Now in a dynamic new Kevin Brooks repackaging!Meet Martyn Pig. His name may be bad, but his life is worse.Martyn's life is miserable, and it always has been. His mother is gone. His father hates him. But at least things can't get any worse. Or so he thought.When his father dies in a sudden accident, Martyn realizes that for the first time in his life, he has a choice. Sure, he could report what happened - and move in with his horrible Aunty Jean. Or he could get rid of the body and move on with the rest of his life. So Martyn comes up with a foolproof plan to hide the body. Hey, what could go wrong?

    With school over and the locked world of their fathers before them, they rush towards the climax of their youth: a magical weekend in Manchester, the epicentre of everything that inspires them in working-class Britain. There, against the greatest soundtrack ever recorded, a vow is made: to go at life differently. Thirty years on, half a life away, the phone rings. Tully has news.Mayflies is a memorial to youth's euphorias and to everyday tragedy. A tender goodbye to an old union, it discovers the joy and the costs of love.

    And before long The Wave, with its rules of "strength through discipline, community, and action", sweeps from the classroom through the entire school. And as most of the students join the movement, Laurie Saunders and David Collins recognize the frightening momentum of The Wave and realize they must stop it before it's too late.

    The suspension of disbelief happens easily, as the reader is led through twisted family trees and plot lines. The quincunx of the title is a heraldic figure of five parts that appears at crucial points within the text (the number five recurs throughout the novel, which itself is divided into five parts, one for each of the family galaxies whose orbits the narrator is pulled into). Quintuple the length of the ordinary novel, this extraordinary tour de force also has five times the ordinary allotment of adventure, action and aplomb.

    Growing up on a dairy farm in the mountains of British Columbia less than two miles from the American border, she knows little of the outside world. But she knows family. A family so close and loving that they are the envy of the nearby town of Atwood. Friends and neighbors, young and old alike, show up regularly on their farmhouse porch–all willing to share in the never-ending daily chores in exchange for a place at the Ward family table. Natalie cherishes her position as the only daughter of the beautiful Nettie Ward–the pride of the Catholic Ladies Auxiliary–and the town's milkman, Gus Ward–the darling of Atwood housewives. She adores her three brothers, especially the eldest, Boyer, whom she idolizes with a childlike worship. Like her mother, Natalie believes their lives are blessed, as rich and as sweet as the fresh milk that is their livelihood. Everything changes one hot July afternoon in 1966 when a long-haired stranger walks up the winding dirt road to their door. The arrival of this soft-spoken American, a Vietnam War resister, will test the morals and beliefs of the Ward family and their close-knit community. The catastrophic events that are set in motion will leave relationships shattered and Natalie separated from the family she loves in ways that she could never have imagined. Thirty-five years later, Natalie receives a late-night phone call from her now-estranged brother Boyer. Their mother is dying. Torn between the love of her mother and the fear of the past, Natalie returns to the town she has spent her entire adult life avoiding. As she travels back to her childhood home she steels herself against the bittersweet memories of that summer day in 1966 and the tragedy that followed. But before Natalie can find redemption, she must confront the secrets and horrors of a past she has desperately tried to forget.

    Here indeed is a monumental Faust, an audacious man boldly wagering with the devil, Mephistopheles, that no magic, sensuality, experience, or knowledge can lead him to a moment he would wish to last forever. Here, in Faust, Part I, the tremendous versatility of Goethe’s genius creates some of the most beautiful passages in literature. Here too we experience Goethe’s characteristic humor, the excitement and eroticism of the witches’ Walpurgis Night, and the moving emotion of Gretchen’s tragic fate.This authoritative edition, which offers Peter Salm’s wonderfully readable translation as well as the original German on facing pages, brings us Faust in a vital, rhythmic American idiom that carefully preserves the grandeur, integrity, and poetic immediacy of Goethe’s words.

