The book traces his immense impact on the portrayal of the leading stars year by year, from his arrival in California in 1925 until his departure in 1943. During that time he photographed all of the greatest personalities, at Metro-Goldwyn-Mayer, Warner Brothers, and Columbia as well as independently. The prints come from the Chapman Collection, one of the most extensive archives of original Hurrell photographs in the world, and they include a number of rarities and surprises. Although some photos by Hurrell are familiar and frequently reproduced, most of the images in this book will come as a revelation, since they have not been published in over half a century. The genesis of the pictures is examined in a remarkable text by Mark A. Vieira, himself a highly regarded portrait photographer, who came to know Hurrell well during the photographer's later years. Vieira explains in detail Hurrell's technical feats of lighting and retouching. And drawing on firsthand accounts, he vividly re-creates the lively interplay between the photographer and his subjects at the shooting sessions in which these portraits were taken.

    "The Holy Roman Empire circa 1200 A.D."Impoverished young knight Willem of Dole believed he would spend his life in rural Burgundy, struggling to provide for his widowed mother and younger sister, Lienor. And so it's with surprise--and apprehension--that he obeys a summons to the magnificent court of Konrad, Holy Roman Emperor, whose realm spans half of Europe. Willem's mischievous friend Jouglet, Konrad's favorite minstrel, is no doubt behind it somehow . . . but what's in it for Jouglet?Court life is overwhelming to the idealistic young Willem, who is shocked by the behavior of his fellow knights, for whom chivalry is a mere game. Yet under Jouglet's witty, relentless tutelage, the naive knight quickly rises in Emperor Konrad's esteem--until suddenly his sister, Lienor, becomes a prospect for the role of Empress. This unexpected elevation of the sibling "nobodies" delights Jouglet, but threatens three powerful--and dangerous--men at the court: the Emperor's brother, Cardinal Paul, who has in mind a different bride for Konrad; the Emperor's uncle, Alphonse, Count of Burgundy, who would keep secret certain things that only Willem can reveal; and most especially the Emperor's own steward Marcus, who is hopelessly in love with Konrad's cousin Imogen. For if Willem's star keeps rising, Imogen will be betrothed to the knight by royal decree--and Willem's star will surely continue to rise, unless Marcus figures out a way to stop it. But that would entail outscheming cleverJouglet, ablest of schemers.Gossip, secrets, and lies are the fuel of daily life in Konrad's court. As Konrad edges closer to proclaiming Lienor his bride, those around Willem play a perilous game of cat-and-mouse as they attempt to secure their own fortunes, knowing that even the slightest move can shift the playing field entirely. And through it all, Jouglet remains Willem's most maddening yet staunchest ally. But what, really, does Jouglet stand to gain . . . or lose?Transporting the reader to the brilliant, conniving heart of the largest empire of medieval Europe, "Revenge of the Rose" is a novel rich in irony and tongue-in-cheek wit, and reveals all the grit and color, politics and passion, of court life in the Holy Roman Empire.

    S. Hamrah's film writing for n+1, The Baffler, Bookforum, Harper s, and other publications. Acerbic, insightful, hilarious, and damning, Hamrah s aphoristic capsule reviews and lucid career retrospectives of filmmakers and critics have taken up the mantle of serious American film criticism pioneered by James Agee, Robert Warshow, and Pauline Kael and carried it into the 21st century. Taken together, these reviews and essays represent some of the best film criticism in the English language. The Earth Dies Streaming showcases a remarkable critical intelligence while offering a cultural history of the cinema of our times.

    Its purpose is to provide the reader--whether infantryman or not--with hitherto unavailable insights on the role that infantry plays in the larger battle and how that has helped shape the world that we live in today. Unique aspects of the book include the treatment of technical issues in non-technical language, the extensive use of German and French sources generally unavailable to the English-speaking reader, and the shattering of some long-cherished myths. Combat motivation and combat refusal, the role played by small units (such as the squad and fire team), the role of infantry in the Blitzkrieg, and many other issues often papered over in the literature of infantry are discussed and analyzed in detail in this revised edition.

    But this is no ordinary one-night-stand regret. Laura suffers from severe face-blindness, a condition that means she is completely unable to identify and remember faces. So the man she spent all night dancing with and kissing – the man she thought she’d brought home – was ‘Pink Shirt’.But the shirt on her floor is blue. And now Laura must go to work every day and face the man who took advantage of her condition. The man she has no way of recognising.She doesn’t know who he is . . . but she’ll make him pay.

    A VINTAGE ORIGINAL.What do we see when we read? Did Tolstoy really describe Anna Karenina? Did Melville ever really tell us what, exactly, Ishmael looked like? The collection of fragmented images on a page - a graceful ear there, a stray curl, a hat positioned just so - and other clues and signifiers helps us to create an image of a character. But in fact our sense that we know a character intimately has little to do with our ability to concretely picture our beloved - or reviled - literary figures.In this remarkable work of nonfiction, Knopf's Associate Art Director Peter Mendelsund combines his profession, as an award-winning designer; his first career, as a classically trained pianist; and his first love, literature - he thinks of himself first, and foremost, as a reader - into what is sure to be one of the most provocative and unusual investigations into how we understand the act of reading.

