But then, everyone in her close-knit Devonshire village seems to find different ways to cope: there's the indomitable Lady B, who writes to Hitler every night to tell him precisely what she thinks of him; the terrifyingly efficient Mrs Savernack, who relishes the opportunity to sit on umpteen committees and boss everyone around; flighty, flirtatious Faith who is utterly preoccupied with the latest hats and flashing her shapely legs; and then there's Charles, Henrietta's hard-working husband who manages to sleep through a bomb landing in their neighbour's garden. With life turned upside down under the shadow of war, Henrietta chronicles the dramas, squabbles and loyal friendships that unfold in her affectionate letters to her 'dear childhood friend' Robert. Warm, witty and perfectly observed, "Henrietta's War" brings to life a sparkling community of determined troupers who pull together to fight the good fight with patriotic fervour and good humour. "Henrietta's War" is part of The Bloomsbury Group, a new library of books from the early twentieth-century chosen by readers for readers.

    Both have recently lost someone close to them as the first chapter opens. They meet and at once believe they have found a soul mate in each other. As their relationship progresses we come to understand more of each character's past. Most importantly we learn about Wemyss' late wife, Vera. What at first appears to be a different and quirky romance turns out to be an indictment of egoism and dominance in relationships.

    The exuberant, uninhibited, disparate world she found in the tired old streets and under the railway arches is recaptured in these closely linked sketches; and the result is pure alchemy. In the space of 120 perfect pages, we witness clip-joint hustles, petty thieving, candid sexual encounters, casual birth and casual death. She has a superb gift for capturing colloquial speech and the characters observed in these pages convey that caustic, ironic, and compassionate feeling for life, in which a turn of phrase frequently contains startling flashes of poetry. Battersea, that teeming wasteland of brick south of the Thames, has found its poet in Nell Dunn and Up the Junction is her touchingly truthful and timeless testimonial to it.

    When her life begins to resemble the plots of her own novels, however, Edith flees to Switzerland, where the quiet luxury of the Hotel du Lac promises to resore her to her senses.But instead of peace and rest, Edith finds herself sequestered at the hotel with an assortment of love's casualties and exiles. She also attracts the attention of a worldly man determined to release her unused capacity for mischief and pleasure. Beautifully observed, witheringly funny, Hotel du Lac is Brookner at her most stylish and potently subversive.

    In the conflict that follows, it is Ruth who becomes the focus of the family's struggle for supremacy.

    A small child when he comes to England on a Kindertransport in the summer of 1939, one Jacques Austerlitz is told nothing of his real family by the Welsh Methodist minister and his wife who raise him. When he is a much older man, the fleeting memories return to him, and obeying an instinct he only dimly understands, he follows their trail back to the world he left behind a half century before. There, faced with the void at the heart of twentieth-century Europe, he struggles to rescue his heritage from oblivion.

    It is the tale of a pair of young scholars researching the lives of two Victorian poets. As they uncover their letters, journals, and poems, and track their movements from London to Yorkshire—from spiritualist séances to the fairy-haunted far west of Brittany—what emerges is an extraordinary counterpoint of passions and ideas.Man Booker Prize Winner (1990)

    Set sixty years ago at the time of the fall of Tobruk in 1942, one of the low points of the war, and written only a year later when people still had no idea which way the war was going, A House in the Country has a verisimilitude denied to modern writers. Sebastian Faulks in Charlotte Gray or Ian McEwan in Atonement do their research and evoke a particular period, but ultimately are dependent on their own and historians' interpretation of events; whereas a novel like this one is an exact, unaffected portrayal of things as they were at the time. The TLS praised 'its evocation of the preoccupations of wartime England, and its mood of battered but sincere optimism'; and The Tablet remarked on its 'comic energy, compelling atmosphere and richly apt vocabulary.'

    As England prepares to fight the Nazis, three very different women answer the call to mysterious country estate Bletchley Park, where the best minds in Britain train to break German military codes. Vivacious debutante Osla is the girl who has everything—beauty, wealth, and the dashing Prince Philip of Greece sending her roses—but she burns to prove herself as more than a society girl, and puts her fluent German to use as a translator of decoded enemy secrets. Imperious self-made Mab, product of East-End London poverty, works the legendary code-breaking machines as she conceals old wounds and looks for a socially advantageous husband. Both Osla and Mab are quick to see the potential in local village spinster Beth, whose shyness conceals a brilliant facility with puzzles, and soon Beth spreads her wings as one of the Park’s few female cryptanalysts. But war, loss, and the impossible pressure of secrecy will tear the three apart. 1947. As the royal wedding of Princess Elizabeth and Prince Philip whips post-war Britain into a fever, three friends-turned-enemies are reunited by a mysterious encrypted letter—the key to which lies buried in the long-ago betrayal that destroyed their friendship and left one of them confined to an asylum. A mysterious traitor has emerged from the shadows of their Bletchley Park past, and now Osla, Mab, and Beth must resurrect their old alliance and crack one last code together. But each petal they remove from the rose code brings danger—and their true enemy—closer...

