He examines the individuals and institutions involved in making cultural products what they are: not only the writers and artists, but also the publishers, critics, dealers, galleries, and academies. He analyzes the structure of the cultural field itself as well as its position within the broader social structures of power.The essays in his volume examine such diverse topics as Flaubert's point of view, Manet's aesthetic revolution, the historical creation of the pure gaze, and the relationship between art and power.The Field of Cultural Production will be of interest to students and scholars from a wide range of disciplines: sociology and social theory, literature, art, and cultural studies.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    Its introduction examines the circumstances that brought the author and Nietzsche together and the ideological conflicts that drove them apart.

    This is the only introduction to Romanticism that incorporates not only the English but the Continental movements, and notonly literature but music, art, religion, and philosophy. Balancing lively details with intriguing topics, it sheds light on such subjects as the Sensibility movement, which preceded Romanticism; the rising prestige of the poet as inspired prophet; the suffering and neglect of the poet; therather different figure of the poetess; Romanticism as a religious trend; Romantic philosophy and science; and Romantic responses to the French Revolution, the Orient, gypsies, and the condition of women. Ferber offers a definition and several general propositions about this very diverse movement, as well as a discussion of the word Romantic and where it came from. Finally, some two hundred authors or artists are cited or quoted, many at length, including Blake, Wordsworth, Coleridge, Byron, Shelley, Keats, Emerson, Hugo, Goethe, Pushkin, Beethoven, Berlioz, Chopin, and Delacroix.

    "Anyone, whether knowledgeable or not, will profit by reading it..." - Opera Quarterly

    The result is a rounded version of the story of Cyrus's ill-fated march and the Greeks' perilous retreat--a nuanced and dramatic perspective on a critical moment in history that may tell us as much about our present-day adventures in the Middle East, site of Cyrus's debacle and the last act of the Golden Age, as it does about the great powers of antiquity in a volatile period of transition.Just as Xenophon brought the thrilling, appalling expedition to life, Waterfield evokes Xenophon himself as a man of his times--reflecting for all time invaluable truths about warfare, overweaning ambition, the pitfalls of power, and the march of history.

    The Mind of the Maker will be relished by those already in love with Dorothy L. Sayers and those who have not yet met her. A mystery writer, a witty and perceptive theologian, culture critic, and playwright, Dorothy Sayers sheds new, unexpected light on a specific set of statements made in the Christian creeds. She examines anew such ideas as the image of God, the Trinity, free will, and evil, and in these pages a wholly revitalized understanding of them emerges. The author finds the key in the parallels between the creation of God and the human creative process. She continually refers to each in a way that illuminates both.

    Jameson’s inquiry looks at the postmodern across a wide landscape, from “high” art to “low” from market ideology to architecture, from painting to “punk” film, from video art to literature.

    Beginning with the premise that the attack must be taken seriously, Eric Havelock shows that Plato's hostility is explained by the continued domination of the poetic tradition in contemporary Greek thought.The reason for the dominance of this tradition was technological. In a nonliterate culture, stored experience necessary to cultural stability had to be preserved as poetry in order to be memorized. Plato attacks poets, particularly Homer, as the sole source of Greek moral and technical instruction--Mr. Havelock shows how the Iliad acted as an oral encyclopedia. Under the label of mimesis, Plato condemns the poetic process of emotional identification and the necessity of presenting content as a series of specific images in a continued narrative.The second part of the book discusses the Platonic Forms as an aspect of an increasingly rational culture. Literate Greece demanded, instead of poetic discourse, a vocabulary and a sentence structure both abstract and explicit in which experience could be described normatively and analytically: in short a language of ethics and science.

