Among the volume's charming novelty elements are:—Dr. Drake's own school report card— A pullout official ID card from the Secret & Ancient Society ofDragonologists—Four sheets of stickers featuring dragons, gems, vintage ads and posters — and more!

    Through richly detailed full-color paintings and line drawings, magical kingdoms emerge from a sea of dreams. Cassandra Aisling, who is nine years and eleven months old, doesn't care “a jot” about what sensible people think. She likes strange, mysterious, and magical things. So when her world gets tumbled upside down, she boards the H.M.S. Basset, ready to explore the landscape of her imagination. Pledging allegiance to the Basset's motto, “Credendo do Vides...Believing is Seeing,” Cassandra, her skeptical older sister Miranda, and their father, Professor Algernon Aisling, set out in search of the ancient legends. From the flickering flight of fairies and the mermaids' siren songs to a labyrinth-bound Minotaur and a fire-breathing dragon, the Aisling family witnesses firsthand the wonder of mythological worlds. In this lavishly illustrated edition, Cassandra's adventures intertwine with her father's scientific scribblings to present both new tales and the essence of classical myths. From the two voices, readers learn the power of imagination, the importance of believing in oneself, the value of family, and the need for creative, cooperative problem-solving. The story of a magical journey and the exquisite fantasy artwork will appeal to young and old alike.

    Then Bill Watterson came along and reminded a new generation of what older readers and comic strip aficionados knew: A well-written and beautifully drawn strip is an intricate, powerful form of communication. And with Calvin and Hobbes, we had fun—just like readers of Krazy Kat and Pogo did. Opening the newspaper each day was an adventure. The heights of Watterson's creative imagination took us places we had never been. We miss that.This book was published in conjunction with the first exhibition of original Calvin and Hobbes Sunday pages at The Ohio State University Cartoon Research Library. Although the work was created for reproduction, not for gallery display, was a pleasure to see the cartoonist's carefully placed lines and exquisite brush strokes. In an attempt to share this experience with those who were unable to visit the exhibition, all of the original Sunday pages displayed are reproduced in color in this book so that every detail, such as sketch lines, corrections, and registration marks, are visible. On the opposite page the same comic strip is printed in full color. Because Watterson was unusually intentional and creative in his use of color, this juxtaposition provides Calvin and Hobbes readers the opportunity to consider the impact of color on its narrative and content.When I first contacted Bill Watterson about the possibility of exhibiting his original work, I used the term "retrospective." He replied that we might be able to do an exhibit, but that calling it a retrospective made him uncomfortable. He felt that a longer time was needed to put Calvin and Hobbes in the historical perspective implied by that term. Nonetheless, this show is a "look back" at the comic strip as we revisit favorites that we remember. Calvin and Hobbes: Sunday Pages 1985-1995 is particularly interesting because each work that is included was selected by Bill Watterson. His comments about the thirty-six Sunday pages he chose are part of this volume. In addition, he reflects on Calvin and Hobbes from the perspective of six years, and his essay provides insights into his life as a syndicated cartoonist.Reprint books of Calvin and Hobbes are nice to have, but the opportunity to see the original work and read Bill Watterson's thoughts about it is a privilege. He generously shared not only the art, but also his time and his thoughts. When I first reviewed the works included in the exhibit, I knew that everyone who visited it would begin with laughter and end with tears.On behalf of all who enjoyed Calvin and Hobbes, thank you, Bill Watterson.--Lucy Shelton Caswell, Professor and Curator The Ohio State University Cartoon Research Library, June 2001

    When creatures like goblins and fairies and unicorns, all characters from a card game the Grey Griffins play, begin to make appearances in Max's backyard, Max and his friends know something is terribly wrong. And it's up to them to stop the wicked creatures of the cards from destroying their town-indeed, their world.

