Ralph Greenson, the star of Hollywood psychoanalysts, treated Marilyn Monroe for fifteen months until her August 1962 suicide. He saw her seven days a week and brought her into his home. He never got over losing her. Written by a practicing psychoanalyst, The Misfit recounts this tragic alliance and Marilyn Monroe’s borderline personality.

    He was the leading spirit in the bloody Lincoln County, New Mexico, war. By the age of twenty-one he had killed twenty-one men. His six years of daring outlawry has never been equalled in the annals of criminal history.

    In June 2007 Benoit committed suicide after killing his wife and son, and the media coverage surrounding this event—as well as the facts of the case and its effects on professional wrestling—are all extensively addressed. Benoit’s life prior to and during his pro wrestling career is examined, as is his significant impact on the wrestling world and widespread popularity. This close-up look at one of pro wrestling’s greatest and most lamented figures also presents the place of his tragedy in the darker side of wrestling’s history.

    Biographer Marlene Wagman Geller gathers them all in this enchanting look at the lives and the gilded lives of wealthy women.

     Gunslingers rubbed shoulders with Mexican outlaws in this rough and rugged country where there were “men with money looking to become millionaires, land-grabbers, experienced and inexperienced miners, quacks, professional deceivers, publicity men lauding gold mines that do not exist.” In the midst of all these dangerous and scheming men were the black-robed Sisters of Charity, one of whom was Sister Blandina Segale. Born in northern Italy she had moved with her family to Cincinnati at the age of four. Twelve years later she took her vows and boarded a stagecoach to Trinidad, Colorado, to begin life as a missionary. As the introduction states, this is an inspiring record of educational and charitable work carried on for many years in Colorado and New Mexico for Indian and Mexican, Catholics and non-Catholics, rich and poor, the criminal and law abiding. From 1872 through to 1893 she worked with the communities of Trinidad, Santa Fe and Albuquerque to suppress violence, educate and care for those she could, all the while providing religious council and comfort to the people of these wild lands. Throughout these years she kept a journal and wrote letters that would eventually become the basis for the book At the End of the Santa Fe Trail which provides fascinating insight into one nun’s perspective on life in the far west. Particularly fascinating is the relationships she builds with some of the notorious figures of the Old West, including Billy the Kid. “The story is told for the most part by means of extracts from Sister Blandina's journal and her letters to her sister. They reveal a very human figure, with a well-developed sense of humor and a fine measure of moral courage to buttress her religious faith.” Kirkus Reviews Sister Blandina Segale was an Italian-born American religious sister and missionary. During the course of her life she served as an educator and social worker who worked in Ohio, Colorado and New Mexico, assisting Native Americans, Hispanic settlers and European immigrants. The Roman Catholic Archdiocese of Santa Fe has opened a process to canonize Segale, for which it has received the permission of the Holy See. For this, she is honored by the Catholic Church with the title of Servant of God. She is the first individual in New Mexico's 400-year history with the Roman Catholic Church to have a cause opened for their beatification and canonization. Her book At the End of the Santa Fe Trail was first published in 1932 and reprinted in 1948. She passed away in 1941.

    The real life and faith journey of Loretta Young -- her strong devotion to her Catholic faith and her passion for helping others in need.

    #1 New York Times bestselling author Cokie Roberts brings us women who fought the Revolution as valiantly as the men, often defending their very doorsteps. Drawing upon personal correspondence, private journals, and even favoured recipes, Roberts reveals the often surprising stories of these fascinating women, bringing to life the everyday trials and extraordinary triumphs of individuals like Abigail Adams, Mercy Otis Warren, Deborah Read Franklin, Eliza Pinckney, Catherine Littlefield Green, Esther DeBerdt Reed and Martha Washington–proving that without our exemplary women, the new country might have never survived.

