PART I When Deputy Carson Wheeler goes to the One Hart Ranch to investigate a report of cattle rustling, he finds himself face to face with Melody Hart. Melody is the last of the Harts left to run the old ranching operation. She’s fierce and hardworking and Carson finds himself fascinated in spite of how prickly she seems with him. But they’re going to have to work together to unravel the case of the animal rights activists looking to shut down what they see as an abomination against cattle and the ranching tradition itself. PART II One of Deputy Lilliana Martinez’s favorite stops every morning is at the food truck parked not far from the sheriff’s office. There are Burrito Trucks everywhere in the valley. But lately, there have been several very strange robberies. When Lilli witnesses a robbery, she takes a personal interest in the case. Lilli thinks that it’s an inside job and she even has her suspect. Oscar Garcia certainly looks the part. But the more Lilli gets to know Oscar, the more she realizes that he only looks like a thug on the outside. On the inside, he’s a prince among men. And in fact, it’s the one who looks like a prince that is really the devil in disguise. PART III Deputy Rico Attencio is not a big fan of art and yoga weekends. Maybe that’s why he’s not all that surprised to get a phone call from the artists’ retreat saying that they have a problem. What Rico could never predict was how attractive he finds the owner. Sara Sellers is nothing like what Rico expected. Sara is absolutely sure that someone is poisoning her guests. But it will take more than a little bit of sleuthing and good old fashioned common sense to find the culprit before someone winds up dead. PART IV Deputy Tom Mason is just as supportive of this resurgence of the homestead movement as anyone else. That is until it starts to spawn a herd of livestock and children who seem determined to wander through the streets of Dos Brazos. First chickens. Then a bull. And then eventually there are goats and children roaming just about everywhere around town and getting in the way of normal things like traffic. When Florence Fiskars from the Department of Social Services asks Deputy Tom for a hand, he is sure that the state is just going to make a mess of things. It does not take long for them to discover they’ve stumbled onto a little more than the average negligence case. Tom always heard about the “orphan train” in history class as a boy. He just never thought he’d discover that someone was attempting to use orphan labor in the here and now. PART V There have been a lot of changes in the valley, but when someone starts putting pressure on Clarissa Maestas to sell her family’s farm, she digs in her heels and says no. Then a string of strange things begins to happen within the Maestas family’s Farm to Table operation. That’s when Clarissa calls in the help of her oldest school friend, now sheriff of the Dos Brazos Valley. What Wyatt and Clarissa dig up has them realizing that someone has huge plans for the valley that leaves no room for any of the locals. It’s up to Clarissa and Wyatt to put aside their childhood quarrels and put a stop to the Hollywood invasion before it’s too late.

    She tries to distance herself from the game by getting a degree and trying to do something positive with her life. When the system takes her older brother prisoner and death’s knock takes her daddy and her other brother away from her, those beliefs are more evident than ever. Never knowing her mother, since she died during her delivery of Fawn, Fawn feels all alone in this world aside from having her best friend, Amiko. Still reeling from the loss of her father, she is confronted by his right-hand man to learn she controls her daddy’s empire. Although she wants no part of the street-life, he’s able to convince her to attend a meeting that will change her life forever. Meeting Lark ‘Law’ Gutierrez makes Fawn want to reevaluate all her life choices. The only problem is that he is kingpin in the streets of Laredo. It’s like she can’t escape the streets that have taken her family, because something about Law is pulling her to him like a fish on a hook. He shares her sentiments. This meeting forces her to take some sort of control of her father’s empire, and she soon learns that the hate that took her family from her isn’t over. As she and Lark become close, she realizes that he has her back in more ways than one, and will protect her, whatever the cost of that may be. Can she withstand the grit of the street-life and hang on to what she’s built with Lark? Or will it overtake her and swallow her whole?

    

    With a street value over eight million dollars, the grungy duo sets up a buyer then rumbles through Florida in their 1973 El Camino to unload the square grouper and end their financial woes. Unfortunately, in their efforts to make the rendezvous, they become unexpectedly entangled with a host of unsavory characters, including an expatriate haunted by his single testicle, a destitute real estate developer with a penchant for GMILFs, a toupee-wearing pederast, Florida’s first closet-gay Governor, and a game warden turned eco-maniac, all of whom must be dealt with as a Category 5 hurricane, Cyclone Tyrone, spins ashore.

    When Rob's busy schedule leaves Sheila longing for love and affection, she falls into the arms of Jason, her husband’s brother.Jason is the handsome and powerful heir to The Young Family Empire. He has been married to his beautiful wife Karen for three years. He loves her and treats her like a queen, but lately, he seeks adventure. When he begins an affair with Sheila he finds out she is just the adventure he needs.After they decide they will keep their affair going, Jason creates some rules they both swear to abide by: Rule number one, our spouses come first. Rule number two, no falling in love, because I will never leave my wife. Rule number three, if anything starts to change or one of us breaks a rule, we end the affair. But when the rules get broken and secrets they both never could have imagined are exposed, the real drama begins. How far will Jason and Sheila go to protect and keep their affair going? In this Three Book Box Set, Readers Will Enjoy Over 100,000 words of page-turning drama and explosive love scenes!