    It’s the only way to contain the fey curse that scars her cheek. The Great War is five years gone, but its scattered victims remain—the ironskin. When a carefully worded listing appears for a governess to assist with a "delicate situation"—a child born during the Great War—Jane is certain the child is fey-cursed, and that she can help. Teaching the unruly Dorie to suppress her curse is hard enough; she certainly didn’t expect to fall for the girl’s father, the enigmatic artist Edward Rochart. But her blossoming crush is stifled by her own scars, and by his parade of women. Ugly women, who enter his closed studio...and come out as beautiful as the fey. Jane knows Rochart cannot love her, just as she knows that she must wear iron for the rest of her life. But what if neither of these things is true? Step by step Jane unlocks the secrets of her new life—and discovers just how far she will go to become whole again.

    He's in charge of making Halloweenland the coolest creepy place around. But when Jack suddenly grows bored with tricks and treats, he goes searching for new ways to celebrate...and he finds them in Christmas Town! Christmas, Jack decides, is just what Halloweenland -- and the world -- needs! He sets out to take over the role of Santa. But can anything good come of a tall and lanky skeleton dressed up as everyone's favorite jolly old elf? Tim Burton's The Nightmare Before Christmas is one of the Walt Disney Company's most successful franchises, with a huge cult following and a loyal and growing fan base. This beautiful reissue of the book first released in 1993 is a surefire Halloween, Christmas, and year-round hit! The Nightmare Before Christmas is the first book that Tim Burton has written and illustrated.

    Robert Cargill—part Neil Gaiman, part Guillermo Del Toro, part William S. Burroughs—that charts the lives of two boys from their star-crossed childhood in the realm of magic and mystery to their anguished adulthoodsThere is another world than our own—one no closer than a kiss and one no further than our nightmares—where all the stuff of which dreams are made is real and magic is just a step away. But once you see that world, you will never be the same.Dreams and Shadows takes us beyond this veil. Once bold explorers and youthful denizens of this magical realm, Ewan is now an Austin musician who just met his dream girl, and Colby, meanwhile, cannot escape the consequences of an innocent wish. But while Ewan and Colby left the Limestone Kingdom as children, it has never forgotten them. And in a world where angels relax on rooftops, whiskey-swilling genies argue metaphysics with foul-mouthed wizards, and monsters in the shadows feed on fear, you can never outrun your fate.Dreams and Shadows is a stunning and evocative debut about the magic and monsters in our world and in our self.

    The existence of the Various, who are strange, wild, and sometimes even deadly, has been kept secret since the beginning of time, but when their world begins to clash with the human world, they are threatened with extinction. This wonderfully imaginative story of love and loyalty is the first in a powerful trilogy.

    Fogarty clean up around his house, he expects to find a mess and a cranky old man; what he doesn't expect to find is Pyrgus Malvae, crown prince of the Faerie realm, who has escaped the treacherous Faeries of the Night by traveling to the human world through a portal powered by trapped lightning. An egomaniacal demon prince, greedy glue factory owners Brimstone and Chalkhill, and the nefarious Lord Hairstreak, leader of the Faeries of the Night, all dream of ruling the Faerie realm and are out to kill Pyrgus. Enlisting the help of his sister, Holly Blue, and his new friend, Henry, Pyrgus must get back to the Faerie world alive before one of his many enemies gets to him instead. But how many portals are open, and can Pyrgus find the right one before it falls into the wrong hands? Conjuring scenes filled with vivid color, unforgettable detail, and fearless characters, author Herbie Brennan brings readers to the Faerie world, where nothing is ever what it seems and no one can be trusted.

    No longer a child, Clare has learned to suppress the magic that haunted the corners of her life, to say the word “fairy” with the appropriate disbelief. But after years of living in America, Clare and her father are returning to Ireland, to the house Clare was born in—a house built into a hillside with an ancient tree for a wall. For Clare, the house is not only full of memories of her mother, but of the Strange and a mysterious boy with raven-dark hair and of dreamlike nights filled with stars and magic. In this place, magic—both bright and dark—will not sit quietly in a corner.