    More important, she earned her own keep, controlled her own destiny, and secured liberties that modern women take for granted. Her newfound freedom heralded a radical change in American culture.Whisking us from the Alabama country club where Zelda Sayre first caught the eye of F. Scott Fitzgerald to Muncie, Indiana, where would-be flappers begged their mothers for silk stockings, to the Manhattan speakeasies where patrons partied till daybreak, historian Joshua Zeitz brings the era to exhilarating life. This is the story of America’s first sexual revolution, its first merchants of cool, its first celebrities, and its most sparkling advertisement for the right to pursue happiness.The men and women who made the flapper were a diverse lot. There was Coco Chanel, the French orphan who redefined the feminine form and silhouette, helping to free women from the torturous corsets and crinolines that had served as tools of social control. Three thousand miles away, Lois Long, the daughter of a Connecticut clergyman, christened herself “Lipstick” and gave New Yorker readers a thrilling entrée into Manhattan’s extravagant Jazz Age nightlife.In California, where orange groves gave way to studio lots and fairytale mansions, three of America’s first celebrities—Clara Bow, Colleen Moore, and Louise Brooks, Hollywood’s great flapper triumvirate—fired the imaginations of millions of filmgoers.Dallas-born fashion artist Gordon Conway and Utah-born cartoonist John Held crafted magazine covers that captured the electricity of the social revolution sweeping the United States.Bruce Barton and Edward Bernays, pioneers of advertising and public relations, taught big business how to harness the dreams and anxieties of a newly industrial America—and a nation of consumers was born.Towering above all were Zelda and Scott Fitzgerald, whose swift ascent and spectacular fall embodied the glamour and excess of the era that would come to an abrupt end on Black Tuesday, when the stock market collapsed and rendered the age of abundance and frivolity instantly obsolete.With its heady cocktail of storytelling and big ideas, Flapper is a dazzling look at the women who launched the first truly modern decade.

    Colorful, if not socially acceptable, these ladies of easy virtue were a definite part of the early West – Wearing ruffled petticoats with fancy bows, they were glamorous and plain, good and bad and many were as wild as the land they came to tame.Women like "Molly b' Dam", Mattie Silks, and "Chicago Joe" blended into the fabric of the American Frontier with an easy familiarity. Others, such as "Sorrel Mike", escaped through suicide, Lottie Johl chose marriage and the Chinese slave girls lived a life without hope.Illustrated with rare photos, this strong book provides a touching insight into the lives of the ladies of the night.

    The son of a working cowboy and ranch foreman, Elmer was expected to follow in father's footsteps but learned at an early age that he had no talents in the cowboy's trade. Buck Kelton called Elmer "Pop," said he was "slow as the seven-year itch," and reluctantly supported his son's decision to become a student at the University of Texas, and, eventually, a journalist and writer. Kelton's life in ranch and oil patch Texas during the Great Depression is told with warm nostalgic humor animated with stories of the cowboys and their wives and kids who gave the time and place its special flavor. He writes with great feeling of his service in WW2 in France, Germany, and Czechoslovakia, and the romantic circumstances in which his life changed in the village of Ebensee, Austria.

    Her twin brother. The secrets and lies that would tear them apart.There is a special bond that twins share, an ethereal connection that can't be put into words.Margaret Harrod shared that unique bond with her twin brother, Michael.As children they were inseparable, and at age 22, together, they gave their lives to the Catholic Church. Margaret became a nun and Michael a Salesian priest - it was the proudest day of their deeply religious parents' lives. Margaret cherishes those carefree childhood memories because the brother she adored is now in jail. Father Michael Aulsebrook pleaded guilty to multiple charges of molesting children, some as young as seven. And the unlikely whistle-blower was his courageous twin sister.It cost Margaret everything, but she couldn't stay silent any longer about the damage her brother was wreaking in his community. Margaret knows of that damage firsthand, having had that trust betrayed herself.Blood on the Rosary is a heartfelt, brave and inspiring memoir that tells Margaret Harrod's story - how she sacrificed everything she held dear in the pursuit of the truth and how she bravely fought her church and her community to bring paedophile priests, including her beloved brother, to justice.