    In this collection, you will find images and poems that relate to life, love, loss, gain, realisation and the final thing called Moksha. The poems may sound philosophical, intellectual and emotional from time to time. You will also find a surprise at the end of this wonderful poetry collection if you read everything carefully. And, like the previous poetry collection by Alok Mishra, this book will also not take more than 15 minutes from your daily routine. However, you may want to read the book at least twice or maybe thrice to understand what do the poems mean. Alok has devised a style of his own to communicate his thoughts to the readers of Indian English poetry. A 4-3-6 style has perfectly settled with this collection having 14 wonderful poems. Here are some reviews for Moving for Moksha:The collection of poems takes us on a journey to ponder the truth and fallacies of life that come our way. The poems are mostly mystic in nature, having more than what it seems to be... you will certainly love it if you have a taste for English poetry.by: Amit Mishra (founder of The Indian Authors & Indian Book Lovers)...beauty, truth, eternity.... a very close observation of life, these poems sneak into nothing but the philosophy of life that people confront during life-span.by: Ravi Kumar, Research Scholar with expertise in Indian English Literature, a writer for many online literary platformsThe poems reflect disillusion, rejection, realisation and answer to the final call – Moksha, as called in Indian philosophy. The innovative form with a 4-3-6 pattern looks very apt for the emotional and intellectual and also cryptic nature of the poems in this collection.The Last Critic

    Crazily enough, it's also packed with truth.”—NPR“The voice of this third book from Bibbins is marked and numbed by the onslaught of American media and politics that saturate the Internet, television, radio, and smartphone: ‘the way things are going, children/ will have to upgrade to more amusing.’ Much like advertisements or news stories vying for viewer’s attention, the book intentionally overwhelms, eschewing sections; the author instead differentiates the poems by repetition, creating a sort of echo chamber, similar to the way viral information cycles through social media platforms.”—Publishers Weekly, starred review"[A] hilarious send-up of contemporary values and an alarm bell of sorts, directing attention to all that is so sinister in our civilization.”—American Poets"Whip-smart and wickedly funny, They Don't Kill You is Bibbins's most authoritative and self-possessed collection to date."—Boston ReviewThe poems in Mark Bibbins's breakthrough third book are formally innovative and socially alert. Roving across the weird human landscape of modern politics, media-exacerbated absurdity, and questionable social conventions, this collection counters dread with wit, chaos with clarity, and reminds us that suffering is "small//compared to what?"Mark Bibbins teaches in the graduate writing programs at The New School and Columbia University, and edits the poetry section of The Awl. He lives in New York City.

    Readers of Wiman's earlier books will recognize the sharp characterizations and humor—"From her I learned the earthworm's exemplary open-mindedness, / its engine of discriminate shit"—as well as his particular brand of reverent rage: "Lord if I implore you please just please leave me alone / is that a prayer that's every instant answered?" But there is something new here, too: moving love poems to his wife, tender glimpses of his children, and, amid the onslaughts of illness and fear and failures, "a trace / of peace."

    Best of all, he's packed us in his suitcase. He represents an ever-changing population of those raised elsewhere who find themselves beckoned by the history, mystique, and magic-makers of New York City. These poems inhabit their own contradictions, and exquisitely navigate the many complicated sides of what it means to be alive. About The Author: Jon Sands has been a professional teaching and performing artist since 2007. He's a recipient of the 2009 NYC-LouderARTS fellowship grant, and has represented New York City multiple times at the National Poetry Slam. He is the Director of Poetry and Arts Education Programming at the Positive Health Project, as well as a Youth Mentor with Urban Word-NYC. His work has appeared in decomP magazine, The Millions, Suss, The Literary Bohemian, Danse Macabre, The November 3rd Club, and others. He lives in New York City, where he makes better tuna salad than anyone you know.

    Filled with nostalgia, love, heartbreak, and the author's signature wry examinations of mental health, this book helps explain what lives inside us, what we struggle to define. Written on the road over two years of touring, The Future is rugged, genuine, and relatable. Grabbing attention like gravity, Hilborn reminds readers that no matter how far away we get, we eventually all drift back together. These poems are fireworks for the numb. In the author's own words, The Future is a blue sky and a full tank of gas, and in it, we are alive.

    Book of Longing is Cohen’s eagerly awaited new collection of poems, following his highly acclaimed 1984 title, Book of Mercy, and his hugely successful 1993 publication, Stranger Music, a Globe and Mail national bestseller. Book of Longing contains erotic, playful, and provocative line drawings and artwork on every page, by the author, which interact in exciting and unexpected ways on the page with poetry that is timeless, meditative, and at times darkly humorous. The book brings together all the elements that have brought Leonard Cohen’s artistry with language worldwide recognition.From the Hardcover edition.

    And this tree, so complete in itself, Is only part of the mountain. And the mountain runs down to the sea. And the sea, so complete in itself, Rests like a raindrop On the hand of God. Ruskin Bond's Book of Verse brings together the poetry of one of India's best-loved writers. This charming collector's edition is a treasury of poems on love and nature, travel, humour and childhood, and will be a lasting source of delight to readers.

    However there comes a time in every writer’s life when the need to have one’s work appreciated by others overcomes the reticence of their nature. With this book, I have reached the point where I can let you, the reader, enter. See me. Maybe some of the poems here will resonate with you, and that understanding, that secret “yes, I know what she means”, from a stranger, is what I seek.