    The year is 1162. Sixteen-year-old Jenny has always enjoyed her freedom as second daughter of a Norman nobleman in Teviotdale, Scotland. But when Jenny's sister, Isabel, disgraces the family by running away with a dangerous suitor, Jenny is thrust reluctantly into the role of elder daughter. While Jenny worries about her sister's future, her father's attention turns keenly toward Jenny, and finding her a worthy suitor. When Jenny is chosen as a potential bride for William de Warenne, brother of the king of Scotland and heir to the crown, redemption of her family's name seems within reach. Amid formal banquets and jousting tournaments, she struggles to impress the aloof Earl William. At the same time, however, she finds herself drawn to Tam Lin, a mysterious young man. Rumored to have been kidnapped by fairies, Tam harbors a dark secret from his past that threatens everyone close to him . . . including Jenny. Glimmering with exquisite detail, Janet McNaughton's beautifully woven story transports readers to a magical medieval world where one young woman navigates the forceful tides of tradition and the ancient power of fairies to define her own destiny.

    Morgenstern classic, The Princess Bride. But as a grown-up he discovered that the boring parts were left out of good old Dad's recitation, and only the "good parts" reached his ears.Now Goldman does Dad one better. He's reconstructed the "Good Parts Version" to delight wise kids and wide-eyed grownups everywhere.What's it about? Fencing. Fighting. True Love. Strong Hate. Harsh Revenge. A Few Giants. Lots of Bad Men. Lots of Good Men. Five or Six Beautiful Women. Beasties Monstrous and Gentle. Some Swell Escapes and Captures. Death, Lies, Truth, Miracles, and a Little Sex.In short, it's about everything.

    Magic was a part of everyday life for Kirk and his fellow Highlanders, and this remarkable book offers rare glimpses into their enchanted realm.Left in manuscript form upon the author's death in 1692, this volume was first published in 1815 at the behest of Sir Walter Scott. In 1893, the distinguished folklorist Andrew Lang re-edited the work. Lang's introduction to Kirk's extraordinary blend of science, religion, and superstition is included in this edition. For many years, The Secret Commonwealth was hard to find — available, if at all, only in scholarly editions. Academicians as well as lovers of myths and legends will prize this authoritative but inexpensive edition.

    Readers young and old will be enchanted by the vision and mastery of Kinuko Y. Craft's luminous paintings, inspired by the lavish artwork of late seventeenth-century France and embellished with extraordinary borders and ornamentation.Rich with radiant color and astonishing detail, here is a dream come true for anyone who has ever believed in living happily ever after.

    Yet she and her kind are bereft of their origins, because on Earth, in a beautiful village named Cloudcroft, the Great Gates between worlds stand sealed.Her parents, Auberon and Jessica, are the warm heart of Cloudcroft and of Rosie’s loving family. But on the hill lives the mysterious, aloof Lawrence Wilder, Gatekeeper to the inner realms of Elfland. Tortured by private demons, he is beset by trouble on all sides: his wife has vanished and his sons Jon and Sam are bitter and damaged. Lawrence is duty bound to throw open the Gates every seven years for the Night of the Summer Stars, a ritual granting young Aetherials their heritage, their elders vital reconnection to their source. Lawrence, however, is haunted by fears of an ever-growing menace within the Spiral. When he stubbornly bars the Gates, he defies tradition and enrages the Aetherial community. What will become of them, deprived of the realm from which flows their essential life force? Is Lawrence protecting them—or betraying them?Growing up amid this turmoil, Rosie and her brothers, along with Sam and Jon Wilder, are heedless of the peril lurking beyond the Gates. They know only that their elders have denied them their birthright, harboring dark secrets in a conspiracy of silence.When Sam is imprisoned for an all-too-human crime, age-old wounds sunder the two families…yet Rosie is drawn into his web, even as she fears the passions awoken in her by the dangerous Wilder clan. Torn between duty and desire, between worlds, Rosie unwittingly precipitates a tragedy that compels her to journey into the Otherworld, where unknown terrors await. Accompanied by the one man most perilous to her life, she must learn hard lessons about life and love in order to understand her Aetherial nature…and her role in the terrifying conflict to come.