    What did I know of our language but pieces? Would I teach her to be pieces? Until a friend comforted, Don’t worry, you and your daughter will learn together. Today she stood sunlight on her shoulders lean and straight to share a song in Diné, her father’s language. To sing she motions simultaneously with her hands; I watch her be in multiple musics.—from “WHEREAS Statements”WHEREAS confronts the coercive language of the United States government in its responses, treaties, and apologies to Native American peoples and tribes, and reflects that language in its officiousness and duplicity back on its perpetrators. Through a virtuosic array of short lyrics, prose poems, longer narrative sequences, resolutions, and disclaimers, Layli Long Soldier has created a brilliantly innovative text to examine histories, landscapes, her own writing, and her predicament inside national affiliations. “I am,” she writes, “a citizen of the United States and an enrolled member of the Oglala Sioux Tribe, meaning I am a citizen of the Oglala Lakota Nation—and in this dual citizenship I must work, I must eat, I must art, I must mother, I must friend, I must listen, I must observe, constantly I must live.” This strident, plaintive book introduces a major new voice in contemporary literature.

    w. inset. Kirk Douglas played on Broadway as a charming rogue who contrives to serve a short sentence in an airy mental institution rather in a prison. This, he learns, was a mistake. He clashes with the head nurse, a fierce artinet. Quickly, he takes over the yard and accomplishes what the medical profession has been unable to do for twelve years; he makes a presumed deaf and dumb Indian talk. He leads others out of introversion, stages a revolt so that they can s

    Mosheen's dream of becoming a diplomat has been shattered and Zunaira can no longer even appear on the streets of Kabul unveiled. Atiq is a jailer who guards those who have been condemned to death; the darkness of prison and the wretchedness of his job have seeped into his soul. Atiq's wife, Musarrat, is suffering from an illness no doctor can cure. Yet, the lives of these four people are about to become inexplicably intertwined, through death and imprisonment to passion and extraordinary self-sacrifice.The Swallows of Kabul is an astounding and elegiac novel of four people struggling to hold on to their humanity in a place where pleasure is a deadly sin and death has become routine.

    Its charm lies not in its plot, but rather in its wise and humane look at man's constant search for happiness. The text is based on the second edition as Samuel Johnson revised it.

    Set in the American South in the 1960s it follows Meridian Hill, a courageous young woman who dedicates herself heart and soul to her civil rights work, touching the lives of those around her even as her own health begins to deteriorate. Hers is a lonely battle, but it is one she will not abandon, whatever the costs. This is classic Alice Walker, beautifully written, intense and passionate.

    It is an inspired study in moral uncertainty with the compellingly certain structure of an old-fashioned detective drama. Even as Doubt holds your conscious attention as an intelligently measured debate play, it sends off stealth charges that go deeper emotionally. One of the year’s ten best.”—Ben Brantley, The New York Times“[The] #1 show of the year. How splendid it feels to be trusted with such passionate, exquisite ambiguity unlike anything we have seen from this prolific playwright so far. Blunt yet subtle, manipulative but full of empathy for all sides, the play is set in 1964 but could not be more timely. Doubt is a lean, potent drama . . . passionate, exquisite, important, and engrossing.”—Linda Winer, NewsdayChosen as the best play of the year by over 10 newspapers and magazines, Doubt is set in a Bronx Catholic school in 1964, where a strong-minded woman wrestles with conscience and uncertainty as she is faced with concerns about one of her male colleagues. This play by John Patrick Shanley—the Bronx-born-and-bred playwright and Academy Award-winning author of Moonstruck—dramatizes issues straight from today’s headlines within a world re-created with knowing detail and a judicious eye. After a stunning, sold-out production at Manhattan Theatre Club, the play has transferred to Broadway.John Patrick Shanley is the author of numerous plays, including Danny and the Deep Blue Sea, Dirty Story, Four Dogs and a Bone, Psychopathia Sexualis, Sailor’s Song, Savage in Limbo, and Where’s My Money?. He has written extensively for TV and film, and his credits include the teleplay for Live from Baghdad and screenplays for Congo, Alive, Five Corners, Joe Versus the Volcano (which he also directed), and Moonstruck, for which he won an Academy Award for original screenplay.

