As Dee looks back over her time in the Master's Lodging—an eerie and ancient house—a picture of a high achieving but dysfunctional family emerges: Nick, the fiercely intelligent and powerful father; his beautiful Danish wife Mariah, pregnant with their child; and the lost little girl, Felicity, almost mute, seeing ghosts, grieving her dead mother.But is Dee telling the whole story? Is her growing friendship with the eccentric house historian, Linklater, any cause for concern? And most of all, why was Felicity silent?Roaming Oxford's secret passages and hidden graveyards, Magpie Lane explores the true meaning of family—and what it is to be denied one.

    He's waiting. He knows.Three women have been found brutally murdered in south London, the victims only feet away from help during each sadistic attack. And the killer is getting braver . . .Sarah Grainger is rapidly becoming too afraid to leave her house. Once an outgoing photographer, she knows that someone is watching her. A cryptic note brings everything into terrifying focus, but it’s the chilling phone calls that take the case to another level.DI Mike Lockyer heads up the regional murder squad. With three bodies on his watch, and a killer growing in confidence, he frantically tries to find the link between these seemingly isolated incidents. What he discovers will not only test him professionally but will throw his personal life into turmoil too.

    So when Ruby Winter, a small girl in need of help, arrives in the middle of the night, it seems like fate.A devastating secret.But as the events behind Ruby’s arrival emerge – her mother’s death, her connection to Cat – Cat questions whether her decision to help Ruby has put her own daughter at risk.Do we get the children we deserve?Cat’s research tells her there’s no such thing as evil. Her history tells her she’s paranoid. But her instincts tell her different. And as the police fight to control a sudden spate of riots raging across the capital, Cat faces a race against time of her own…

    She was one of the best until a madman terrorized her family, killed her husband and daughter, and left her face scarred and her soul brutalized. Turning the tables on the killer, Smoky shot him dead but her life was shattered forever. Now Smoky dreams about picking up her weapon again. She dreams about placing the cold steel between her lips and pulling the trigger one last time. Because for a woman who's lost everything, what is there left to lose? She's about to find out.In all her years at the Bureau, Smoky has never encountered anyone like him: a new and fascinating kind of monster, a twisted genius who defies profilers' attempts to understand him. And he's issued Smoky a direct challenge, coaxing her back from the brink with the only thing that could convince her to live.The killer videotaped his latest crime, an act of horror that left a child motherless, then sent a message addressed to Agent Smoky Barrett. The message is enough to shock Smoky back to work, back to her FBI team. And that child awakens something in Smoky she thought was gone forever.Suddenly the stakes are raised. The game has changed. For as this deranged monster embarks on an unspeakable spree of perversion and murder, Smoky is coming alive again and she's about to face her greatest fears as a cop, a woman, a mother—and a merciless killer's next victim.From the Hardcover edition.

    . .One by one, the victims are carefully captured, toyed with, then subjected to a slow and agonizing death. Piece by piece, his exquisite plan takes shape. The police can't yet see the beauty in his work--but soon, very soon, they will. . . Than Being Left Alone. . . In the lonely woods around Grizzly Point, Montana, four bodies have been discovered. Detectives Selena Alvarez and Regan Pescoli have been hoping for a career-making case, but this is a nightmare. Even with the FBI involved, Selena and Regan have nothing to go on but a killer's cryptic notes, and the unsettling knowledge that there is much worse to come. . . To Die. . . When Jillian Rivers opens her eyes, she's trapped in a mangled car. Then a stranger, claiming to be a trail guide named Zane McGregor, pries her free. Though she's grateful, something about him sets Jillian on edge. And if she knew what lay out there in the woods of Montana, she'd be truly terrified. Because someone is waiting... watching... poised to strike and make Jillian the next victim...

    His boss, the district attorney, attractive but hard-charging, is planning to run for governor, and as a showcase she's planning to use a new crime initiative called At Risk; its motto: "Any crime, any time." In particular, she's been looking for a way to employ cutting-edge DNA technology, and she thinks she's found the perfect subject in an unsolved twenty-year-old murder—in Tennessee. If her office solves the case, it ought to make them all look pretty good, right?Her investigator is not so sure—not sure about anything to do with this woman, really—but before he can open his mouth, a shocking piece of violence intervenes, an act that shakes up not only both their lives but also the lives of everyone around them. It's not a random event. Is it personal? Is it professional? Whatever it is, the implications are very, very bad indeed ... and they're about to get much worse.Sparks fly, traps spring, twists abound—this is the master working at the top of her game.

    One who enabled her and her husband to carry on, when more bad things began to happen...But that woman’s husband died last week. And Jean doesn’t have to be her anymore.There’s a lot Jean hasn’t said over the years about the crime her husband was suspected of committing. She was too busy being the perfect wife, standing by her man while living with the accusing glares and the anonymous harassment. Now there’s no reason to stay quiet. There are people who want to hear her story. They want to know what it was like living with that man. She can tell them that there were secrets. There always are in a marriage. The truth—that’s all anyone wants. But the one lesson Jean has learned in the last few years is that she can make people believe anything…

    Haunted by the unsolved murder of her younger sister--who she discovered in a pool of blood--and the face of the man she saw fleeing the scene, Linda's hermit existence helps her cope with debilitating anxiety. But the sanctity of her oasis is shattered when she sees her sister's murderer on television. Hobbled by years of isolation, Linda resolves to use the plot of her next novel to lay an irresistible trap for the man. As the plan is set in motion and the past comes rushing back, Linda's memories -- and her very sanity -- are called into question. Is this man a heartless killer or merely a helpless victim?

