It is the story of emigration from Iraq to Israel as experienced by two sisters: Violet, whom we learn about through a diary she kept after being diagnosed with a critical illness, and Farida, whose personality unfolds through her relationship with her surroundings, and with herself. The third character is Noa, Violet’s daughter and a student, a young woman in her twenties who is searching for meaning. Noa embarks on a spiritual quest to the past, so that she can learn how to build her life in the present and the future.

    According to the ancient historian Josephus, two women and five children survived. Based on this tragic and iconic event, Hoffman's novel is a spellbinding tale of four extraordinarily bold, resourceful, and sensuous women, each of whom has come to Masada by a different path. Yael's mother died in childbirth, and her father, an expert assassin, never forgave her for that death. Revka, a village baker's wife, watched the horrifically brutal murder of her daughter by Roman soldiers; she brings to Masada her young grandsons, rendered mute by what they have witnessed. Aziza is a warrior's daughter, raised as a boy, a fearless rider and an expert marksman who finds passion with a fellow soldier. Shirah, born in Alexandria, is wise in the ways of ancient magic and medicine, a woman with uncanny insight and power. The lives of these four complex and fiercely independent women intersect in the desperate days of the siege. All are dovekeepers, and all are also keeping secrets - about who they are, where they come from, who fathered them, and whom they love.

    Anton Shammas, the first Arab to write a novel in Hebrew, has given us a riveting look at a people we hear too little about: Palestinian Christians. Arabesques was chosen as one of the best books of 1988 by the editors of the New York Times Book Review.

    Petersburg by the Mossad--ostensibly to network and set up business connections. His life is solitary, ordered, and lonely, until he meets Anna. Neither is quite what they seem to be, but while her identity may be mysterious, there is no doubt about the love they feel for each other.The affair, impassioned as it is, is not part of the Mossad plan and so the agency must hatch a dark scheme to drive the two apart. What began as a quiet, solitary mission has become a perilous exercise in survival, and Ben-Ari has no time to discover the truth about Anna’s real identity before the Mossad resolves the issue for him. Amid the shadowy manipulations of the secret services, the anguished agent finds himself at an impossible crossroads. Written with the masterful skill of a seasoned novelist, and bringing to bear his years of experience as a Mossad agent himself, Ben-David once again delivers a powerful look into the mysterious Israeli intelligence agency in this action-packed page-turner.

    Stricken by diphtheria, she is sent to the Hampshire countryside where she discovers a robust fighting spirit and the first stirrings of attraction...But then must she follow her mother into the city’s grim corset-making trade. Lu realizes that things must change. And she can make it happen.  Her journey from shy child to energetic woman encompasses love, deep friendship, and a growing political awareness. Above all, Lu is a survivor – and one to be reckoned with.The Girl Now Leaving is a powerful and unputdownable saga perfect for fans of Diney Costeloe, Nadine Dorries and Mary Gibson.

    Ellie feels truly blessed and has faith in their future - a future which is cruelly snatched away when a terrible car accident leaves Tom brain-damaged and institutionalised. Months later, Ellie is slowly learning to live without him and focuses on her thriving knitwear business. Convicted for a murder he has always denied committing, when Ray Brent is released from prison he is ostracised by the community as he tries to rebuild his life. But he finds a loyal supporter in Ellie when she is witness to a vicious attack on him. Something about him makes her believe in his innocence and the two soon become friends. But it's only a matter of time before friendship becomes an impossible love...