    Whether it’s finding work or challenging injustice, Rosie squares her shoulders, sets her chin high and faces it full on. Born at the end of the nineteenth century, in the rural south of England and sent into service aged just twelve, Rosie quickly discovers that many good people spend their lives toiling for very little reward, whilst others ‘have it all’. She decides it won’t be like that for her. Why can’t she ride in a car? Why can’t she work when she’s pregnant? Why can’t she live in a nice flat? Why can’t she be an artist’s model? Whilst working as a housekeeper for two upper-class boys, Rosie starts to learn more and more about the world, gleaned from overheard conversations and newspapers left lying around. This triggers an ongoing thirst for knowledge, which shapes her views, informs her decisions and influences her future. Rosie aspires to have a better life than that of her parents: better living conditions, better working conditions and pay, better education for her children, to be able to vote, to be able to control how many children she has… Without realising it, this young woman is blazing a trail for all those who are to come after. Whilst working in London, Rosie meets her sweetheart Jim, but the The Great War puts paid to their plans for the future, and matters worsen afterwards, as she, along with the rest of society, tries to deal with the horrors and losses. This heart-warming story follows the events of the early twentieth century – the impact and horrors of WW1, the financial crisis and the rapid social and political changes that took place. All that remains of Rosie now is a quartet of paintings in an art gallery. The artist, now famous but the model, unnamed and forgotten; nobody of consequence. But everybody has a life story. Everybody leaves some kind of mark on this world. Everybody’s somebody. Praise for Everybody's Somebody ‘…see history unfold through the fierce and caring eyes of a woman in love' - Emily Murdoch 'In Everybody’s Somebody, Rosie’s colourful life is captured in a series of paintings, with Beryl Kingston applying the masterly brush strokes with her usual artistry and heart-warming style.' Danielle Shaw, author of Love and Sacrifice 'An interesting and informative historical novel with a fabulously feisty heroine. War, love, loss, class struggles, this great read has so much to offer!' Faith Bleasdale, author of Pinstripes Praise for Beryl Kingston “Beryl Kingston understands how to weave dialogue, character, theme and a thumping love affair into unity” – The Sunday Times ‘A new novel by the warm and observant Beryl Kingston is not to be missed. Each one is special’ - Elizabeth Buchan, bestselling author of The New Mrs Clifton Beryl Kingston was born in Tooting in 1931 and was evacuated during the war. She studied at King’s College London, qualified as a teacher and headed an English department. She was been a published author since 1980 and is a self-confessed ‘political animal’, taking part in street demonstrations and protests. She was also a beauty queen in 1947!

    The legendary Athina Farrell remains the company's figurehead and in her kingdom at the Berkeley Arcade, Florence Hamilton plies their cosmetics with the utmost discretion. She is sales advisor - and holder of secrets - extraordinaire.But of course the world of cosmetics is changing and the once glorious House of Farrell is now in decline, its customers tempted away by more fashionable brands.Enter Bianca Bailey, formidable business woman, mother of three, and someone who always gets her way. Athina and Bianca lock horns over the future of the House of Farrell but it is the past that tells its devastating tale of ambition and ego, passion and wonder.Here is a tale of survival ... and a perfect heritage.

    Years later, Wakewater House is renovated into modern apartments and Kirsten moves in, fresh from a break up and eager for the restorative calm of the Thames. But her archivist neighbour, Manon, fills her head with the river's murky past and with those men of science and art who were obsessed with the drowned women who were washed up on its banks. As Kirsten learns more about Wakewater's secrets, she becomes haunted by a solitary figure in the river and increasingly desperate to understand what the water wants from her.