It takes months before the boy can speak enough English to tell his parents that he already has a family back in India. Horrified, they try their best to track down his Indian family, but all avenues lead to dead ends.Meanwhile, they simply love him, change his name to Taj, enroll him in school, make him part of their family—and his story might have ended there had it not been for the pestering questions in his head: Who am I? Why was I taken? How do I get home?More than a decade later, Taj meets Priya, a girl from southern India with surprising ties to his past. Is she the key to unveil the secrets of his childhood or is it too late? And if he does make it back to India, how will he find his family with so few clues?

    He writes of bureaucrats, students and Cultural Revolution survivors, stripping none of their complexity and humanity. He's gentle with their idiocies, saving his sharpest barbs for himself (it's his pants that split from zipper to waist whilst demonstrating martial arts in Canton). Though dribs of history and drabs of classical lore seep through, this is mostly a personal tale, noted by the Los Angeles Times for "the charmingly unpretentious manner in which it penetrates a China inaccessible to other foreigners."

    Five years later, Anna packed her bags and walked out on Armand, taking the typewriter and their children. Aside from one brief encounter, the two never saw or spoke to each other again, never remarried, and never revealed what had divided them forever.A Fifty-Year Silence is the deeply involving account of Miranda Richmond Mouillot's journey to find out what happened between her grandmother, a physician, and her grandfather, an interpreter at the Nuremberg Trials, who refused to utter his wife's name aloud after she left him.  To discover the roots of their embittered and entrenched silence, Miranda abandons her plans for the future and moves to their stone house, now a crumbling ruin; immerses herself in letters, archival materials, and secondary sources; and teases stories out of her reticent, and declining, grandparents.  As she reconstructs how Anna and Armand braved overwhelming odds and how the knowledge her grandfather acquired at Nuremberg destroyed their relationship, Miranda wrestles with the legacy of trauma, the burden of history, and the complexities of memory.  She also finds herself learning how not only to survive but to thrive – making a home in the village and falling in love.With warmth, humor, and rich, evocative details that bring her grandparents' outsize characters and their daily struggles vividly to life, A Fifty-Year Silence is a heartbreaking, uplifting love story spanning two continents and three generations.

    Mostly illiterate, they were self-made mystics and gifted storytellers and humble peddlers who dwelt in harmony with their Muslim and Christian neighbors in the mountains of northern Iraq. To these descendants of the Lost Tribes of Israel, Yona Sabar was born. Yona's son Ariel grew up in Los Angeles, where Yona had become an esteemed professor, dedicating his career to preserving his people’s traditions. Ariel wanted nothing to do with his father’s strange immigrant heritage—until he had a son of his own.Ariel Sabar brings to life the ancient town of Zakho, discovering his family’s place in the sweeping saga of Middle-Eastern history. This powerful book is an improbable story of tolerance and hope set in what today is the very center of the world’s attention.

    The bus was travelling very slowly in the right direction and could hardly have been missed by anyone except Aunt Juliet, who must have been travelling fairly fast in the wrong direction.Growing up in the 1930s in a grand old home in Sydney’s bohemian Kings Cross, Robin Dalton experienced a childhood of curiosity and wonder. Raised by a bevy of idiosyncratic aunts and a revolving door of unconventional houseguests, Dalton recalls a time when children had real adventures in a world not easy but perhaps less complicated than today’s.With a gentle warmth and wicked wit, Robin Dalton brings to life all the colour, glamour and charm of Australian society between the wars. Steeped in nostalgia, Aunts Up the Cross is a delightfully funny memoir of family, childhood and an Australia of yesteryear.

    Carefully reassembled with calm, steady hands, these shards tell the story of an ordinary family that somehow managed to survive the myriad persecutions and repressions of the last century. The family’s pursuit of a quiet, civilized, ordinary life—during such atrocious times—is itself a strange odyssey.In dialogue with thinkers like Roland Barthes, W. G. Sebald, Susan Sontag, and Osip Mandelstam, In Memory of Memory is imbued with rare intellectual curiosity and a wonderfully soft-spoken, poetic voice. Dipping into various genres—essay, fiction, memoir, travelogue, and history—Stepanova assembles a vast panorama of ideas and personalities and offers a bold exploration of cultural and personal memory.