     The six novels, published in order of importance, are: • Nineteen Eighty-Four (the most important dystopian novel ever written, together with Huxley's Brave New World, and Zamyatin's "We" • Animal Farm (1945) • Burmese Days (1934) • Coming Up for Air (1939) • A Clergyman's Daughter (1935) • Keep the Aspidistra Flying (1936) His three non fiction books are: • Homage to Catalonia (1938), about the Spanish Civil War. • Down and Out in Paris and London (1933) The last book of the collection is called "ESSAYS: From Hitler, Franco & the Atomic Bomb; to Tolstoi, Dickens & Twain". Orwell was an acclaimed analyst of his country's reality during World War II and beyond (including the beginning of the cold war), which he reflects in his many articles and pamphlets collected in this book. He also did very deep literary and personal analysis of men like Mark Twain, Adolf Hitler, or even Tolstoi. The following is the list of essays. 1. THE SPIKE 2. A HANGING (1931) 3. BOOKSHOP MEMORIES (1936) 4. SHOOTING AN ELEPHANT (1936) 5. SPILLING THE SPANISH BEANS (1937) 6. MARRAKECH (1939) 7. BOYS' WEEKLIES AND FRANK RICHARDS'S REPLY (1940) 8. CHARLES READE (1940) 9. THE ART OF DONALD MCGILL (1941) 10. WELLS, HITLER AND THE WORLD STATE (1941) 11. RUDYARD KIPLING (1942) 12. MARK TWAIN–THE LICENSED JESTER (1943) 13. POETRY AND THE MICROPHONE (1943) 14. W B YEATS (1943) 15. ARTHUR KOESTLER (1944) 16. BENEFIT OF CLERGY: SOME NOTES ON SALVADOR DALI (1944) 18. ANTISEMITISM IN BRITAIN (1945) 19. FREEDOM OF THE PARK (1945) 20. FUTURE OF A RUINED GERMANY (1945) 21. GOOD BAD BOOKS 22. NONSENSE POETRY 23. NOTES ON NATIONALISM (1945) 24. REVENGE IS SOUR (1945) 25. THE SPORTING SPIRIT 26. YOU AND THE ATOMIC BOMB (1945) 27. A GOOD WORD FOR THE VICAR OF BRAY 28. A NICE CUP OF TEA (1946) 29. BOOKS VS. CIGARETTES 30. CONFESSIONS OF A BOOK REVIEWER 31. DECLINE OF THE ENGLISH MURDER 32. HOW THE POOR DIE 33. PLEASURE SPOTS 34. POLITICS AND THE ENGLISH LANGUAGE 35. SOME THOUGHTS ON THE COMMON TOAD 36. THE PREVENTION OF LITERATURE 37. WHY I WRITE (1946) 38. LEAR, TOLSTOY AND THE FOOL 39. SUCH, SUCH WERE THE JOYS (1947) 40. WRITERS AND LEVIATHAN (1948)

    1 Ladies' Detective Agency Study Guide contains comprehensive summaries and analysis of the book. This study guide includes a detailed Plot Summary, Chapter Summaries & Analysis, Character Descriptions, Objects/Places, Themes, Styles, Quotes, and Topics for Discussion on The No. 1 Ladies' Detective Agency by Alexander McCall Smith.

    Full of romance, tragedy, betrayal, and the constant reminder that chaos is a driving force in everyone’s story, Safekeeping is a wise and memorable debut by a novelist of great talent and originality.” —The Boston GlobeIt’s 1994 and Adam, a drug addict from New York City, arrives at a kibbutz in Israel with a medieval sapphire brooch. To make up for a past crime, he needs to get the priceless heirloom to a woman his grandfather loved when he was a Holocaust refugee on the kibbutz fifty years earlier.There Adam joins other troubled people trying to turn their lives around: Ulya, the ambitious and beautiful Soviet émigré; Farid, the lovelorn Palestinian farmhand; Claudette, the French Canadian Catholic with OCD; Ofir, the Israeli teenager wounded in a bus bombing; and Ziva, the old Zionist Socialist firebrand who founded the kibbutz. By the end of that summer, through their charged relationships with one another, they each get their last chance at redemption.In the middle of this web glows the magnificent sapphire brooch with its perilous history spanning three continents and seven centuries. With insight and beauty, Safekeeping tackles that most human of questions: how can we expect to find meaning and happiness when we know that nothing lasts?

    To his surprise, when he found the house he was greeted by Dalia Ashkenazi Landau, a nineteen-year-old Israeli college student, whose family fled Europe for Israel following the Holocaust. On the stoop of their shared home, Dalia and Bashir began a rare friendship, forged in the aftermath of war and tested over the next thirty-five years in ways that neither could imagine on that summer day in 1967. Based on extensive research, and springing from his enormously resonant documentary that aired on NPR’s Fresh Air in 1998, Sandy Tolan brings the Israeli-Palestinian conflict down to its most human level, suggesting that even amid the bleakest political realities there exist stories of hope and reconciliation.