    Trollope's 1875 tale of a great financier's fraudulent machinations in the railway business, and his daughter's ill-use at the hands of a grasping lover is a classic in the literature of money and a ripping good read as well.

    Just a few years later, romance and these differences erupt simultaneously with the war in Europe. In a fit of fury and boyish pride, Riley enlists in the army and finds himself involved in the transformative nightmare of the twentieth century.While Riley and his commanding officer, Peter Locke, fight for their country and their survival in the trenches of Flanders, Peter's lovely and naive wife, Julia, and his cousin Rose eagerly await his return. But the sullen, distant man who arrives home on leave is not the Peter they knew. Worried that her husband is slipping away, Julia is left alone with her fears when Rose joins the nursing corps to work with a pioneering plastic surgeon treating wounded and disfigured soldiers.Only eighteen at the outbreak of the war, Nadine and Riley want to make promises to each other—but how can they when their future is out of their hands? Youthful passion is on their side, but then their loyalty is tested by terrible injury, and even more so by the necessarily imperfect rehabilitation that follows.Moving among Ypres, London, and Paris, this emotionally rich and evocative novel is both a powerful exploration of the lasting effects of war on those who fight—and those who don't—and a poignant testament to the power of enduring love.

    Unwilling to watch her beloved city crumble under the assault of incendiary German bombs, she accepts a position at a requisitioned estate in Devon, supervising the farming of potatoes for the war effort. A 35-year old spinster with a wicked wit and a fondness for literature, Gwen arrives at her new post to find that the group of "Land Girls" she's to supervise have little interest in planting. They're far more eager to cultivate the human crop -- a regiment of Canadian soldiers stationed at the estate, awaiting their assignment. Allying herself with the Canadians' commanding officer, Gwen strategically wins the girls' cooperation by agreeing to a series of evening dances at which they may mix with the soldiers. Pleased to again be in control of her environment, Gwen makes two life-changing discoveries. The first is the existence of feelings she's never before allowed herself to experience. The second is a hidden, abandoned garden on the estate, the secrets of which Gwen is compelled to unlock. With poignant, poetic mastery of her craft, Helen Humphreys has produced a smart, no-nonsense, and utterly sympathetic character in Gwen Davis. And as her affecting story unfolds and she plumbs the mysteries of gardening, readers too will explore the depths of the soil in which grow the tender shoots of love.

    He is graphic, at times brilliantly so, but never brutal or bitter. He is, too, a first rate storyteller' - Washington PostConvicted of deserting the German army, Sven Hassel is sent to a penal regiment on the Russian Front. He and his comrades are regarded as expendable, cannon fodder in the battle against the implacable Red Army. Outnumbered and outgunned, they fight their way across the frozen steppe...This iconic anti-war novel is a testament to the atrocities suffered by the lone soldier in the fight for survival.Sven Hassel's unflinching narrative is based on his own experiences in the German Army. He began writing his first novel, Legion of the Damned in a prisoner of war camp at the end of World War Two.

    Describes the mind of a child torn between her mother, whom she leaves behind in London, and the couple who take her in.

    But the thirteen chapters, each a short story in its own right, create an exquisitely observed world that is anything but sleepy. A world of Kissingeresque realpolitik enacted in boys’ games on a frozen lake; of “nightcreeping” through the summer backyards of strangers; of the tabloid-fueled thrills of the Falklands War and its human toll; of the cruel, luscious Dawn Madden and her power-hungry boyfriend, Ross Wilcox; of a certain Madame Eva van Outryve de Crommelynck, an elderly bohemian emigré who is both more and less than she appears; of Jason’s search to replace his dead grandfather’s irreplaceable smashed watch before the crime is discovered; of first cigarettes, first kisses, first Duran Duran LPs, and first deaths; of Margaret Thatcher’s recession; of Gypsies camping in the woods and the hysteria they inspire; and, even closer to home, of a slow-motion divorce in four seasons.Pointed, funny, profound, left-field, elegiac, and painted with the stuff of life, Black Swan Green is David Mitchell’s most subtlest and effective achievement to date.