She even lets a cat shove her around.When Lucy trips over the body of a buckskin-clad relics trader, her ex-boss asks her to cover the story. She tries to tell him no, but old habits die hard and soon she finds herself directly in the path of a killer and the exasperating, if attractive, detective in charge.Can Lucy catch a killer or is this the last confrontation for her—period?

    It’s an ordinary request on an ordinary Sunday afternoon, and Rachel has no reason to worry—until Ben vanishes.Police are called, search parties go out, and Rachel, already insecure after her recent divorce, feels herself coming undone. As hours and then days pass without a sign of Ben, everyone who knew him is called into question, from Rachel’s newly married ex-husband to her mother-of-the-year sister. Inevitably, media attention focuses on Rachel too, and the public’s attitude toward her begins to shift from sympathy to suspicion. As she desperately pieces together the threadbare clues, Rachel realizes that the greatest dangers may lie not in the anonymous strangers of every parent’s nightmares, but behind the familiar smiles of those she trusts the most.Where is Ben? The clock is ticking...

    But darkness brings death and Hercule Poirot has to untangle family strife, love and suspicious visitors tangle in order to clarify the murderer and prevent disaster.

    Everyone else goes to Arrowood.The Afghan War is over and a deal with the Irish appears to have brought an end to sectarian violence, but Britain's position in the world is uncertain and the gap between rich and poor is widening. London is a place where the wealthy party while the underclass are tempted into lives of crime, drugs and prostitution. A serial killer stalks the streets. Politicians are embroiled in financial and sexual scandals. The year is 1895.The police don't have the resources to deal with everything that goes on in the capital. The rich turn to a celebrated private detective when they need help: Sherlock Holmes. But in densely populated south London, where the crimes are sleazier and Holmes rarely visits, people turn to Arrowood, a private investigator who despises Holmes, his wealthy clientele and his showy forensic approach to crime. Arrowood understands people, not clues.

    When he finally decides to leave the force and start over, he's assigned a string of murders that all bear the signs of a serial killer collecting trophies.As Stanton unravels each grisly crime scene, the mounting evidence points uncomfortably close to him and a case more disturbing than anything he's ever seen.

    Evelyn Hardcastle will die every day until he can identify her killer and break the cycle. But every time the day begins again, Aiden wakes up in the body of a different guest at Blackheath Manor. And some of his hosts are more helpful than others. With a locked room mystery that Agatha Christie would envy, Stuart Turton unfurls a breakneck novel of intrigue and suspense.For fans of Claire North, and Kate Atkinson, The 7½ Deaths of Evelyn Hardcastle is a breathlessly addictive mystery that follows one man's race against time to find a killer, with an astonishing time-turning twist that means nothing and no one are quite what they seem.This inventive debut twists together a thriller of such unexpected creativity it will leave readers guessing until the very last page.

    There must be a victim. A suspect. A detective. The rest is just shuffling the sequence. Expanding the permutations. Grant McAllister, a professor of mathematics, once sat down and worked them all out – calculating the different orders and possibilities of a mystery into seven perfect detective stories he quietly published. But that was thirty years ago. Now Grant lives in seclusion on a remote Mediterranean island, counting the rest of his days.Until Julia Hart, a sharp, ambitious editor knocks on his door. Julia wishes to republish his book, and together they must revisit those old stories: an author hiding from his past, and an editor, keen to understand it.But there are things in the stories that don’t add up. Inconsistencies left by Grant that a sharp-eyed editor begins to suspect are more than mistakes. They may be clues, and Julia finds herself with a mystery of her own to solve.

    A detective spiralling out of control.DI Kate Young is on leave. She’s the force’s best detective, but her bosses know she’s under pressure, on medication and overcoming trauma. So after her bad judgement call leads to a narrowly averted public disaster, they’re sure all she needs is a rest.But when Staffordshire Police summon her back to work on a murder case, it’s a harder, more suspicious Kate Young who returns. With a new ruthlessness, she sets about tracking down a clinical, calculating serial killer who is torturing victims and leaving clues to taunt the police. Spurred on by her reporter husband, Young begins to suspect that the murderer might be closer than she ever imagined.As she works to uncover the truth, Young unravels a network of secrets and lies, with even those closest to her having something to hide. But with her own competence—and her grip on reality—called into question, can she unmask the killer before they strike again?

