Her boyfriend, Lucca, died only a year ago, and now her friend Gabe has just died of an overdose. Every time she closes her eyes, Gabe's ghost is there waiting for her. She has no idea what he wants or why it isn't Lucca visiting her dreams. Nico can't stop. He's always running, trying to escape the pain of losing his brother, Lucca. But when Lucca's ghost begins leaving messages, telling Nico to help Brooklyn, emotions come crashing to the surface. As the nightmares escalate and the messages become relentless, Nico reaches out to Brooklyn. But neither of them can admit that they're being haunted. Until they learn to let each other in, not one soul will be able to rest.

    In this virtuosic array of poems, lists, shards, and sequences, Sharif assembles her family’s and her own fragmented narratives in the aftermath of warfare. Those repercussions echo into the present day, in the grief for those killed, in America’s invasions of Afghanistan and Iraq, and in the discriminations endured at the checkpoints of daily encounter.At the same time, these poems point to the ways violence is conducted against our language. Throughout this collection are words and phrases lifted from the Department of Defense Dictionary of Military and Associated Terms; in their seamless inclusion, Sharif exposes the devastating euphemisms deployed to sterilize the language, control its effects, and sway our collective resolve. But Sharif refuses to accept this terminology as given, and instead turns it back on its perpetrators. “Let it matter what we call a thing,” she writes. “Let me look at you.”

    But like his celebrated teacher, Elizabeth Bishop, Gioia is meticulously painstaking and self-critical about his own poems. In an active 25-year career he has published only two previous volumes of poetry. Although Gioia is often recognized as a leading force in the recent revival of rhyme and meter in American poetry, his own work does not fit neatly into any one style.Interrogations at Noon displays an extraordinary range of style and sensibility—from rhymed couplets to free verse, from surrealist elegy to satirical ballad. What unites the poems is not a single approach but their resonant musicality and powerful but understated emotion. This new collection explores the uninvited epiphanies of love and marriage, probing the quiet mysteries of a seemingly settled domestic life. Meditating on the inescapable themes of lyric poetry—time, mortality, nature, and the contradictions of the human heart—Gioia turns them to provocative and unexpected ends.

    This is Ashbery at his wacky best, from long lists that seem to make some sense, to short lists that seem to make no sense, to made-up diary entries. Here we find Joe Brainard's version of Americana. Combined, there is a wonderful innocence to this book that is found in the work of both of these artists. Joe Brainard's popularity is soaring to new heights as the traveling retrospective of his career captivates museum-goers throughout the United States, and this publication will be a valuable addition to the available publications of his work.

    The end is near, but he won't accept it. The store is all he has left of his wife and he can't let it go. Failure and loss have led him to a dark place.After a chance encounter with a shoplifter, he stumbles upon the help of Amelia Cook, who is struggling with her own loss. Through one holiday season the two of them hatch a plan to save the store and in turn touch the lives of everyone they know. What follows is a wonderful, but tragic tale of love, loss and new beginnings.

    Coping with grief and experiencing loss overwhelms us in ways that seem both hopeless and endless. In painful moments like these, we must make a choice: Will we allow the difficulties we face to become forces of destruction in our lives, or will we find a way to begin learning from loss, transforming our suffering into a source of strength?A theologian with the heart of a poet, Rabbi David Wolpe explores the meaning of loss, and the way we can use its inevitable appearance in our lives as a source of strength rather than a source of despair. In this national bestseller, Wolpe creates a remarkably fluid account of how we might find a way out of overwhelming feelings of helplessness and instead begin understanding grief in all its forms and learn to create meaning in difficult times.

    From his window on one of the busiest street corners in the world, Littlewood watches the daily parade of fashion queens, prostitutes, gangsters, and celebrities that make up the population of this strangest of villages. Dirty White Boy is a vivid mosaic of modern London, caught between the ghosts of the past and the uncertainties of the future. With an unforgettable cast of characters ranging from Chico the camp queen to Pam the Fag Lady (with guest spots by stars like Kathy Griffin and Graham Norton), these compulsively readable true tales offer a wry panorama of Soho's rich and often raucous subcultures.

    She finds solace in the one person she trusts, her boyfriend, and she soon finds herself pregnant. Kenzie’s boyfriend and mother do not understand her determination to keep the baby. She is sent to southern Spain for the summer, where she will live out her pregnancy as a cook’s assistant on a bull ranch, and her baby will be adopted by a Spanish couple. Alone and resentful in a foreign country, Kenzie is at first sullen and difficult. She begins to open her eyes and her heart to the beauty that is all around her and inside of her.

