Just hours before, they’d watched the Wildcats score a winning touchdown. Now, they’re faced with the deaths of three cheerleaders—their promising lives cut short in a fatal crash. And the boy in the other car—the only one to survive—is believed to be at fault. As rumors begin to fly and accusations spin, allegiances form and long-kept secrets emerge.At the center of the whirlwind are four women, each grappling with loss, regret, shame, and lies: Marglyn, a grieving mother; Darcy, whose son had been behind the wheel; Ava, a substitute teacher with a scandalous secret; and Leah, a cheerleader who should have been in the car with her friends, but wasn’t. If the truth comes out, will it bring redemption—or will it be their downfall?

    Upon learning of Lee's surrender, Sam--a runaway slave who once worked for the Union Army--decides to leave his safe haven in Philadelphia and set out on foot to return to the war-torn South. What compels him on this almost-suicidal course is the desire to find his wife, the mother of his only child, whom he and their son left behind 15 years earlier on the Mississippi farm to which they all "belonged."At the same time, Sam's wife, Tilda, is being forced to walk at gunpoint with her owner and two of his other slaves from the charred remains of his Mississippi farm into Arkansas, in search of an undefined place that would still respect his entitlements as slaveowner and Confederate officer.The book's third main character, Prudence, is a fearless, headstrong white woman of means who leaves her Boston home for Buford, Mississippi, to start a school for the former bondsmen, and thus honor her father’s dying wish.At bottom, Freeman is a love story--sweeping, generous, brutal, compassionate, patient--about the feelings people were determined to honor, despite the enormous constraints of the times. It is this aspect of the book that should ensure it a strong, vocal, core audience of African-American women, who will help propel its likely critical acclaim to a wider audience. At the same time, this book addresses several themes that are still hotly debated today, some 145 years after the official end of the Civil War. Like Cold Mountain, Freeman illuminates the times and places it describes from a fresh perspective, with stunning results. It has the potential to become a classic addition to the literature dealing with this period. Few other novels so powerfully capture the pathos and possibility of the era particularly as it reflects the ordeal of the black slaves grappling with the promise--and the terror--of their new status as free men and women.

    A love story that's celebration of the gift of free agency

    It is a wish that will unearth a terrible secret, one that will either tear her siblings and their offspring apart or allow them to accept buried memories, wounds , and love.In This and Magic Life, Anne Carroll George has created as brilliant portrait of a Southern family in all its glory, captured in a moment of searing intensity and lyric truth. Rich with wisdom and deep understanding this compelling saga the twentieth century -- and tells a story that is truly timeless.

    "From birth, Jessica had eschewed the role to which she'd been born. Was it because she sensed that her father's indulgence was compensation for his disappointment in her? Jessica thought too much, questioned, challenged, rebelled. Sometimes Eunice thought her daughter should have been born a male." Born into the wealthiest and most influential family in 1830s South Carolina, Jessica Wyndham was expected to look appealing, act with decorum, and marry a suitably prominent and respectable man. However, her outspoken opinions and unflagging sense of justice make her a difficult-and dangerous-firebrand, especially for slavery-dependent Carson Wyndham. Jessica's testing of her powerful father's love is only the beginning of the pain, passion, and triumph she will experience on a journey with the indomitable, land-obsessed Silas Toliver and headstrong Jeremy Warwick to a wild new land called Texas. PRAISE FOR LEILA MEACHAM "Discovering Leila Meacham and her spectacular talent is akin to discovering gold. With this novel she has become a national treasure." -- Huffington Post "Rich with American history and pitch-perfect storytelling, fans and new readers alike will find themselves absorbed in the family saga that Meacham has proven-once again-talented in telling." -- Publishers Weekly (starred review)

    Now, finally, Caroline is pregnant. Both Caroline and Jeffrey are thrilled. And, wanting a lasting memory of the happiness she feels, Caroline decides to keep a pregnancy journal, writing to the baby she already loves.Caroline's pregnancy coincides with the trial of Jeffrey's career, the murder of a pregnant woman by her celebrity fianc�. For father-to-be Jeffrey, a man murdering his unborn child is as incomprehensible as it is painful.But there are other dangers for pregnant women and their babies, perils that lurk in silence amid the joy. For Caroline, such perils are medical. Her pregnancy is placing her health -- and even her life -- in jeopardy. But when it comes to a choice between her own life and her baby's, there's never, for Caroline, the slightest doubt.It's a decision of love -- for the baby she cherishes and the husband who loves Caroline more than she believed any man ever could. A man who deserves the chance to become the father he was meant to be.

    Drawing on themes as old as the Bible, Foote's novel compels us to inhabit lives obsessed with sin and starving for redemption. A work reminiscent of both Faulkner and O'Connor, yet utterly original.

     For important background information, please read the novella CLEVER DECEPTION first. "Seek liberty, Foxy, and you'll find me."Sergeant Alexandra Fox came to America to find the man who had brutally murdered her sister. A man the press called The Escape Artist. Could a British Sergeant fit in with the NYPD? Not if Commander Patterson had anything to do with it.Suspended with only two friends in America-- Chief Brown, a long time family friend, and retired Sergeant Matt "Nobby" Adams, Alex has seven days to find three kidnapped babies, or look for a new job.Her investigation leads her into a world of deception, that turns tragic before it even begins, and a helping hand from the one person she hated the most--The Escape Artist.

