The discovery of her own relative amongst the dead men begins the unravelling of a hundred years of family history, lies and secrets.

    The war is over, but Juliet Barnard is hiding a secret. While her family believed she was helping the war effort from the safety of England, in truth Juliet was a trained wireless operator, dropped behind enemy lines in Paris to spy on the Germans. But the mission went critically wrong when Juliet was caught and imprisoned in a mansion in Paris's Avenue Foch. Now she can't - or won't - relive the horrors that occurred there, and the people she betrayed . . .The last thing Juliet wants is to return to France, but when ex-SAS officer Mac begs Juliet to help him find his sister, another British agent who is still missing, she can't refuse. And in retracing her past, Juliet begins to realise that in wartime, the greatest enemy isn't always the one that you're expecting to fight.

    She must prove to Anders Sæterdal, her trapping partner who makes no secret of his disdain, that a woman is fit for the task. Over the course of a Svalbard winter, Wanny and Sæterdal will confront polar bears, traverse glaciers, withstand blizzards and the dangers of sea ice, and hike miles to trap Arctic fox, all in the frigid darkness of the four-month polar night. For Wanny, the darkness hides her own deceptions that, if exposed, speak to the untenable sacrifice of a 1930s woman longing to fulfil a dream. Alongside the raw, confronting nature of the trappers’ work, is the story of a young blue Arctic fox, itself a hunter, who must eke out a living and navigate the trappers’ world if it is to survive its first Arctic winter.

    Not even on their wedding day.Softie was sophisticated, a career woman, who owned a nice apartment overlooking St Kilda Beach. Garry had a few rough edges, plus one failed marriage and an assortment of jobs under his belt.But Softie's body clock was ticking, and Garry wanted children …So they got married, and produced the only thing they ever had in common.Matilda.Now, two years later, their golden-haired child is at the centre of a bitter custody battle. Both parents insist that her well-being is the only thing they care about.Yet, in truth, Matilda was always the one most likely to become lost.

    In his earlier, award-winning novels, Dominic Smith demonstrated a gift for coaxing the past to life. Now, in The Last Painting of Sara de Vos, he deftly bridges the historical and the contemporary, tracking a collision course between a rare landscape by a female Dutch painter of the golden age, an inheritor of the work in 1950s Manhattan, and a celebrated art historian who painted a forgery of it in her youth.In 1631, Sara de Vos is admitted as a master painter to the Guild of St. Luke's in Holland, the first woman to be so recognized. Three hundred years later, only one work attributed to de Vos is known to remain--a haunting winter scene, At the Edge of a Wood, which hangs over the bed of a wealthy descendant of the original owner. An Australian grad student, Ellie Shipley, struggling to stay afloat in New York, agrees to paint a forgery of the landscape, a decision that will haunt her. Because now, half a century later, she's curating an exhibit of female Dutch painters, and both versions threaten to arrive. As the three threads intersect, The Last Painting of Sara de Vos mesmerizes while it grapples with the demands of the artistic life, showing how the deceits of the past can forge the present.

    But failed efforts to win a fortune at the racetracks turned Emmett into a broken down gambling drunk who terrorized his wife and children. Starting at Emmett’s funeral and reflecting back, the two eldest Brown children—Louise and Rob—recount the rise and fall of their family. Each of Emmett’s children must address the fallout of Emmett, and each comes to discover that they loved and learnt from their father in both his golden and his dark days.

    Dr Jennifer Kelly has reached the pinnacle of her career as a successful Manhattan obstetrician, complete with ambitious, blue-blooded fianc�. After a desolate childhood with a distant grandmother, life seems everything she's ever wanted.When a grandfather she's never heard of leaves her a dairy farm on an isolated Australian island - plus one depressed dog, thirty geriatric cows and a bunch of ancient surfboards - she plans a quick trip to put the farm up for sale. Her aloof, socialite grandmother Muriel is appalled, yet insists on accompanying her.Once there, Jenny finds herself caught, by cows, by turtles - and by Jack McLachlan, the overworked island doctor who desperately needs her help. Muriel's caught too, with ghosts of her wartime past threatening to crack the shell she's built with such dedication and care.But isn't Manhattan their home? How can two women give up the perfect world they've worked so hard for by taking a chance on...life?'Joyous and breathtaking, a story to touch your heart, make you smile and see the world as a better place.' - Barbara Hannay

    So when an outsider with grand plans threatens to demolish an iconic local landmark and build a huge resort the battle lines are drawn.Young journalist Jessica hopes to make it big with her coverage of the court case, but first she has to appease her editor and put a human interest spin on the situation. At first glance the five people she chooses to background have little in common – but it soon becomes apparent that staying at The Beach House has changed all of them in some way.In telling the stories of Kate, Simone, Tom, Clare and Jack, Jessica too learns some important life lessons.

    When Bridget Crack arrives in the colony, she is just grateful to be on dry land. But finding the life of an indentured domestic servant intolerable, she pushes back and is punished for her insubordination-sent from one place to another, each significantly worse than the last. Too late, she realises the place she has ended up is the worst of all: the 'Interior,' where the hard cases are sent-a brutally hard life with a cruel master, miles from civilisation.She runs from there and finds herself imprisoned by the impenetrable Tasmanian wilderness. What she finds there-what finds her-is Matt Sheedy, a man on the run, who saves her from certain death. Her precarious existence among volatile and murderous bushrangers is a different kind of hell and, surrounded by roaring rivers and towering columns of rock, hunted by soldiers and at the mercy of killers, Bridget finds herself in an impossible situation. In the face of terrible darkness, what will she have to do to survive?A gripping and moving story of a woman's struggle for survival in a beautiful and brutal landscape, Bridget Crack is a unique and deeply accomplished novel by a rare talent.

    Questions needing answers.”Those words gave Christie Ryan a reason to stay in River’s End, when she should have gone home after Gran’s funeral. Inheriting a rundown cottage, far from her jet-setting life, she is drawn into a fifty-year-old mystery.Who wrote the letters hidden in the attic, an outpouring of love to a woman Christie suspects she is related to? What is the significance of a damaged painting kept by Gran but clearly painted in this seaside town?Local artist Martin Blake may have the answers she seeks, but refuses to help. His dog adores Christie, but Martin keeps his feelings locked away.As Christie faces difficult decisions about her own future, will the consequences of righting old wrongs be too high a price to pay?**New edition April 2019 completely re-edited**

    When Englishman Corby Morgan and his young bride Jessie arrive at their recently purchased sugar plantation in nineteenth-century Australia, they embark on a difficult and dangerous existence.