Perchance to Dream contains a selection of Beaumont’s finest stories, including five that he later adapted for Twilight Zone episodes.Beaumont dreamed up fantasies so vast and varied they burst through the walls of whatever box might contain them. Supernatural, horror, noir, science fiction, fantasy, pulp, and more: all were equally at home in his wondrous mind. These are stories where lions stalk the plains, classic cars rove the streets, and spacecraft hover just overhead. Here roam musicians, magicians, vampires, monsters, toreros, extraterrestrials, androids, and perhaps even the Devil himself. With dizzying feats of master storytelling and joyously eccentric humor, Beaumont transformed his nightmares and reveries into impeccably crafted stories that leave themselves indelibly stamped upon the walls of the mind. In Beaumont’s hands, nothing is impossible: it all seems plausible, even likely.

    Reeling from a recent asteroid impact, tortured with horrific storms, tornadoes, hurricanes, earthquakes, and churning volcanic eruptions, the planet is a dumping ground for undesirables, misfits, and charlatans…but also a haven for dreamers and independent pioneers.Against all odds, an exiled general named Adolphus has turned Hellhole into a place of real opportunity for the desperate colonists who call the planet their home. While the colonists are hard at work developing the planet, General Adolphus secretly builds alliances with the leaders of the other Deep Zone worlds, forming a clandestine coalition against the tyrannical, fossilized government responsible for their exile.What no one knows is this: the planet Hellhole, though damaged and volatile, hides an amazing secret. Deep beneath its surface lies the remnants of an obliterated alien civilization and the buried memories of its unrecorded past that, when unearthed, could tear the galaxy apart.

    The aim of the editors was to collect stories which emphasize plot, character, science, originality and believability in equal measure, not only to entertain readers but also to educate and to return the sense of wonder of the Golden Age to a new generation of 21st Century readers.Contents:Blue afternoon that lasted forever / Daniel H. Wilson --Slow unfurling of truth / Aliette de Bodard --Thunderwell / Doug Beason --Circle / Liu Cixin --Old timer's game / Ben Bova --Snows of yesteryear / Jean-Louis Trudel --Skin Deep / Leah Petersen & Gabrielle Harbowy --Lady with fox / Gregory Benford --Habilis / Howard Hendrix --Play's the thing / Jack McDevitt --Every hill ends with sky / Robert Reed --She just looks that way / Eric Choi --SIREN of Titan / David DeGraff --Yoke of inauspicious stars / Kate Story --Ambiguous nature / Carl Frederick --Maldelbrot bet / Dirk Strasser --Recollection / Nancy Fulda.

     They thought they were alone. They were wrong. On October 15th, humanity went missing. A handful of scattered survivors wake to find the world empty of friends, family, and neighbors. Among them, a child searches for his family. A special agent turned enemy of the state survives a fiery plane crash with no way to reach his daughter. A serial killer discovers he’s no longer at the top of the food chain. Now these strangers must find the strength inside them to weather the new world. But they are not alone. In the absence of civilization, a new threat emerges. In the stillness, it waits and watches, preying on their weakness. Their only hope is to find more survivors, rise above their fear, and face the oncoming darkness. But can they unite before they too are lost? And can they all be trusted? Season One of Yesterday’s Gone by Sean Platt and David W. Wright is a tense post-apocalyptic thriller that will leave you guessing to the end. Combining TV’s thrilling, episodic nature with the in-depth character only found in novels, Yesterday’s Gone is a new wave in fiction. If you like The Stand and LOST, you’ll love this series that combines tension, intrigue, and fear of the unknown. Get Yesterday’s Gone now and see who lives and who dies! (Warning: This book is intended for mature audiences and contains disturbing and potentially offensive material.)

    Each of the writers was asked to write a new story based on one of his or her most famous series. Stephen King tells a tale of Roland, the Gunslinger, in the world of The Dark Tower, in "The Little Sisters of Eluria."Terry Pratchett relates an amusing incident in Discworld, of a magical contest and the witch Granny Weatherwax, in "The Sea and Little Fishes"Terry Goodkind tells of the origin of the Border between realms in the world of The Sword of Truth, in "Debt of Bones."Orson Scott Card spins a yarn of Alvin and his apprentice from the Tales of Alvin Maker, in "Grinning Man."Robert Silverberg returns to Majipoor and to Lord Valentine's adventure in an ancient tomb, in "the Seventh Shrine."Ursual K. Le Guin adds a sequel to her famous books of Earthsea, portraying a woman who wants to learn magic, in "Dragonfly."Tad Williams tells a dark and enthralling story of a great and haunted castle in the age before Memory, Sorrow, and Thorn, in "The Burning Man."George R.R. Martin sets his piece a generation before his epic, A Song of Ice and Fire, in the adventure of "The Hedge Knight."Ann McCaffrey, the poet of Pern, returns once again to her world of romance and adventure in "Runner of Pern."Raymond E. Feist's Riftwar Saga is the setting of the tale of "The Wood Boy."Robert Jordan, in "New Spring," tells of crucial events in the years leading up to The Wheel of Time, of the meeting of Lan and Moiraine and the beginning of the search for the child who must grow to lead in the Last Battle.