    It’s long, complicated, and can be extremely difficult to understand. The good news is that you CAN absorb every life lesson that lies within, quickly and easily! Bhagavad Gita Made Very Easy is different from anything else on the market, and all 18 chapters and 700 scriptures can be completed in no time at all! Are you ready to unlock permanent happiness? Mind control? Freedom? Direction? Motivation? Faith? Peace of mind? This is just the beginning! Remember – it’s important to read the whole book from start to finish for uncompromised insight. Each chapter has its own gift to give. The thing is, The Bhagavad Gita is NOT just a book. It’s a life-changing conversation between Lord Krishna and Arjun before the battle unfolds. Are you ready to uncover this secret knowledge - with incredible speed and ease? Discover what your goals in life should be, and change your outlook on life like never before, with Bhagavad Gita Made Very Easy! Cordially Yours, Kishan Barai (Author)

    Standing head and shoulders above all other Shakespearean interpretations, this is the masterwork of the brilliant English scholar, G. Wilson Knight. Founding a new and influential school of Shakespearean criticism, Wheel of Fire was Knight's first venture in the field - his writing sparkles with insight and wit, and his analyses are key to contemporary understandings of Shakespeare.

    S. Lewis' views on a number of key topics. She supplies biographical background and analysis to bring the reader intimately in touch with one of Christendom's greatest thinkers. Though there have been many books on Lewis since "Mere Christian" first appeared in 1973, this book continues to be the chief one-volume survey of his thought. The new fourth edition adds an annotated listing of his published works and an appendix surveying Lewis' thoughts on the Christmas holidays.

    However, Burke's analysis of the relationship between emotion, beauty, and art form is now recognized as not only an important and influential work of aesthetic theory, but also one of the first major works in European literature on the Sublime, a subject that has fascinated thinkers from Kant and Coleridge to the philosophers and critics of today.

    AS A MAN THINKETH2. FROM POVERTY TO POWER; OR, THE REALIZATION OF PROSPERITY AND PEACE. THE PATH OF PROSPERITY3. THE WAY OF PEACE4. ALL THESE THINGS ADDED.5. BYWAYS OF BLESSEDNESS.6. THE MASTERY OF DESTINY.7. THE LIFE TRIUMPHANT:MASTERING THE HEART AND MIND.8. EIGHT PILLARS OF PROSPERITY.9. FOUNDATION STONES TO HAPPINESS AND SUCCESS.10. ABOVE LIFE'S TURMOIL.11. FROM PASSION TO PEACE.12. MAN: KING OF MIND, BODY, AND CIRCUMSTANCE.13. LIGHT ON LIFE'S DIFFICULTIES14. MEN AND SYSTEMS.15. THE SHINING GATEWAY16. OUT FROM THE HEART.17. THROUGH THE GATES OF GOOD, OR CHRIST AND CONDUCT.18. THE DIVINE COMPANION.19. MORNING AND EVENING THOUGHTS.20. JAMES ALLEN'S BOOK OF MEDITATIONS FOR EVERY DAY IN THE YEAR.21. POEMS OF PEACE

    With the elegance and verve for which he is well known, Stephen Greenblatt, author of the best-selling Will in the World, shows that Shakespeare was strikingly averse to such absolutes and constantly probed the possibility of freedom from them. Again and again, Shakespeare confounds the designs and pretensions of kings, generals, and churchmen. His aversion to absolutes even leads him to probe the exalted and seemingly limitless passions of his lovers.Greenblatt explores this rich theme by addressing four of Shakespeare’s preoccupations across all the genres in which he worked. He first considers the idea of beauty in Shakespeare’s works, specifically his challenge to the cult of featureless perfection and his interest in distinguishing marks. He then turns to Shakespeare’s interest in murderous hatred, most famously embodied in Shylock but seen also in the character Bernardine in Measure for Measure. Next Greenblatt considers the idea of Shakespearean authority—that is, Shakespeare’s deep sense of the ethical ambiguity of power, including his own. Ultimately, Greenblatt takes up Shakespearean autonomy, in particular the freedom of artists, guided by distinctive forms of perception, to live by their own laws and to claim that their creations are singularly unconstrained.A book that could only have been written by Stephen Greenblatt, Shakespeare’s Freedom is a wholly original and eloquent meditation by the most acclaimed and influential Shakespearean of our time.