    Joe Hagan provides readers with a backstage pass to storied concert venues and rock-star hotel rooms; he tells never before heard stories about the lives of rock stars and their handlers; he details the daring journalism (Tom Wolfe, Hunter S. Thompson, P.J. O'Rourke) and internecine office politics that accompanied the start-up; he animates the drug and sexual appetites of the era; and he reports on the politics of the last fifty years that were often chronicled in the pages of Rolling Stone magazine.Supplemented by a cache of extraordinary documents and letters from Wenner's personal archives, Sticky Fingers depicts an ambitious, mercurial, wide-eyed rock and roll fan of who exalts in youth and beauty and learns how to package it, marketing late sixties counterculture as a testament to the power of American youth. The result is a fascinating and complex portrait of man and era, and an irresistible biography of popular culture, celebrity, music, and politics in America.

    What do I set up as aims for my next lesson with this class and what kind of activities will help to achieve those aims? How do I deal with this reading text in class? What amount of out-of-class work can I reasonably expect my learners to do? How do I make best use of a textbook I am not entirely happy with? These are just a few examples of the many questions typically asked by teachers which she addresses in this book.Although insights from research can help, there are no 'right answers' provided. Instead, the aim is to give you a solid foundation of knowledge which you can use to evaluate and apply your own ideas about teaching and learning.The book is organized into four parts.- Part One ('A framework for teaching and learning') looks at insights from research into learners, learning, and language in use and discusses how these have influenced methodology and materials in ELT. Specific topics covered include: the use of communicative tasks in the classroom, the concept of learner strategies and how you can train your students to develop them, the growth of interactive methodology and its consequences in changing the roles of teacher and learner.- Part Two ('Teaching the language system') focuses on vocabulary and grammar, and Part Three ('Developing the language skills') on the traditional four language skills of listening, speaking, reading, and writing. There is also discussion of how these different areas fit together.- Part Four ('Planning and assessing learning') moves on to wider issues. Chapter 10 on course design refers back to topics covered earlier in the book. Chapter 11 deals with the relationship between teaching and different forms of assessment.There is an Introductory task at the start of each chapter (with supporting guidance notes), as well as a Discussion topics and projects section - which can be used for group discussion - at the end.The book also has a complete glossary, further reading suggestions at the end of each chapter, a bibliography, and a full index.

    It traces the development of film from its scientific origins through to cinema today, covering the key elements and players that have contributed to its artistic and technical development.

    Trekking boldly through haunts and horrors from The Frankenstein Monster, The Wolf Man, Count Dracula, and The Invisible Man, to The Mummy, Paula the Ape Woman, The Creeper, and The Inner Sanctum, the authors offer a definitive study of the 86 films produced during this era and present a general overview of the period. Coverage of the films includes complete cast lists, credits, storyline, behind-the-scenes information, production history, critical analysis, and commentary from the cast and crew (much of it drawn from interviews by Tom Weaver, whom USA Today calls ?the king of the monster hunters?). Unique to this edition are a new selection of photographs and poster reproductions and an appendix listing additional films of interest.

    When he died recently, he left behind an incredible celluloid legacy. Sunset Boulevard, Some Like It Hot, Double Indemnity, The Apartment, The Lost Weekend, Sabrina and other Wilder films have become a part of our shared experience and collective memory. In Nobody's Perfect, Billy Wilder speaks for himself, in what is as close to an autobiography as there ever will be. Charlotte Chandler, author of authorized bios on Groucho Marx and Federico Fellini, met Wilder in the mid-1970s and began a friendship that continued until his death. Over the course of more than 20 years, she interviewed not only Wilder, but many of the actors and other creative people who worked with him. The result is this remarkable book, a very personal look at one of filmdom's true creative geniuses. In a life as dramatic as his films, Wilder survived World War I and escaped the Holocaust. His great gift as a screenwriter soon became apparent, as did his easy rapport with actors. As a writer-director, he worked with such stars as Greta Garbo, William Holden, Tony Curtis, Barbara Stanwyck, Marlene Dietrich, Ginger Rogers, Gloria Swanson, Audrey Hepburn, Gary Cooper, James Cagney, Jack Lemmon, Walter Matthau and Marilyn Monroe - most of whom were interviewed for this book. This revealing and vastly entertaining book is a wonderful, timely tribute to this great writer-director, a legacy of Wilder's wit, insight and remarkable wisdom.

    But the price of his valour is high.John Grant is a young man on the edge of the world. His unique abilities carry him from his home in Scotland to the heart of the Byzantine Empire in search of a girl and the chance to fulfil a death-bed promise.Lena has remained hidden from the men who have been searching for her for many years. When she’s hunted down, at last she knows what she must do.With an army amassing beyond the city’s ancient walls, the fates of these three will intertwine. As the Siege of Constantinople reaches its climax, each must make a choice between head and heart, duty and destiny.

    In Possessed, his subject is the inimitable Joan Crawford, one of the most electrifying divas of the Golden Age of American film. A more thorough, revealing, and sympathetic portrait of the often maligned movie star—most notably lambasted, perhaps, in the scandalous bestseller, Mommy Dearest—Possessed is a fascinating study of the real Joan Crawford, a remarkable actress, businesswoman, mother, and lover.

    It also features the tale of Scandinavian kings of the Middle Ages who diced for islands.