From the moment a doctor in Raleigh, North Carolina, put "male" on Jacob Tobia's birth certificate, everything went wrong. Alongside "male" came many other, far less neutral words: words that carried expectations about who Jacob was and who Jacob should be, words like "masculine" and "aggressive" and "cargo shorts" and "SPORTS!"Naturally sensitive, playful, creative, and glitter-obsessed, as a child Jacob was given the label "sissy." In the two decades that followed, "sissy" joined forces with "gay," "trans," "nonbinary," and "too-queer-to-function" to become a source of pride and, today, a rallying cry for a much-needed gender revolution. Through revisiting their childhood and calling out the stereotypes that each of us have faced, Jacob invites us to rethink what we know about gender and offers a bold blueprint for a healed world--one free from gender-based trauma and bursting with trans-inclusive feminism.From Jacob's Methodist childhood and the hallowed halls of Duke University to the portrait-laden parlors of the White House, Sissy takes you on a gender odyssey you won't soon forget. Writing with the fierce honesty, wildly irreverent humor, and wrenching vulnerability that have made them a media sensation, Jacob shatters the long-held notion that people are easily sortable into "men" and "women." Sissy guarantees that you'll never think about gender--both other people's people's and your own--the same way again.

    In place of sexual status quo, Warner offers a vision of true sexual autonomy that will forever change the way we think about sex, shame, and identity.

    Then came the Emperor Constantine, with his bishops, monks and missionaries. And so began an endless loop of alternating permissiveness and censure.Ackroyd takes us right into the hidden history of the city; from the notorious Normans to the frenzy of executions for sodomy in the early nineteenth century. He journeys through the coffee bars of sixties Soho to Gay Liberation, disco music and the horror of AIDS.Today, we live in an era of openness and tolerance and Queer London has become part of the new norm. Ackroyd tells us the hidden story of how it got there, celebrating its diversity, thrills and energy on the one hand; but reminding us of its very real terrors, dangers and risks on the other.'Peter Ackroyd is the greatest living chronicler of London' Independent

    After the end of a decade-long relationship, Noni decides it's time for that to change. She's finally going to prioritize her wants and desires and only do things (and people) that feel good in the moment.As she embarks on a pleasure-seeking quest that takes her halfway around the world, she discovers that maybe she can have everything, and everyone, she's ever wanted.Effortlessly hilarious and relatable, Claire Christian spins a fresh, feel-good tale about starting over as a thirtysomething woman who's been living life for everyone else. A story of self-discovery for the ages, Noni's journey serves as a sparkling reminder that life is what we make of it—so why not enjoy it?

    He is a little disappointed by the facilities on the Border, but he gets to meet Serene-Heart-In-The-Chaos-Of-Battle, an elf warrior, and Luke Sunborn, an annoyingly brave human warrior native to the magical land he’s crossed into. There are also mermaids, unicorns, harpies and assorted battles and political issues, with Elliot alternating between diplomatic genius and saying the completely wrong thing.Rees Brennan is an expert storyteller than can have you laughing out loud one moment and in tears the next. Her characters are tridimensional and varied and nobody is without good reason to do good and terrible things. "The Turn of the Story" was inspired in the magical worlds of Tamora Pierce, Diana Wynne Jones’s Witch Week, Harry Potter, Neil Gaiman’s The Books of Magic, Eva Ibbotson’s Which Witch? and Jill Murphy's Worst Witch but it's an original piece which awknowledges and comments in its influences, engaging with its predecessors both with the joy of a reader and the critical self awareness of a writer. Elliot is marked by SRB's distinctive voice and the reader is constantly delighted by his referencing of a world that, accross the Border, it's as fictional as the Border is for us, creating a metafictional loop in which the reader and Elliot are the only ones aware of the implications of the plot in its context in our reality. So far magic school was total rubbish.Elliot sat on the fence bisecting two fields and brooded tragically over his wrongs.He had been taken away from geography class, one of his most interesting classes, to take some kind of scholarship test out in the wild. A woman in odd clothing had ‘tested’ him by asking him if he could see a wall standing in the middle of a field. When he told her “Obviously, because it’s a wall. Walls tend to be obvious” she had pointed out other people blithely walking through the wall as if it was not there, and told him that he was one of the chosen few with the sight.“Are you telling me that I have magical powers?” Elliot had asked, extremely excited for a moment, and then he added: “… because I can’t walk through walls? That doesn’t seem right.”

    In doing so, Drag Race became not only a repository of queer history and culture, but an examination and illustration of queer life in the modern age. It is a snapshot of how LGBTQ folks live, struggle, work and reach out to each other – and how they always have.

    As a rock star drummer in the hit band The Brightsiders, Emmy King’s life should be perfect. But there’s nothing the paparazzi love more than watching a celebrity crash and burn. When a night of partying lands Emmy in hospital and her girlfriend in jail, she’s branded the latest tabloid train wreck. Luckily, Emmy has her friends and bandmates, including the super-swoonworthy Alfie, to help her pick up the pieces of her life. She knows hooking up with a band member is exactly the kind of trouble she should be avoiding, and yet Emmy and Alfie Just. Keep. Kissing.Will the inevitable fallout turn her into a clickbait scandal (again)? Or will she find the strength to stand on her own?