    There about 270 men and women await their future and try to recover from their past. Diamant with infinite compassion and understanding tells the stories of the women gathered in this place. Shayndel is a Polish Zionist who fought the Germans with a band of partisans. Leonie is a Parisian beauty. Tedi is Dutch a strapping blond who wants only to forget. Zorah survived Auschwitz. Haunted by unspeakable memories and too many losses to bear these young women along with a stunning cast of supporting characters who work in or pass through Atlit begin to find salvation in the bonds of friendship and shared experience as they confront the challenge of re-creating themselves and discovering a way to live again.

    This is the story of Yehoshuah, who wandered Roman-occupied Judea giving sermons and healing the sick. Now, a year after his death, four people tell their stories. His mother grieves, his friend Iehuda loses his faith, the High Priest of the Temple tries to keep the peace, and a rebel named Bar-Avo strives to bring that peace tumbling down. It was a time of political power-play and brutal tyranny. Men and women took to the streets to protest. Dictators put them down with iron force. In the midst of it all, one inconsequential preacher died. And either something miraculous happened, or someone lied.Viscerally powerful in its depictions of the period - massacres and riots, animal sacrifice and human betrayal - The Liars' Gospel makes the oldest story entirely new.

    Intersecting Artur’s tale is that of Suzy Kohn, a Toronto teenager whose seemingly tranquil life is shattered when her uncle’s sudden death tears her family apart, leading her into a troubled relationship with a charismatic musician. Their stories eventually come together in Israel following the Six-Day War, where love and understanding become the threads that bind the two narratives together.

    The novel follows the fortunes of its young Jewish narrator, Adele Lindner, as she leaves the impoverished conditions of New York’s Lower East Side and tries to rise in the world. Portraying Adele’s experiences at the Hellman Home for Working Girls, the first half of the novel exposes the “sickening farce” of institutionalized charity while portraying the class tensions that divided affluent German American Jews from more recently arrived Russian American Jews. The second half of the novel takes Adele back to her ghetto origins as she explores an alternative model of philanthropy by opening a restaurant that combines the communitarian ideals of Old World shtetl tradition with the contingencies of New World capitalism. Within the context of this radical message, Yezierska revisits the themes that have made her work famous, confronting complex questions of ethnic identity, assimilation, and female self-realization. Katherine Stubbs’s introduction provides a comprehensive and compelling historical, social, and literary context for this extraordinary novel and discusses the critical reaction to its publication in light of Yezierska’s biography and the once much-publicized and mythologized version of her life story. Unavailable for over sixty years, Arrogant Beggar will be enjoyed by general readers of fiction and be of crucial importance for feminist critics, students of ethnic literature. It will also prove an exciting and richly rewarding text for students and scholars of Jewish studies, immigrant literature, women’s writing, American history, and working-class fiction.

    Of course, the West is not what it used to be. Hence my question: what can we offer white people in exchange for their decline and for the wars that will ensue? There is only one answer: peace. There is only one way: revolutionary love.—from Whites, Jews, and UsWith Whites, Jews, and Us, Houria Bouteldja launches a scathing critique of the European Left from an indigenous anti-colonial perspective, reflecting on Frantz Fanon's political legacy, the republican pact, the Shoah, the creation of Israel, feminism, and the fate of postcolonial immigration in the West in the age of rising anti-immigrant populism. Drawing upon such prominent voices as James Baldwin, Malcolm X, and Jean Genet, she issues a polemical call for a militant anti-racism grounded in the concept of revolutionary love.Such love will not come without significant discomfort for whites, and without necessary provocation. Bouteldja challenges widespread assumptions among the Left in the United States and Europe—that anti-Semitism plays any role in Arab–Israeli conflicts, for example, or that philo-Semitism doesn't in itself embody an oppressive position; that feminism or postcolonialist theory is free of colonialism; that integrationalism is a solution rather than a problem; that humanism can be against racism when its very function is to support the political-ideological apparatus that Bouteldja names the “white immune system.”At this transitional moment in the history of the West—which is to say, at the moment of its decline—Bouteldja offers a call for political unity that demands the recognition that whiteness is not a genetic question: it is a matter of power, and it is high time to dismantle it.This Semiotext(e)/Intervention series English-language edition includes a foreword by Cornel West.