    When she returns only two hours later, she swears the baby in the crib is not her child. Despite her distress, David is adamant that she is wrong.The police are called to the scene. Detective Constable Simon Waterhouse is sympathetic, but he doubts Alice's story. His superior, Sergeant Charlie Zailer, thinks that Alice must be suffering from some sort of delusion brought on by postpartum depressions.With an increasingly hostile and menacing David swearing she must either be mad or lying, how can Alice make the police believe her before it's too late?

    Abducted and held captive as a young girl, she is unable to remember anything about the crime that destroyed her childhood and tore her family apart. Now a grown woman with a bright future, she is certain she has put the past behind her. But when she inherits the family home, Tess must confront the demons that still haunt her and the town of Cold Creek. Gabe McCord has always blamed himself for what happened to Tess. He had been a teenager when she was snatched from the group of children he was responsible for watching. Now Gabe has taken on the role of sheriff and hopes to shed new light on the cold case, especially given his growing feelings for Tess. Tess isn't ready to recall what happened to her, and she has no intention of digging up any details that might remind her of the truth. But when another child in the town goes missing, she's certain it's related to her return to Cold Creek. Together,Tess and Gabe will have to work to unlock their painful memories in order to save another child and heal their damaged souls, for good…

    Hawk is a witty and volcanic English ex-copper with four grown up children scattered across the world. He was ‘required to retire’, as the British so delicately put it. In truth he was sacked. And just as he’s about to go mad with boredom one of his neighbours does him the courtesy of being murdered. The local police warn Hawk against interfering in their inquiry, but he can’t help himself and pretty soon he’s back where he belongs – catching a killer.

    They arrested George Calhoun for murdering his daughter, and his wife testified against him at the trial. George maintains he didn’t do it. That the body isn’t his little Angelina. But that’s all he’s ever said—no other defense, no other explanation. The jury convicted him. Now his appeals have been exhausted, and his execution is just six weeks away.Dani Trumball, an attorney for the Help Innocent Prisoners Project, wants to believe him. After all, there was no forensic evidence to prove that the body in the woods was George’s daughter. But if the girl isn’t Angelina, then who is it? And what happened to the Calhouns’ missing daughter? Despite the odds, the questions push Dani to take the case.For nineteen years, George Calhoun has stayed silent. But he’s ready to talk, and if the story he tells Dani is true, it changes everything.

    No witnesses, no evidence left behind. The Sleeping Angel Killer called his despicable acts 'the perfect crimes.' The case nearly destroyed homicide detective Kitt Lundgren's career - because she let the killer get away.Now the Sleeping Angel Killer is back.But Kitt notices something different about this new rash of killings - a tiny variation that suggests a copycat killer may be re-creating the original 'perfect crimes.' Then the unthinkable happens. The Sleeping Angel Killer himself approaches Kitt with a bizarre offer - he will help her catch his copycat.Kitt must decide whether to place her trust in a murderer - or risk falling victim to a fiend who has taken the art of the perfect murder to horrific new heights.

    The first of an exciting new series of novels.London, September 1666. The Great Fire rages through the city, consuming everything in its path. Even the impregnable cathedral of St. Paul’s is engulfed in flames and reduced to ruins. Among the crowds watching its destruction is James Marwood, son of a disgraced printer, and reluctant government informer.In the aftermath of the fire, a semi-mummified body is discovered in the ashes of St. Paul’s, in a tomb that should have been empty. The man’s body has been mutilated and his thumbs have been tied behind his back.Under orders from the government, Marwood is tasked with hunting down the killer across the devastated city. But at a time of dangerous internal dissent and the threat of foreign invasion, Marwood finds his investigation leads him into treacherous waters – and across the path of a determined, beautiful and vengeful young woman.

    Until a grisly celebrity murder at an ultra-exclusive 'wellness' resort shatters a quiet summer morning.