    Her mother was a figure, a name, Irène Némirovsky, a once popular novelist, a Russian émigré from an immensely rich family, a Jew who didn’t consider herself one and who even contributed to collaborationist periodicals, and a woman who died in Auschwitz because she was a Jew. To her daughter she was a tragic enigma and a stranger. It was to come to terms with that stranger that Gille wrote, in The Mirador, her mother’s memoirs. The first part of the book, dated 1929, the year David Golder made Némirovsky famous, takes us back to her difficult childhood in Kiev and St. Petersburg. Her father is doting, her mother a beautiful monster, while Irene herself is bookish and self-absorbed. There are pogroms and riots, parties and excursions, then revolution, from which the family flees to France, a country of “moderation, freedom, and generosity,” where at last she is happy. Some thirteen years later Irène picks up her pen again. Everything has changed. Abandoned by friends and colleagues, she lives in the countryside and waits for the knock on the door. Written a decade before the publication of Suite Française made Irène Némirovsky famous once more (something Gille did not live to see), The Mirador is a haunted and a haunting book, an unflinching reckoning with the tragic past, and a triumph not only of the imagination but of love.

    He was arrested, interrogated and imprisoned by the communists, and watched illiterate Taliban soldiers burn piles of his books in the street. He even resorted to hiding most of his stock—almost ten thousand books—in attics all over Kabul.But while Khan is passionate in his love of books and his hatred of censorship, he also has strict views on family life and the role of women. As an outsider, Åsne Seierstad found herself in a unique position, able to move freely between the private, restricted sphere of the women—including Khan’s two wives—and the freer, more public lives of the men.It is an experience that Seierstad finds both fascinating and frustrating. As she steps back from the page and allows the Khans to speak for themselves, we learn of proposals and marriages, hope and fear, crime and punishment. The result is a genuinely gripping and moving portrait of a family, and a clear-eyed assessment of a country struggling to free itself from history.' to 'This mesmerizing portrait of a proud man who, through three decades and successive repressive regimes, heroically braved persecution to bring books to the people of Kabul has elicited extraordinary praise throughout the world and become a phenomenal international bestseller. The Bookseller of Kabul is startling in its intimacy and its details—a revelation of the plight of Afghan women and a window into the surprising realities of daily life in today’s Afghanistan.'

    Her journey, eloquently and intimately told, is a tribute to the resilience of families everywhere.Andalibian takes us first into her family's tranquil, jasmine-scented days of prosperity in Mashhad, Iran, where she and her brothers grow up in luxury at the Rose Hotel, owned by her father. In the aftermath of the 1979 revolution the family is forces to flee: first to the safety of a mansion in Tehran, next to a squalid one-room flat in London, and finally to California, where they discover they are not free from the weight of their own secrets. Caught between their parents' traditional values and their desire to embrace and American way of life, Andalibian and her brothers struggle to find peace in the wake of tragedy.In the tradition of "The Kite Runner," "House of Sand and Fog," and "Reading Lolita in Tehran," this is a universal story of healing and rebirth.

    Now, in Half Broke Horses, she brings us the story of her grandmother, told in a first-person voice that is authentic, irresistible, and triumphant. "Those old cows knew trouble was coming before we did." So begins the story of Lily Casey Smith, Jeannette Walls's no nonsense, resourceful, and spectacularly compelling grandmother. By age six, Lily was helping her father break horses. At fifteen, she left home to teach in a frontier town -- riding five hundred miles on her pony, alone, to get to her job. She learned to drive a car ("I loved cars even more than I loved horses. They didn't need to be fed if they weren't working, and they didn't leave big piles of manure all over the place") and fly a plane. And, with her husband Jim, she ran a vast ranch in Arizona. She raised two children, one of whom is Jeannette's memorable mother, Rosemary Smith Walls, unforgettably portrayed in The Glass Castle. Lily survived tornadoes, droughts, floods, the Great Depression, and the most heartbreaking personal tragedy. She bristled at prejudice of all kinds -- against women, Native Americans, and anyone else who didn't fit the mold. Rosemary Smith Walls always told Jeannette that she was like her grandmother, and in this true-life novel, Jeannette Walls channels that kindred spirit. Half Broke Horses is Laura Ingalls Wilder for adults, as riveting and dramatic as Isak Dinesen's Out of Africa or Beryl Markham's West with the Night. Destined to become a classic, it will transfix audiences everywhere.