    Among those whose stories are included are Elizabeth Custer; Lola Montez, Ann Eliza Young, Josephine Meeker, Carry Nation, Esther Morris, and Virginia Reed.

    His victory over General Custer at the battle of Little Bighorn in 1876 was the worst defeat inflicted on the frontier Army. And the death of Crazy Horse in federal custody has remained a controversy for more than a century. The Killing of Crazy Horse pieces together the many sources of fear and misunderstanding that resulted in an official killing hard to distinguish from a crime. A rich cast of characters, whites and Indians alike, passes through this story, including Red Cloud, the chief who dominated Oglala history for fifty years but saw in Crazy Horse a dangerous rival; No Water and Woman Dress, both of whom hated Crazy Horse and schemed against him; the young interpreter Billy Garnett, son of a fifteen-year-old Oglala woman and a Confederate general killed at Gettysburg; General George Crook, who bitterly resented newspaper reports that he had been whipped by Crazy Horse in battle; Little Big Man, who betrayed Crazy Horse; Lieutenant William Philo Clark, the smart West Point graduate who thought he could “work” Indians to do the Army’s bidding; and Fast Thunder, who called Crazy Horse cousin, held him the moment he was stabbed, and then told his grandson thirty years later, “They tricked me! They tricked me!”At the center of the story is Crazy Horse himself, the warrior of few words whom the Crow said they knew best among the Sioux, because he always came closest to them in battle. No photograph of him exists today.The death of Crazy Horse was a traumatic event not only in Sioux but also in American history. With the Great Sioux War as background and context, drawing on many new materials as well as documents in libraries and archives, Thomas Powers recounts the final months and days of Crazy Horse’s life not to lay blame but to establish what happened.

    In a breathtaking, minute-by-minute format, December 8, 1980: The Day John Lennon Died follows the events leading to the horrible moment when Mark David Chapman calmly fired his Charter Arms .38 Special into the rock icon, realizing his perverse fantasy of attaining perennial notoriety. New York Times bestselling author Keith Elliot Greenberg takes us back to New York City and the world John Lennon woke up to. The day begins with a Rolling Stone photo session that takes on an uncomfortable tone when photographer Annie Leibowitz tries to maneuver Yoko Ono out of the shot. Later Lennon gives the last interview of his life, declaring, "I consider that my work won't be finished until I'm dead and buried and I hope that's a long, long time." We follow the other Beatles, Lennon's family, the shooter, fans, and New York City officials through the day, and as the hours progress, the pace becomes more breathless. Once the fatal shots are fired, the clock continues to tick as Dr. Stephan Lynn walks from the emergency room after declaring the former Beatle dead, Howard Cosell announces the singer's passing on Monday Night Football, and Paul McCartney is lambasted for muttering "Drag, isn't it?" - his bereavement confused with indifference. The epilogue examines the aftermath of the killing: the considerable moment when 100,000 New Yorkers stood in silence in Central Park, the posthumous reunion of the Beatles in the studio with George, Paul, and Ringo accompanying the recordings of their old friend the unveiling of a bronze John Lennon statue in Fidel Castro's Cuba, and the durable legacy that persists today.

    And they all go back to one source: The Authentic Life of Billy, the Kid, published in 1882 by the man who killed Billy, Sheriff Pat Garrett.Frederick Nolan, an authority on the American Southwest, examines the legends introduced by The Authentic Life and shows how Garrett's book is responsible for misconceptions about the Kid's early life and his short, violent career. Many inaccuracies in The Authentic Life can be attributed to a ghostwriter, Marshall Ashmun "Ash" Upson, but Garrett's contributions also are flawed. As Nolan reveals, the sheriff glossed over events that made him look less than perfect.This new edition, complete with the original text, corrects Upson's errors, amplifies Garrett's narrative, and elucidates the causes and course of the Lincoln County War in New Mexico during the 1870s. Nolan provides an introduction that reappraises the last fatal meeting of Garrett and Billy the Kid, as well as a postscript about the snakebitten life of the sheriff after the moment that made him famous.