My name is Katherine Parr.I'm 31 years old and already twice widowed.I'm in love with a man I can't have, and am about to wed a man no-one would want - for my husband-to-be is none other than Henry VIII, who has already beheaded two wives, cast aside two more, and watched one die in childbirth.What will become of me once I'm wearing his ring and become Queen of England?They say that the sharpest blades are sheathed in the softest pouches.Only time will tell what I am really made of...For fans of Hilary Mantel, Philippa Gregory and Alison Weir, Elizabeth Fremantle's first novel, Queen's Gambit, is a riveting account of the Tudor queen who married four men and outlived three of them - including Henry VIII. Rich in atmosphere and period detail, and told through the eyes of Katherine and her young maid Dot, it tells the story of two very different women during a terrifying and turbulent time. If you loved Wolf Hall, The Other Boleyn Girl or the BBC drama series The Tudors, then Elizabeth Fremantle's Queen's Gambit is the book for you.

    Tom had secretly loved Anne his entire life. Told he is not highly born enough to pursue her, he learns to hide his feelings, especially after Anne catches the eye of Henry VIII.Despite his deepening disquiet about Anne’s growing relationship with the king, Tom remains at Anne’s side as one of her staunchest friends and supporters. Then Anne takes her place as the king’s second consort, and the unthinkable happens.Tom watches helplessly as the woman he loves and his closest friends go on trial for their lives...Grieving for Anne and his friends, Tom remembers Anne’s tumultuous journey to become Henry’s queen.What is the cost of love?Winner of 2003 Glyph Award for Publishing Excellence.

    The queen loves Mary like a daughter, and, like any good mother, she wants her to make a powerful match. The most likely prospect: Edward de Vere, Earl of Oxford. But while Oxford seems to be everything the queen admires: clever, polished and wealthy, Mary knows him to be lecherous, cruel, and full of treachery. No matter how hard the queen tries to push her into his arms, Mary refuses.Instead, Mary falls in love with a man who is completely unsuitable. Sir John Skydemore is a minor knight with little money, a widower with five children. Worst of all, he’s a Catholic at a time when Catholic plots against Elizabeth are rampant. The queen forbids Mary to wed the man she loves. When the young woman, who is the queen’s own flesh and blood, defies her, the couple finds their very lives in danger as Elizabeth’s wrath knows no bounds.

    In this crisis, one man stood out as the great defender of tradition: Sir Thomas More.Portrait of an Unknown Woman is historical fiction at its best, rich in detail and observation that dares to choose as its setting the household of More. It is a novel that unfolds from an oblique angle, revealing itself not through More's eyes but through the eye of his young ward, Meg Giggs -- the unknown woman. Meg is a wholly realized creation, a young, headstrong woman schooled from childhood in the healing arts. A woman who, in time, will be torn between her loyalty, duty, and devotion to the More family and the call of her passions and conscience. Two men will vie for the heart and mind of young Meg: John Clement, her former tutor, a quiet man with a past shrouded in mystery; and Hans Holbein, the famous artist who twice painted portraits of More and his family.In Portrait of an Unknown Woman, Bennett has penned a suspenseful family drama with countless twists and turns, a revealing lesson on art and painting, and a most satisfying love story, all set against and within the rich historical time and tapestry of Tudor England. A remarkable debut novel.

    The era that bears her name was one of the most exciting and dazzling in England's history. Christopher Hibbert's masterful biography introduces a new generation of readers, aware of the challenges women face in wielding power, to perhaps history's greatest monarch.