    Keep an eye out for his best friend on campus and keep my hands to myself.Easy.Even if Zach is a quintessential nerd, who I’ve always thought was cute, I don’t have the time to think with my … stick.There’s only one stick I should be focused on this year, and that’s my hockey stick. My goal once I graduate is to get an NHL contract.The last thing I need is a distraction. On or off the ice.Only, keeping to the rules is harder than I thought it would be. ZACHPeople confuse me.And no one more than Foster Grant.I’ve barely spoken two words to him in the whole time I’ve known him, but the second I step foot on campus, he’s impossible to shake.I can never anticipate his next move. And whenever we’re together, my next move is a total mystery as well.I want to give in to him, but that might mean coming clean about something I’ve never been bothered about before.I’m still carrying my V-card.And I think it’s time to turn it in.

    To start over. To transform the fiercely ambitious but sexually confused teenager he saw in the mirror into the Broadway leading man of his dreams. In Too Much Is Not Enough, Rannells takes us on the journey of a twentysomething hungry to experience everything: new friends, wild nights, great art, standing ovations. And at the heart of his hunger lies a powerful drive to reconcile the boy he was and the man he might have been with the man he wants to be. As Rannells reveals how he merged these Andrews into the one who made his Broadway debut at 26, he also shares stories from his path to the Great White Way, from horrible auditions and behind-the-curtain romances to the exhilaration of landing his first gig in Hairspray and the heartbreaking death of his father at the height of his ascent. Along the way, Rannells learns that you never really leave your past--or your family--behind; that the most painful, and perversely motivating, jobs are the ones you almost get; and that sometimes the most unforgettable nights are marked not by the hot clubs you danced at, but by the recap over diner food after. Filled with candor and humor, Too Much Is Not Enough is an entertaining look at love, loss, and the powerful forces that determine who we become.

     Changing Trains is a fictionalised memoire that will transport you back to the glorious 1980s - that time just before mobile devices, the internet and social media changed the world - and one working class boy's journey of discovery and sexual self awareness.

    Ty Stanton is a bohemian arts student who has been openly, and uncomplicatedly, gay ever since he asked for his first wig for Christmas. After a chance, butterfly-inducing encounter one autumn day, Henry starts to realize something strange: he might not be quite as straight as he’d always assumed. What follows is a breakneck adventure that upends both Ty and Henry’s lives for the long haul. Sexy, fun and thought provoking, Seth King’s Straight is about all the love we can let into our lives when we dare to jump off the beaten path and veer a little off course.

    No other book, movie, or exhibition has ever told this sweeping story. Not only has Brooklyn always lived in the shadow of queer Manhattan neighborhoods like Greenwich Village and Harlem, but there has also been a systematic erasure of its queer history—a great forgetting.Ryan is here to unearth that history for the first time, and show how the formation of Brooklyn is inextricably linked to the stories of the incredible people who created the Brooklyn we know today. Folks like Ella Wesner and Florence Hines, the most famous drag kings of the late-1800s; E. Trondle, a transgender man whose arrest in Brooklyn captured headlines for weeks in 1913; Hamilton Easter Field, whose art commune in Brooklyn Heights nurtured Hart Crane and John Dos Passos; Mabel Hampton, a black lesbian who worked as a dancer at Coney Island in the 1920s; Gustave Beekman, the Brooklyn brothel owner at the center of a WWII gay Nazi spy scandal; and Josiah Marvel, a curator at the Brooklyn Museum who helped create a first-of-its-kind treatment program for gay men arrested for public sex in the 1950s. Through their stories, WBWQ brings Brooklyn’s queer past to life.

    By encoding music with addictive and mind-altering elements, the Corp holds control over all citizens, particularly conduits like Anthem, whose life energy feeds the main power in the Grid.Anthem finds hope and comfort in the twin siblings he cares for, even as he watches the life drain slowly and painfully from his father. Escape is found in his underground rock band, where music sounds free, clear, and unencoded deep in an abandoned basement. But when a band member dies suspiciously from a tracking overdose, Anthem knows that his time has suddenly become limited. Revolution all but sings in the air, and Anthem cannot help but answer the call with the chords of choice and free will. But will the girl he loves help or hinder him?

    In this irreverent how-to, even the least lesbian among readers can learn how to pick up girls, how to have sex, how to cope with the woman of their dreams, even how to heal, or heel, the inner lesbian. National ads/media. "From the Hardcover edition."

    Soviet buildings crumble, wind scatters sand from the far south, and political protesters flood the streets with song.In this atmosphere of disquiet, an American teacher navigates a life transformed by the discovery and loss of love. As he prepares to leave the place he’s come to call home, he grapples with the intimate encounters that have marked his years abroad, each bearing uncanny reminders of his past. A queer student’s confession recalls his own first love, a stranger’s seduction devolves into paternal sadism, and a romance with another foreigner opens, and heals, old wounds. Each echo reveals startling insights about what it means to seek connection: with those we love, with the places we inhabit, and with our own fugitive selves.