor, I was able to grant my own wish. Amy and Jordan ran from 1988 through early 1996. After that, Beyer put cartooning aside to pursue other projects. This book signals his return to the realm of comics, which he says he wants to start making again. We can only hope he does. For now, I’m just thankful I finally have my Amy and Jordan collection back. –Chip Kidd, NYC, 10/03

    In keeping with the popular but off-beat anime, the manga begins a series of original stories that take the action to a whole new level. Spike, Jet and Faye all end up after the same bounty, Spike goes after a convict who's already in prison, and Faye (the con-artist she is) ends up the victim of a con not once, but twice.

    The otherworldly pantomime about a girl, her squid, and the creatures and calamities they experience together, is inspired by Forsythe's time spent as an ex-pat living in South Korea.

    

    Consumed by loneliness, guilt and spiraling sense of complete abandonment, K'abel is disconnected, and truly lost in the darkness. But when forced to choose between life and death, she realises that even in our darkest moments, a fire still burns within. And the darker it's gets, the brighter the flame. Raised by Raptors is the epic journey of a girl who has lost everything she knew and loved. But what if everything she thought she knew, she never knew at all? The first installment of a brand new graphic novel written by Oliver Sykes & illustrated by Ben-Ashton Bell.

    The chase is on as Katchoo begins an international hunt for her elusive pred-ator in a race against time!