    With topics such as frustration with our social and natural world, these poems openly question the self and place and how private experiences like motherhood and sorrow necessitate a deeper engagement with public life and history.From "The Winter's Wife":I want wild roots to prosperan invention of blooms, each unknownto every wise gardener. If I could bea color. If I could be a questionof tender regard. I know crabgrassand thistle. I know one algorithm:it has nothing to do with repetitionor rhythm. It is the route from numberto number (less to more, moreto less), a map drawn by proof not faith. Unlike twilight, I do notconclude with darkness. I conclude.

    She was determined to find a better life for herself, away from the oppression and isolation of her Satmar upbringing in Williamsburg, Brooklyn. And in Exodus, Revisited she delves into what happened next--taking the reader on a journey that starts with her beginning life anew as a single mother, a religious refugee, and an independent woman in search of a place and a community where she can belong. Originally published in 2014, Deborah has now revisited and significantly expanded her story, and the result is greater insight into her quest to discover herself and the true meaning of home. Travels that start with making her way in New York expand into an exploration of America and eventually lead to trips across Europe to retrace her grandmother's life during the Holocaust, before she finds a landing place in the unlikeliest of cities. Exodus, Revisited is a deeply moving examination of the nature of memory and generational trauma, and of reconciliation with both yourself and the world.

    The poems in this wonderful collection touch all of the events and places that meant the most to Philip Levine. There are lyrical poems about his family and childhood, the magic of nighttime and the power of dreaming; tough poems about the heavy shift work at Detroit's auto plants, the Nazis, and bosses of all kinds; telling poems about his heroes--jazz players, artists, and working people of every description, even children. Other poems celebrate places and things he loved: the gifts of winter, dawn, a wall in Naples, an English hilltop, Andalusia. And he makes peace with Detroit: "Slow learner that I am, it took me one night/to discover that rain in New York City/is just like rain in Detroit. It gets you wet." It is a peace that comes to full fruition in a moving goodbye to his home town in the final poem in the collection, "The Last Shift."

    Will started walking after his father committed suicide, and three years later he hasn’t stopped. But there are some places Will can’t walk by: The blessings store with the chest of 100 Chinese blessings in the back, the bridge on Fourth Street where his father died, and his childhood friend Playa’s house.When Will learns Playa was raped at a party—a party he was at, where he saw Playa, and where he believes he could have stopped the worst from happening if he hadn’t left early—it spurs Will to stop being complacent in his own sadness and do some good in the world. He begins to leave small gifts for everyone in his life, from Superman the homeless guy he passes on his way to work, to the Little Butterfly Dude he walks by on the way home, to Playa herself. And it is through those acts of kindness that Will is finally able to push past his own trauma and truly begin to live his life again. Oh, and discover the truth about that cornbread.

    Half a year earlier, a nuclear plant in Vermont's Northeast Kingdom had experienced a cataclysmic meltdown, and both of Emily's parents were killed. Devastatingly, her father was in charge of the plant, and the meltdown may have been his fault. Was he drunk when it happened? Thousands of people are forced to flee their homes in the Kingdom; rivers and forests are destroyed; and Emily feels certain that, as the daughter of the most hated man in America, she is in danger. So instead of following the social workers and her classmates after the meltdown, Emily takes off on her own for Burlington, where she survives by stealing, sleeping on the floor of a drug dealer's apartment, and inventing a new identity for herself - an identity inspired by her favorite poet, Emily Dickinson. When Emily befriends a young homeless boy named Cameron, she protects him with a ferocity she didn't know she had. But she still can't outrun her past, can't escape her grief, can't hide forever - and so she comes up with the only plan that she can.A story of loss, adventure, and the search for friendship in the wake of catastrophe, Close Your Eyes, Hold Hands is one of Chris Bohjalian's finest novels to date - breathtaking, wise, and utterly transporting.©2014 Chris Bohjalian (P)2014 Random House Audio

    When he and his wife lost their adored little girl, his trust in God turned to bitter anger. As he and his wife struggled to save their marriage and his faith, they discovered that home is more than just rooms and a roof. Home is a place where people are sometimes wounded or betrayed. Home is also where God is strong in the broken places. Woodlief takes readers through his house, room by room, showing that home is: • Where we cry out to God as we seek him in the small things • Where the sacred and the mundane meet • The place that makes us better than we could ever be on our own • More than the place where we eat and sleep…it is where we learn grace Woodlief’s heart-touching stories leavened with humor will appeal to a wide audience, especially those trying to reconcile the idea of a loving God in a broken world.

    One minute Eddie was there, and the next he was gone. Seventeen-year-old Tay McKenzie is a cute and mysterious boy that Elsie meets in her favorite boathouse hangout. When Tay introduces Elsie to the world of freediving, she vows to find the answers she seeks at the bottom of the sea.