Social protest and poetry; reality and myth; nostalgia for an uncorrupted, golden past; sensual human enjoyment of the present; 'magic' rather than lineal time, and, above all, a tender, compassionate love for the living, fertile, wondrous land and the struggling, hopeful people of Guatemala.—Saturday Review • Winner of the 1967 Nobel Prize for Literature

    Having run away from home, he survives by selling peanuts and single cigarettes on the street. The proposal by the elderly Swiss woman named Anna is shocking and preposterous: go to the mountains with her, as a translator, so she can find her lost lover from decades ago and pray over the graves of their murdered children.Anna and Jallal's journey is wrought with danger and unspeakable tragedy. It was under similar circumstances that Anna first met the Arab Nasreddine. Ousted from the traveling circus where she performed as a trapeze artist, she had little choice but to accept Nasreddine's dangerous offer to live with him in a makeshift tent. But it was here, amid poverty, racism, and terrifyingly random violence, that they fell in love.A best seller in France, The Lovers of Algeria is an unflinchingly candid story about a country where terrorism and government corruption are commonplace. As Anna and Nasreddine, beaten by time and memory, circle each other in Algeria, Anouar Benmalek shows with heart-wrenching detail that love can endure even the most inhuman conditions.A Lannan Translation Series Selection

    At the center of the island’s life is a café draped with bougainvillea called the House at the Edge of Night, where over generations the community gathers to gossip and talk. Amedeo Esposito, a foundling from Florence, finds his destiny on the island with his beautiful wife, Pina, whose fierce intelligence, grace, and unwavering love guide her every move. An indiscretion tests their marriage, and their children—three sons and an inquisitive daughter—grow up and struggle with both humanity’s cruelty and its capacity for love and mercy.Spanning nearly a century, through secrets and mysteries, trials and sacrifice, this beautiful and haunting novel follows the lives of the Esposito family and the other islanders who live and love on Castellamare: a cruel count and his bewitching wife, a priest who loves scandal, a prisoner of war turned poet, an outcast girl who becomes a pillar of strength, a wounded English soldier who emerges from the sea. The people of Castellamare are transformed by two world wars and a great recession, by the threat of fascism and their deep bonds of passion and friendship, and by bitter rivalries and the power of forgiveness, in this richly written and powerful novel.Catherine Banner has written an enthralling, character-rich novel, epic in scope but intimate in feeling. At times, the island itself seems alive, a mythical place where the earth heaves with stories—and this magical novel takes you there.

    Drawing on the West African (Nigeria) Yoruba oral folktale tradition, Tutuola described the odyssey of a devoted palm-wine drinker through a nightmare of fantastic adventure. Since then, The Palm-Wine Drinkard has been translated into more than 15 languages and has come to be regarded as a masterwork of one of Africa's most influential writers.

    Perfect for fans of Lindsey Kelk's I Heart... novels.Paris. City of love, city of romance. The last place you want to go to on a work trip when you're in the middle of an epic dry spell. But that's where Poppy is headed, along with her colleague Charlie, who's shallow and annoying but very, very good-looking. During a white-wine-fuelled session with her friend Alice, Poppy concocts the perfect plan: work by day, and have some no-strings fun with Charlie by night. Of course, it might prove a little more complicated than that, but it's nothing Poppy can't handle - or is it?Girls on Tour is an irresistible series of interlinked stories about four friends, ordinary girls who have extraordinary fun in faraway places. Expect the unexpected, the utterly hilarious and unforgettable, on this rollercoaster ride of love, laughs, surprises and sparks. You have a VIP pass to join each girl's adventure, so pack your bags and buckle your seatbelts, because just about anything is possible...

    Starting with Captain James Cook, the earliest European explorers to visit the Pacific were astounded and perplexed to find populations thriving thousands of miles from continents. Who were these people? From where did they come? And how were they able to reach islands dispersed over such vast tracts of ocean?  In Voyagers, the distinguished anthropologist Nicholas Thomas charts the course of the seaborne migrations that populated the islands between Asia and the Americas from late prehistory onward. Drawing on the latest research, including insights gained from genetics, linguistics, and archaeology, Thomas provides a dazzling account of these long-distance migrations, the seagoing technologies that enabled them, and the societies they left in their wake.