    His father, John Dudley, saw his own father executed by Henry VIII when he ascended the throne, and suffered ignominy and obscurity as a result. But John is determined to rise high and see his family restored to its former glorious position. He places his sons in the Royal Household, and Robert spends his childhood years at the Royal Court, as playmate to King Henry's children, Prince Edward and the Lady Elizabeth. Robert sees his father gain power and influence, becoming the young King Edward VI's most important courtier. But when John tries to make his daughter-in-law, Lady Jane Grey, queen,the Catholic Mary Tudor proves she has the support of the people, and John is forced to renounce Jane and proclaim Mary queen. For their part in the Nine Days Queen affair, John and his sons are imprisoned in the Tower of London, to await trial and probable execution. Forced to admit that he erred in his belief in the New Religion, Protestantism, John, along with his son, Guildford who married Jane Grey, are executed, having their heads cut off on Tower Hill. One more brother dies of illness, and Queen Mary shows mercy and releases the remaining three brothers. Robert becomes desperate to restore the family's name and fortune, and persuades his brothers to join Queen Mary's husband, King Philip of Spain, in a war against the French. In France, the youngest Dudley brother, Henry, is killed, but Robert is mentioned in despatches as having fought valiantly, and the taint of attainder is removed from the Dudley family name. The Dudleys are not considered traitors any longer. But Robert is still not wanted at court, and he is forced to leave London and settle down with his wife, Amy Robsart, in Norfolk. But he soon grows tired of both the country and his wife, and hopes one day to be able to return to the court. His chance comes when Queen Mary dies and Elizabeth Tudor becomes queen. Abandoning his wife, Robert rushes to her side. Elizabeth soon falls in love with Robert, and sordid rumours spread throughout Europe about their relationship, made worse when Robert's wife dies in mysterious circumstances, and he is suspected of having her murdered. Exiled from the court, Robert has to wait in the country for the coroner's court to return a verdict of Accidental Death before Elizabeth allows him to return to her. Robert is now a free man, but Elizabeth, ever fearful of relinquishing her power, and haunted by the beheadings of her mother, Anne Boleyn, and her stepmother, Katherine Howard, will not agree to marry him, while jealously keeping him by her side. But Robert keeps hoping, and with his heart set on becoming king, he is forced to live a double life, keeping his mistress and illegitimate son secret to avoid Elizabeth's wrath. Until he falls in love with Elizabeth's cousin, the pretty and seductive, Lettice. Lettice demands marriage when she becomes pregnant, and Robert, tired of waiting for Elizabeth and wanting an heir to carry on the Dudley name, agrees. Meanwhile, his growing reputation as politician and staunch Protestant, means that Europe looks to him to solve their religious and territorial problems. Ever eager to improve his reputation and to prove that he is more than Elizabeth's favourite, he launches himself into war in the Netherlands, and is finally offered the governorship of the Dutch, making him a king in all but name. He accepts the Dutch offer but when Elizabeth hears of it, she is furious and insists that he renounce the title. Robert is forced to make a humiliating exit. He returns to England, disappointed and broken in body. Forced to become a soldier again when the Spanish launch their Armada, Robert is too ill to celebrate the English victory and dies en route to taking the spa waters at Buxton. When Elizabeth hears the news, she looks herself away in her room to grieve alone.

    Most biographies focus on the years of her reign, during which she proved herself as adept a ruler -- and as shrewd an operator -- as England had ever seen. But while the history of her rule is fascinating, the story of how her remarkable character was forged seems vital to a full understanding of the woman who led England into a new age of prosperity, power, and artistic achievement. David Starkey's Elizabeth: The Struggle for the Throne explores the terra incognita of Elizabeth's early years, and the result is nothing short of captivating.Starkey finds that Elizabeth's early years ran the gamut from days of snug security as the daughter of Henry VIII and Anne Boleyn, and Henry's heir apparent, to the years of uncertainty after her mother's execution whenElizabeth was separated from court and virtually forgotten. She received a first-rate academic education, excelling in languages and rhetoric and exhibiting a strong interest in the Protestant religion her father had established in England. But the education she received from life itself would prove far more valuable for the monarch-to-be. After the death of Henry VIII and Edward VI (Elizabeth's half brother), Elizabeth's status as sister and would-be successor to the Catholic queen Mary put her in a dangerous position.It also put her in prison at Mary's command -- and perilously close to execution -- after plots to place Elizabeth on the throne were revealed. Starkey makes it clear that while others may have actually done the dirty work, Elizabeth was usually in the thick of these efforts. Her imprisonment taught her to cover her tracks, but it did not stop her maneuverings. While fervently professing her Catholic faith, she surrounded herself with Protestant advisers and attendants, and bided her time. She evaded another snare of her sister's when Mary attempted to neutralize Elizabeth by marrying her off to a Catholic Spaniard in exchange for naming Elizabeth her successor. Perhaps Elizabeth had learned early on from the plight of her mother that marriage had its drawbacks. Starkey, however, suggests that Elizabeth, in a moment of true regality, would not accept the crown if it came through bullying and capitulation. Again, Elizabeth bided her time.Her seeming patience -- for Starkey reveals that Elizabeth continued to plot -- paid off when Mary, never robust, entered her final illness. Elizabeth managed to convince the now irrational queen that she was, indeed, a staunch Catholic and vowed to preserve England as a Catholic realm. Upon Mary's death, Elizabeth ascended to the throne with no meaningful opposition, thereby beginning what would be a golden age, one of the most legendary reigns in history. Starkey lets us understand, for the first time, the forces that made her into the formidable woman -- and brilliant ruler -- that she would soon prove to be.

    On her twelfth birthday, Bess of Hardwick receives the news that she is to be a waiting gentlewoman in the household of Lady Zouche. Armed with nothing but her razor-sharp wit and fetching looks, Bess is terrified of leaving home. But as her family has neither the money nor the connections to find her a good husband, she must go to facilitate her rise in society. When Bess arrives at the glamorous court of King Henry VIII, she is thrust into a treacherous world of politics and intrigue, a world she must quickly learn to navigate. The gruesome fates of Henry’s wives convince Bess that marrying is a dangerous business. Even so, she finds the courage to wed not once, but four times. Bess outlives one husband, then another, securing her status as a woman of property. But it is when she is widowed a third time that she is left with a large fortune and even larger decisions—discovering that, for a woman of substance, the power and the possibilities are endless . . .