    Two white house maids, a remarkable mother and her daughter, reveal what it was really like upstairs, downstairs at the white house.

    During the Second World War, Grass volunteered for the submarine corps at the age of fifteen but was rejected; two years later, in 1944, he was instead drafted into the Waffen-SS. Taken prisoner by American forces as he was recovering from shrapnel wounds, he spent the final weeks of the war in an American POW camp. After the war, Grass resolved to become an artist and moved with his first wife to Paris, where he began to write the novel that would make him famous.Full of the bravado of youth, the rubble of postwar Germany, the thrill of wild love affairs, and the exhilaration of Paris in the early fifties, Peeling the Onion -- which caused great controversy when it was published in Germany -- reveals Grass at his most intimate.

    It’s the bloodiest year of the Northern Irish ‘Troubles’ and sixteen-year-old Eimear O’Callaghan, a Catholic schoolgirl in Andersonstown, West Belfast, bears witness in her new diary. What follows is a unique and touching perspective into the daily life of an ordinary teenager coming of age in extraordinary times. The immediacy of the diary entries are complemented with the author’s mature reflections written forty years later. The result is poignant, shocking, wryly funny and above all, explicitly honest.This unique publication comes at a time when Northern Ireland is desperately struggling to come to terms with the legacy of its turbulent past. It provides a powerful juxtaposition of the ordinary, everyday concerns of a sixteen-year-old girl – who could be any girl in any British or Irish city at this time, worrying about her hair, exams, clothes, discos – with the unimaginable horror of a society slowly disintegrating before her eyes, a seemingly inevitable descent into a bloody civil war, fuelled by sectarianism, hatred and fear.Written by an experienced broadcaster and journalist, Belfast Days demonstrates how one person’s examination of her own ‘story’, upon rediscovering her 1972 diary on the eve of the publication of the Saville Report, provided her with a new perspective on one of the darkest periods in twentieth century British and Irish history.

    Now, in this jubilant new novel, Benjamin shines a dazzling spotlight on another fascinating female figure whose story has never fully been told: a woman who became a nineteenth century icon and inspiration - and whose most daunting limitation became her greatest strength. "Never would I allow my size to define me. Instead, I would define it." She was only two-foot eight-inches tall, but her legend reaches out to us more than a century later. As a child, Mercy Lavinia "Vinnie" Bump was encouraged to live a life hidden away from the public. Instead, she reached out to the immortal impresario P. T. Barnum, married the tiny superstar General Tom Thumb in the wedding of the century, and transformed into the world's most unexpected celebrity. Here, in Vinnie's singular and spirited voice, is her amazing adventure - from a showboat "freak" revue where she endured jeering mobs to her fateful meeting with the two men who would change her life: P. T. Barnum and Charles Stratton, AKA Tom Thumb. Their wedding would captivate the nation, preempt coverage of the Civil War, and usher them into the White House and the company of presidents and queens. But Vinnie's fame would also endanger the person she prized most: her similarly-sized sister, Minnie, a gentle soul unable to escape the glare of Vinnie's spotlight. A barnstorming novel of the Gilded Age, and of a woman's public triumphs and personal tragedies, The Autobiography of Mrs. Tom Thumb is the irresistible epic of a heroine who conquered the country with a heart as big as her dreams - and whose story will surely win over yours.

    Having survived the retreat to and evacuation from Dunkirk, he volunteered for the newly formed Commandos and took part in their first operation, the raid on the Lofoten Islands. He fought and was captured in Tunisia. He went on the run before his POW camp at Fontanellato was taken over by the Nazis after the September 1943 Italian armistice. He spent six months on the run in the Apennine mountains aided by brave and selfless Italians. Many of whom were actively fighting their occupiers. He eventually reached Allied lines but not before several of his companions were tragically killed by both German and American fire.On return to England he immediately signed up for the invasion of North West Europe and despite being wounded eventually fought through to Germany.It is thanks to his son's research that Major Young's story can now be told. It is an inspiring and thrilling account which demands to be read.