    When Homer asked for her hand, Elsie instead headed to Orlando where she sparked with a dancing actor named Buddy Ebsen (yes, that Buddy Ebsen). But when Buddy headed for New York, Elsie’s dreams of a life with him were crushed and eventually she found herself back in the coalfields, married to Homer.Unfulfilled as a miner’s wife, Elsie was reminded of her carefree days with Buddy every day because of his unusual wedding gift: an alligator named Albert she raised in the only bathroom in the house. When Albert scared Homer by grabbing his pants, he gave Elsie an ultimatum: “Me or that alligator!” After giving it some thought, Elsie concluded there was only one thing to do: Carry Albert home.Carrying Albert Home is the funny, sweet, and sometimes tragic tale of a young couple and a special alligator on a crazy 1000-mile adventure. Told with the warmth and down-home charm that made Rocket Boys/October Sky a beloved bestseller, Homer Hickam’s rollicking tale is ultimately a testament to that strange and marvelous emotion we inadequately call love.

    “I’ll be back soon, my darling,” her mother, Sage, said the day she left. “Don't you worry. I just need to go find myself.”Do you have to run away in order to find yourself? Maeve wondered. When, exactly, do you know when that self you were so desperately looking for is found?Now Maeve is sixteen-years-old and Sage still hasn’t returned.Fiercely independent and disillusioned, Maeve has grown up with her mother’s ex-boyfriend as her only companion. Giving up all hope of Sage’s return, she convinces herself that mothers—and people—are unnecessary. When she meets Ky and Levi, she is adamant about keeping them at arms length. But Ky, the only true friend Maeve knows, and Levi, the boy with the startling blue eyes, crash through Maeve’s walls.Then one of them is wrenched away—permanently. And Maeve is left dangling with the final words they left behind: go find Sage Parker.

    With her signature style and grace, Mayes explores the power of landscape, the idea of home, and the lasting force of a chaotic and loving family. From her years as a spirited, secretive child, through her university studies—a period of exquisite freedom that imbued her with a profound appreciation of friendship and a love of travel—to her escape to a new life in California, Mayes exuberantly recreates the intense relationships of her past, recounting the bitter and sweet stories of her complicated family: her beautiful yet fragile mother, Frankye; her unpredictable father, Garbert; Daddy Jack, whose life Garbert saved; grandmother Mother Mayes; and the family maid, Frances’s confidant Willie Bell.Under Magnolia is a searingly honest, humorous, and moving ode to family and place, and a thoughtful meditation on the ways they define us, or cause us to define ourselves. With acute sensory language, Mayes relishes the sweetness of the South, the smells and tastes at her family table, the fragrance of her hometown trees, and writes an unforgettable story of a girl whose perspicacity and dawning self-knowledge lead her out of the South and into the rest of the world, and then to a profound return home.

    These tales of corruption, paranoia, vengeance, and the Devil feature the bold, experimental storytelling that cemented Wagner`s reputation as one of the comics medium`s leading innovators. Story, art, and new cover painting by Matt Wagner, colors by Eisner award-nominee Bernie Mireault.

    The intensive education that follows offers Henry a model for future excellence; a model that he is doomed to fail.On his accession, he chooses his brother’s widow, Caterina of Aragon, to be his queen. Together they plan to reinstate the glory of days of old and fill the royal nursery with boys.But when their first-born son dies at just a few months old, and subsequent babies are born dead or perish in the womb, the king’s golden dreams are tarnishedChristendom mocks the virile prince. Caterina’s fertile years are ending yet all he has is one useless living daughter, and a baseborn son.He needs a solution but stubborn to the end, Caterina refuses to step aside.As their relationship founders his eye is caught by a woman newly arrived from the French court. Her name is Anne Boleyn. A Matter of Conscience: The Aragon Years offers a unique first-person account of the ‘monster’ we love to hate and reveals a man on the edge; an amiable man made dangerous by his own impossible expectation.The story continues in A Matter of Faith : Book Two of The Henrician Chronicle.

    There she meets farm wife Irenie Lambey, who is immediately drawn to the lady agent’s self-possession. Already, cracks are emerging in Irenie’s fragile marriage to Brodis, an ex-logger turned fundamentalist preacher: She has taken to night ramblings through the woods to escape her husband’s bed, storing strange keepsakes in a mountain cavern. To Brodis, these are all the signs that Irenie—tiptoeing through the dark in her billowing white nightshirt—is practicing black magic.When Irenie slips back into bed with a kind of supernatural stealth, Brodis senses that a certain evil has entered his life, linked to the lady agent, or perhaps to other, more sinister forces.Working in the stylistic terrain of Amy Greene and Bonnie Jo Campbell, this mesmerizing and award-winning debut by Julia Franks is the story of a woman intrigued by the possibility of change, escape, and reproductive choice—stalked by a Bible-haunted man who fears his government and stakes his integrity upon an older way of life. As Brodis chases his demons, he brings about a final act of violence that shakes the entire valley. In this spellbinding Southern story, Franks bares the myths and mysteries that modernity can’t quite dispel.

    A bright, unusual boy who is disillusioned at a young age, Pip believes that he sees guilt shining in the faces of men wherever he goes. On his picaresque journey, he sweeps through society, revealing the highest and lowest in human nature and only slowly coming to self-understanding. He searches the points of the compass for what will help, groping for a place where he can feel content, certain that he has no place where he belongs and that he rides the rails through a great darkness. His difficult path to collect enough radiance to light his way home is the road of a boy struggling to come to terms with the cruel but sometimes lovely world of Depression-era America.