    . . . At first, the murder scene appears sad, but not unusual: a young woman undone by drugs and prostitution, her six-year-old daughter dead alongside her. But then detectives find a strange piece of evidence in the squalid house: the platinum credit card of a very wealthy--and long dead--steel tycoon. What is a heroin-addicted hooker doing with the credit card of a well-known and powerful man who died months ago? This is the question that the most junior member of the investigative team, Detective Constable Fiona Griffiths, is assigned to answer.But D.C. Griffiths is no ordinary cop. She's earned a reputation at police headquarters in Cardiff, Wales, for being odd, for not picking up on social cues, for being a little overintense. And there's that gap in her past, the two-year hiatus that everyone assumes was a breakdown. But Fiona is a crack investigator, quick and intuitive. She is immediately drawn to the crime scene, and to the tragic face of the six-year-old girl, who she is certain has something to tell her . . . something that will break the case wide open.Ignoring orders and protocol, Fiona begins to explore far beyond the rich man's credit card and into the secrets of her seaside city. And when she uncovers another dead prostitute, Fiona knows that she's only begun to scratch the surface of a dark world of crime and murder. But the deeper she digs, the more danger she risks--not just from criminals and killers but from her own past . . . and the abyss that threatens to pull her back at any time.

    Just after Great War, there are few jobs available and the couple are desperately short of money. Restless for excitement, they decide to embark on a daring business scheme: Young Adventurers Ltd.—"willing to do anything, go anywhere." Hiring themselves out proves to be a smart move for the couple. In their first assignment for the mysterious Mr. Whittingtont, all Tuppence has to do in their first job is take an all-expense paid trip to Paris and pose as an American named Jane Finn. But with the assignment comes a bribe to keep quiet, a threat to her life, and the disappearance of her new employer. Now their newest job are playing detective.Where is the real Jane Finn? The mere mention of her name produces a very strange reaction all over London. So strange, in fact, that they decided to find this mysterious missing lady. She has been missing for five years. And neither her body nor the secret documents she was carrying have ever been found. Now post-war England's economic recovery depends on finding her and getting the papers back. But he two young working undercover for the British ministry know only that her name and the only photo of her is in the hands of her rich American cousin. It isn’t long before they find themselves plunged into more danger than they ever could have imagined—a danger that could put an abrupt end to their business… and their lives.

    To her loyal listeners, she is a wise and trusted friend who not only takes their music requests but listens to their problems and occasionally dispenses advice. Paris's world of isolation is brutally threatened, however, when one listener -- a man who identifies himself only as "Valentino" -- tells her that her on-air advice to the girl he loves has caused her to leave him and that now he intends to exact his revenge. First he plans to kill the girl, whom he has abducted -- which he says he will do in 72 hours -- then he will come after Paris. Joined by the Austin police department, Paris plunges into a race against time in an effort to find Valentino before he can carry out his threat to kill -- and to kill again. To her dismay, she finds that one of the people she must work with is crime psychologist Dean Malloy, a man with whom she shares a history that had a catastrophic effect on both their lives. His presence arouses old passions, forcing Paris to confront painful memories that she had come to Austin to forget.As the clock ticks down, and Valentino's threats come closer and closer to becoming a reality, Paris suddenly finds herself forced to deal with a killer who may not be a stranger at all.

    A child is found wandering in an ancient woodland, her hands covered in blood. But it is not her own.Unwilling, or unable, to speak, the only person she seems to trust is the young officer who rescued her, Detective Sergeant Lucy Black. Soon afterwards, DS Black is baffled to find herself suddenly moved from a high-profile case involving the kidnapping of another girl, a prominent businessman's teenage daughter. Black's problems are not only professional: she's caring for her increasingly unstable father, and trying to avoid conflict with her frosty mother - who also happens to be the Assistant Chief Constable. As she struggles to identify the unclaimed child, Black begins to realise that her case and the kidnapping may be linked by events that occurred during the grimmest days of the country's recent history - events that also defined her own troubled childhood.Little Girl Lost is a devastating crime thriller about corruption, greed and vengeance, and a father's love for his daughter.

    Why would Beth do that, and risk dredging up painful memories? She hasn't seen Flora for twelve years. She doesn't want to see her today, or ever again.But she can't resist. She parks outside the open gates of Newnham House, watches from across the road as Flora and her children Thomas and Emily step out of the car. Except... There's something terribly wrong. Flora looks the same, only older. As Beth would have expected. It's the children. Twelve years ago, Thomas and Emily were five and three years old. Today, they look precisely as they did then. They are still five and three. They are Thomas and Emily without a doubt - Hilary hears Flora call them by their names - but they haven't changed at all. They are no taller, no older... Why haven't they grown?

    I hope you can forgive me…’Grace hasn't been the same since the death of her best friend Charlie. She is haunted by Charlie's last words, and in a bid for answers, opens an old memory box of Charlie's. It soon becomes clear there was a lot she didn't know about her best friend.

    Days later, with many bodies still unidentifiable, Karen resigns herself to the awful truth: her husband of eighteen years is dead.On that same day, a suspicious hit-and-run accident leaves a young man dead in Karen's hometown of Greenwich, Connecticut. Ty Hauck, a detective, becomes emotionally caught up in the case and finds a clue that shockingly connects the two seemingly unrelated events.Months later, two men show up at Karen's home digging into Charles's business dealings. Hundreds of millions of dollars are missing—and the trail points squarely to Charles. With doubt suddenly cast on everything she has ever known, Karen, with Hauck, steps into a widening storm of hedge fund losses, international scams, and murder. And as the investigations converge, these two strangers touched by tragedy are pulled into a deepening relationship and unwittingly open the door to a twisted—and deadly—conspiracy.With its breakneck pacing, plentiful twists, compelling characters, and abundant heart, The Dark Tide confirms Andrew Gross's place as a master storyteller at the top of his game.