    As a child Anne falls in love with the ambitious, proud Richard of Gloucester, third son of the House of York. But when her father is branded a traitor, her family must flee to exile in France. As Anne matures into a beautiful, poised woman, skillfully navigating the treacherous royal court of Margaret of Anjou, she secretly longs for Richard, who has become a great man under his brother's rule. But as their families scheme for power, Anne must protect her heart from betrayals on both sides-and from the man she has always loved, and cannot bring herself to trust.

    Acclaimed historian G. J. Meyer reveals the flesh-and-bone reality in all its wild excess.In 1485, young Henry Tudor, whose claim to the throne was so weak as to be almost laughable, crossed the English Channel from France at the head of a ragtag little army and took the crown from the family that had ruled England for almost four hundred years. Half a century later his son, Henry VIII, desperate to rid himself of his first wife in order to marry a second, launched a reign of terror aimed at taking powers no previous monarch had even dreamed of possessing. In the process he plunged his kingdom into generations of division and disorder, creating a legacy of blood and betrayal that would blight the lives of his children and the destiny of his country.The boy king Edward VI, a fervent believer in reforming the English church, died before bringing to fruition his dream of a second English Reformation. Mary I, the disgraced daughter of Catherine of Aragon, tried and failed to reestablish the Catholic Church and produce an heir. And finally came Elizabeth I, who devoted her life to creating an image of herself as Gloriana the Virgin Queen but, behind that mask, sacrificed all chance of personal happiness in order to survive.  The Tudors weaves together all the sinners and saints, the tragedies and triumphs, the high dreams and dark crimes, that reveal the Tudor era to be, in its enthralling, notorious truth, as momentous and as fascinating as the fictions audiences have come to love.

    But few books have brought to life more vividly the exquisite texture of two women's rivalry, spurred on by the ambitions and machinations of the forceful men who surrounded them. The drama has terrific resonance even now as women continue to struggle in their bid for executive power.Against the backdrop of sixteenth-century England, Scotland, and France, Dunn paints portraits of a pair of protagonists whose formidable strengths were placed in relentless opposition. Protestant Elizabeth, the bastard daughter of Anne Boleyn, whose legitimacy had to be vouchsafed by legal means, glowed with executive ability and a visionary energy as bright as her red hair. Mary, the Catholic successor whom England's rivals wished to see on the throne, was charming, feminine, and deeply persuasive. That two such women, queens in their own right, should have been contemporaries and neighbours sets in motion a joint biography of rare spark and page-turning power.

    They were playmates as children, impetuous lovers as adults-and for thirty years were the center of each others' lives. Astute to the dangers of choosing any one man, the Virgin Queen could never give her Sweet Robin what he wanted most-marriage- yet she insisted he stay close by her side. Possessive and jealous, their love survived quarrels, his two disastrous marriages to other women, her constant flirtations, and political machinations with foreign princes.His Last Letter tells the story of this great love... and especially of the last three years Elizabeth and Dudley spent together, the most dangerous of her rule, when their passion was tempered by a bittersweet recognition of all that they shared-and all that would remain unfulfilled.

    Her name was Mary Tudor. First of the Tudor queens, she has gone down in history as 'Bloody Mary'. But does she deserve her vicious reputation? She was the daughter of Henry VIII and Katherine of Aragon, and half-sister to Edward VI and Elizabeth I. Mary Tudor's life began as the sweetly innocent, pampered Princess Of Wales. Until the age of eleven when the father she adored cast her aside, and the mother she worshipped declared Mary 'a bastard'. Only after years of exile did Mary finally rise to the throne alongside the man who, aside from her father, was her greatest love and her greatest betrayer. Told by Mary herself and the people around her, this grand-scale novel takes us back to the glittering court of sixteenth-century England, and tells the tragic story of a fascinating, largely misunderstood woman, who withstood the treachery and passion around her only to become one of England's most vilified queens.

     As the bereft, orphaned cousin to the ill-fated Anne Boleyn, Katherine Howard knows better than many the danger of being favored by the King. But she is a Howard, and therefore ambitious, so she assumes the role Henry VIII has assigned her-his untouched child bride, his adored fifth wife. But her innocence is imagined, the first of many lies she will have to tell to gain the throne. And the path that she will tread to do so is one fraught with the same dangers that cost Queen Anne her head.

    The real Jane was a very different character, demure and submissive yet with a ruthless streak - as Anne Boleyn was being tried for treason, Jane was choosing her wedding dress. From the lowliest origins of any of Henry's wives her rise shows an ambition every bit as great as Anne's. Elizabeth Norton tells the thrilling life of a country girl from rural Wiltshire who rose to the throne of England and became the ideal Tudor woman.