    Drawn into a netherworld of rituals and celebrations, Davis penetrated the vodoun mystique deeply enough to place zombification in its proper context within vodoun culture. In the course of his investigation, Davis came to realize that the story of vodoun is the history of Haiti—from the African origins of its people to the successful Haitian independence movement, down to the present day, where vodoun culture is, in effect, the government of Haiti’s countryside. The Serpent and the Rainbow combines anthropological investigation with a remarkable personal adventure to illuminate and finally explain a phenomenon that has long fascinated Americans.

    Ivan Kulik has just become Headmaster of school number 7 in Hlaby, a rural village in the Pinsk Marshes. Through his eyes we witness the tragedy of Stalinist domination where people are randomly deported to labour camps or tortured in Zovty Prison in Pinsk. The author's individual gift that sets him apart from his contemporaries is the range of his sympathies and his unromantic, unsentimental approach to the sensual lives of females. His debt to Chekhov is obvious in his ability to capture the internal drama of his characters with psychological concision.

    At the center of the story is a crucial decision Lumi makes in the last days of the Second World War: he has a chance to leave Albania on a refugee ship headed to Italy, but at the last moment he disembarks and returns home to his village. As it happens, he has chosen a grim existence. To survive, he is forced to work in a concrete factory, from which he watches friends and family members run afoul of repressive new laws. But even as the book skillfully depicts the slow suffocation of a whole society, it also celebrates the moments of love and hope that sustain the people and holds out the possibility that Lumi may have been right to remain at home.

    It will make you laugh and cry, and ultimately, it will fill you with hope.Born in an Andean village in Ecuador, Virginia lives with her large family in a small, earthen-walled dwelling. In her village of indígenas, it is not uncommon to work in the fields all day, even as a child, or to be called a longa tonta - stupid Indian - by members of the ruling class of mestizos, or Spanish descendants. When seven-year-old Virginia is taken from her village to be a servant to a mestizo couple, she has no idea what the future holds.In this poignant novel based on a true story, acclaimed author Laura Resau has collaborated with María Virginia Farinango to recount one girl's unforgettable journey to self-discovery.

    From the National Book Award finalist who Zadie Smith says, "rescues a million souls from the collective noun genocide."Scholastique Mukasonga's autobiographical stories rend a glorious Rwanda from the obliterating force of recent history, conjuring the noble cows of her home or the dew-swollen grass they graze on. In the title story, five-year-old Colomba tells of a merciless overlord, hunger or igifu, gnawing away at her belly. She searches for sap at the bud of a flower, scraps of sweet potato at the foot of her parent's bed, or a few grains of sorghum in the floor sweepings. Igifu becomes a dizzying hole in her stomach, a plunging abyss into which she falls. In a desperate act of preservation, Colomba's mother gathers enough sorghum to whip up a nourishing porridge, bringing Colomba back to life. This elixir courses through each story, a balm to soothe the pains of those so ferociously fighting for survival.Her writing eclipses the great gaps of time and memory; in one scene she is a child sitting squat with a jug of sweet, frothy milk and in another she is an exiled teacher, writing down lists of her dead. As in all her work, Scholastique sits up with them, her witty and beaming beloved.

    For Fauziya Kassindja, an idyllic childhood in Togo, West Africa, sheltered from the tribal practices of polygamy and genital mutilation, ended with her beloved father's sudden death.  Forced into an arranged marriage at age seventeen, Fauziya was told to prepare for kakia, the ritual also known as female genital mutilation.  It is a ritual no woman can refuse.  But Fauziya dared to try.  This is her story--told in her own words--of fleeing Africa just hours before the ritual kakia was to take place, of seeking asylum in America only to be locked up in U.S.  prisons, and of meeting Layli Miller Bashir, a law student who became Fauziya's friend and advocate during her horrifying sixteen months behind bars.  Layli enlisted help from Karen Musalo, an expert in refugee law and acting director of the American University International Human Rights Clinic.  In addition to devoting her own considerable efforts to the case, Musalo assembled a team to fight with her on Fauziya's behalf.  Ultimately, in a landmark decision in immigration history, Fauziya Kassindja was granted asylum on June 13, 1996.  Do They Hear You When You Cry is her unforgettable chronicle of triumph.