    Appearing in print for the first time, "Amnesty" is a story of a woman named Noah who works to negotiate the tense and co-dependent relationship between humans and a species of invaders. Also new to this collection is "The Book of Martha" which asks: What would you do if God granted you the ability—and responsibility—to save humanity from itself?Like all of Octavia Butler’s best writing, these works of the imagination are parables of the contemporary world. She proves constant in her vigil, an unblinking pessimist hoping to be proven wrong, and one of contemporary literature’s strongest voices.

    The crew of the spaceship Nostromo wake from cryogenic sleep to distress signals from an unknown planet. One is attacked when they investigate a derelict alien craft. Safely on their way back to Sol, none foresee the real horror about to begin.

    In these stories of doubt, delusion, and paranoia, no belief, no claim to objectivity, is immune to the distortions of human perception. Here, self-deception is a means of justifying our most inhuman impulses--whether we know it or not.

    This volume includes the titles Dune, Dune Messiah and Children of Dune.

    From The Wizard of Oz to The Dark Tower, from Philip Pullman's The Golden Compass to C. S. Lewis's The Chronicles of Narnia, there is a rich tradition of this kind of fiction, but never before have the best parallel world stories and portal fantasies been collected in a single volume—until now.

    For those who already know these tales, the poignant introduction is a window on the creator's mind. Reflecting back after 14 years, Barker writes: I look at these pieces and I don't think the man who wrote them is alive in me anymore.... We are all our own graveyards I believe; we squat amongst the tombs of the people we were. If we're healthy, every day is a celebration, a Day of the Dead, in which we give thanks for the lives that we lived; and if we are neurotic we brood and mourn and wish that the past was still present. Reading these stories over, I feel a little of both. Some of the simple energies that made these words flow through my pen--that made the phrases felicitous and the ideas sing--have gone. I lost their maker a long time ago. These enthusiastic tales are not ashamed of visceral horror, of blood splashing freely across the page: "The Midnight Meat Train," a grisly subway tale that surprises you with one twist after another; "The Yattering and Jack," about a hilarious demon who possesses a Christmas turkey; "In the Hills, the Cities," an unusual example of an original horror premise; "Dread," a harrowing non-supernatural tale about being forced to realize your worst nightmare; "Jacqueline Ess: Her Will and Testament," about a woman who kills men with her mind. Some of the tales are more successful than others, but all are distinguished by strikingly beautiful images of evil and destruction. No horror library is complete without them. --Fiona Webster

    Yes, it will be dangerous, frequently brutal, and often devastating. But it’s also savagely funny, deliriously strange, and absolutely brimming with adventure.In these edgy, unexpected tales, a body-hopping mercenary avenges his pet elephant, and an orphan falls in love with a sentient starship. Fighters ally to power a reality-bending engine, and a swamp-dwelling introvert tries to save the world—from her plague-casting former wife.So come meet Kameron Hurley in the future. The version she's created here is weirder—and far more hopeful—than you could ever imagine.

    The world has succumbed to an alien plague, with most of the population transformed into mindless, savage creatures. The planet’s refugees flock to Darwin, where a space elevator—created by the architects of this apocalypse, the Builders—emits a plague-suppressing aura.Skyler Luiken has a rare immunity to the plague. Backed by an international crew of fellow “immunes,” he leads missions into the dangerous wasteland beyond the aura’s edge to find the resources Darwin needs to stave off collapse. But when the Elevator starts to malfunction, Skyler is tapped—along with the brilliant scientist, Dr. Tania Sharma—to solve the mystery of the failing alien technology and save the ragged remnants of humanity.

    Death. War. Pestilence. These are the harbingers of the biblical apocalypse, of the End of the World. In science fiction, the end is triggered by less figurative means: nuclear holocaust, biological warfare/pandemic, ecological disaster, or cosmological cataclysm.But before any catastrophe, there are people who see it coming. During, there are heroes who fight against it. And after, there are the survivors who persevere and try to rebuild. THE APOCALYPSE TRIPTYCH will tell their stories.Edited by acclaimed anthologist John Joseph Adams and bestselling author Hugh Howey, THE APOCALYPSE TRIPTYCH is a series of three anthologies of apocalyptic fiction. THE END IS NIGH focuses on life before the apocalypse. THE END IS NOW turns its attention to life during the apocalypse. And THE END HAS COME focuses on life after the apocalypse.THE END IS NIGH features all-new, never-before-published works by Hugh Howey, Paolo Bacigalupi, Jamie Ford, Seanan McGuire, Tananarive Due, Jonathan Maberry, Robin Wasserman, Nancy Kress, Charlie Jane Anders, Ken Liu, and many others.

    The world itself has turned against the handful of survivors, as one by one they succumb to despair and suicide or, even worse, are transformed by otherworldly pollution into hideous Gray Men, cannibalistic mutants driven by insatiable hunger. Into these desperate circumstances comes an amnesiac teenaged boy who names himself Ethan—a boy who must overcome mistrust and suspicion to master unknowable powers that may prove to be the last hope for humanity's salvation. Those same powers make Ethan a threat to the warring aliens, long used to fearing only each other, and thrust him and his comrades into ever more perilous circumstances.A major new novel from the unparalleled imagination of Robert McCammon, this dark epic of survival will both thrill readers and make them fall in love with his work all over again.