    Authors from Japan and around the world have contributed works of fiction set in or related to Japan. Young adult English-language readers will be able to connect with their Japanese counterparts through stories of contemporary Japanese teens, ninja and yokai teens, folklore teens, mixed-heritage teens, and non-Japanese teens who call Japan home. Tales of friendship, mystery, love, ghosts, magic, science fiction, and history will propel readers to Japan past and present and to Japanese universes abroad.Portions of the proceeds of Tomo will be donated to the Japanese non-profit, HOPE FOR TOMORROW, to support ongoing relief efforts for teens in Japan.Contents:Shocks and tremors: Lost by Andrew FukudaShuya's commute by Liza DalbyHalf life by Deni Y BéchardKazoku by Tak ToyoshimaAftershocks by Ann Tashi SlaterFriends and enemies: Bad day for baseball by Graham SalisburyHalf a heart by Mariko NagaiThe bridge to Lillooet by Trevor KewBlue shells by Naoko Awa, translated by Toshiya KameiBorne by the wind by Charles De WolfGhosts and spirits: The ghost who came to breakfast by Alan GratzHouse of trust by Sachiko Kashiwaba, translated by Avery Fischer UdagawaStaring at the Haiku by John Paul CattonKodama by Debbie Ridpath OhiWhere the silver droplets fall by transcribed and translated from Ainu into Japanese by Yukie Chiri, translated and illustrated by Deborah DavidsonPowers and feats: Yamada-san's toaster by Kelly LuceJet black and the ninja wind by Leza Lowitz and Shogo OketaniHachiro by Ryusuke Saito, translated by Sako IkegamiThe lost property office by Marji NapperAnton and Kiyoshime by Fumio Takano, translated by Hart LarrabeeTalents and curses: Love right on the yesterday by Wendy Nelson TokunagaThe dragon and the poet by Kenji Miyazawa, translated by Misa Dikengil LindbergJust wan-derful by Louise George KittakaIchinichi on the Yamanote by Claire DawnA song for Benzaiten by Catherine Rose torresInsiders and outsiders: Fleecy clouds by Arie Nashiya, translated by Juliet Winters CarpenterThe zodiac tree by Thersa MatsuuraOne by Sarah OgawaLove letter by Megumi Fujino, translated by Lynne E. RiggsSigns by Kaitlin StainbrookWings on the wind by Yuichi Kimura, translated by Alexander O. SmithFamilies and connections: The law of gravity by Yuko Katakawa, translated by Deborah IwabuchiThe mountain drum by Chloë DalbyPaper lanterns by Jennifer Fumiko CahillI hate Harajuku girls by Katrina Toshiko Grigg-SaitoPeace on earth by Suzanne Kamata

    It was the beginning of the Ottoman Turkish government’s systematic attempt to eliminate the Armenian people from Turkey; it was a campaign that continued through World War I and the fall of the Ottoman Empire, by which time more than a million Armenians had been annihilated and expunged from their historic homeland. For Grigoris Balakian, himself condemned, it was also the beginning of a four-year ordeal during which he would bear witness to a seemingly endless caravan of blood.Balakian sees his countrymen sent in carts, on donkeys, or on foot to face certain death in the desert of northern Syria. Many would not even survive the journey, suffering starvation, disease, mutilation, and rape, among other tortures, before being slaughtered en route. In these pages, he brings to life the words and deeds of survivors, foreign witnesses, and Turkish officials involved in the massacre process, and also of those few brave, righteous Turks, who, with some of their German allies working for the Baghdad Railway, resisted orders calling for the death of the Armenians. Miraculously, Balakian manages to escape, and his flight—through forest and over mountain, in disguise as a railroad worker and then as a German soldier—is a suspenseful, harrowing odyssey that makes possible his singular testimony.Full of shrewd insights into the political, historical, and cultural context of the Armenian genocide—the template for the subsequent mass killings that have cast a shadow across the twentieth century and beyond—this memoir is destined to become a classic of survivor literature. Armenian Golgotha is sure to deepen our understanding of a catastrophic crime that the Turkish government, the Ottomans’ successor, denies to this day.

    In “Disparity,” for example, Yu Hua illustrates the mind-boggling economic gaps that separate citizens of the country. In “Copycat,” he depicts the escalating trend of piracy and imitation as a creative new form of revolutionary action. And in “Bamboozle,” he describes the increasingly brazen practices of trickery, fraud, and chicanery that are, he suggests, becoming a way of life at every level of society. Characterized by Yu Hua’s trademark wit, insight, and courage, China in Ten Words is a refreshingly candid vision of the “Chinese miracle” and all its consequences, from the singularly invaluable perspective of a writer living in China today.