Here are authors ranging from Kathy Acker to James Baldwin, Truman Capote to Stanislaw Lem and George Orwell to Shirley Jackson; essays radical and inspiring; poems moving and disturbing; stories surreal and fabulous; taking us from the deep South to modern Japan, New York's underground scene to the farthest reaches of outer space.

    Savoring the Seasons with Our Best Bites will help you cook up a storm for your family and friends the whole year-round using fresh, healthy, seasonal ingredients. Recipes specific to the various holidays abound as well as delightful food crafts to make and enjoy. -Over 100 all-new recipes categorized by season -Mouthwatering, full-color photos for every recipe -Illustrated, step-by-step tutorials -Fun, creative, kid-friendly food crafts for the holidays -Ideas for using leftover ingredients -Tips for preparation and cooking -Instructions for make-ahead, freezer, and slow-cooker meals

    Includes works from Clive Barker, Robert Bloch, Ramsey Campbell, and more. Original.

    

    In true emulative and contrarian style, Hitchens is both admiring and aggressive, sympathetic yet critical, taking true measure of his subject as hero and problem. Answering both the detractors and the false claimants, Hitchens tears down the façade of sainthood erected by the hagiographers and rebuts the critics point by point. He examines Orwell and his perspectives on fascism, empire, feminism, and Englishness, as well as his outlook on America, a country and culture towards which he exhibited much ambivalence. Whether thinking about empires or dictators, race or class, nationalism or popular culture, Orwell's moral outlook remains indispensable in a world that has undergone vast changes in the fifty years since his death. Combining the best of Hitchens's polemical punch and intellectual elegance in a tightly woven and subtle argument, this book addresses not only why Orwell matters today, but how he will continue to matter in a future, uncertain world. Christopher Hitchens, one of the most incisive minds of our own age, meets Orwell on the page in this provocative encounter of wit, contention and moral truth.

    Her previous volumes--Cascadia, Pieces of Air in the Epic, Practical Water--have addressed earth, air, and water. Here, Hillman evokes fire as metaphor and as event to chart subtle changes of seasons during financial breakdown, environmental crisis, and street movements for social justice; she gathers factual data, earthly rhythms, chants to the dead, journal entries, and lyric fragments in the service of a radical animism. In the polyphony of Seasonal Works with Letters on Fire, the poet fuses the visionary, the political, and the personal to summon music and fire at once, calling the reader to be alive to the senses and to re-imagine a common life. This is major work by one of our most important writers. Check for the online reader's companion at brendahillman.site.wesleyan.edu.

    He was a tireless advocate of the technology of recording, an artist who looked forward to a time when mere musicians would be rendered obsolete. He was a notorious -- and, some thought, a deliberate -- eccentric, who muffled himself in scarves and gloves, liberally dosed himself with pills, and once sued Steinway & Sons because one of its employees had shaken his hand too roughly. He lived in hermetic solitude and liked to call himself "the last Puritan," but those who watched Glenn Gould play piano saw an eroticism so intense it was almost embarrassing.Drawing on extensive interviews and on archival materials that were previously inaccessible. Otto Friedrich has written a biography of exemplary depth and stylishness. Ranging over Gould's brief but spectacular public career and his prodigious exploits as teacher, author, and lecturer, his public opinions and his intensely private life. Glenn Gould; A Life and Variations does justice to a multifaceted and perverse genius.

    Kali defends a friend from her past in a murder trial that draws her into a morass of sexual scandal, blackmail, and dark secret.

    The last, informal section of Due Considerations assembles more or less autobiographical pieces—reminiscences, friendly forewords, comments on the author’s own recent works, responses to probing questions.In between, many books are considered, some in introductions—to such classics as Walden, The Portrait of a Lady, and The Mabinogion—and many more in reviews, usually for The New Yorker. Ralph Waldo Emerson and the five Biblical books of Moses come in for appraisal, along with Uncle Tom’s Cabin and The Wizard of Oz. Contemporary American and English writers—Colson Whitehead, E. L. Doctorow, Don DeLillo, Norman Rush, William Trevor, A. S. Byatt, Muriel Spark, Ian McEwan—receive attentive and appreciative reviews, as do Rohinton Mistry, Salman Rushdie, Peter Carey, Margaret Atwood, Gabriel García Márquez, Haruki Murakami, Günter Grass, and Orhan Pamuk. In factual waters, Mr. Updike ponders the sinking of the Lusitania and the “unsinkable career” of Coco Chanel, the adventures of Lord Byron and Iris Murdoch, the sexual revolution and the advent of female Biblical scholars, and biographies of Robert Frost, Sinclair Lewis, Marcel Proust, and Søren Kierkegaard.Reading Due Considerations is like taking a cruise that calls at many ports with a witty, sensitive, and articulate guide aboard—a voyage not to be missed.

    Tillman upends expectations, shifts tone, introduces characters, breaches limits of genre and category, reconfiguring the world with the turn of a sentence. Like other unique thinkers, Tillman sees the world differently—she is not a malcontent, but she is discontented. Her responses to art and literature, to social and political questions change the reader's mind, startling it with new angles. Which is why so many of us who know her work often wonder: what would Lynne Tillman do? A long-time resident of New York, Tillman's sharp humor is like her city's, tough and hilarious. There are distinct streams of concern coursing through the seeming eclecticism of topics—Hillary Clinton, Jane Bowles, O.J. Simpson, art and artists, Harry Mathews, the state of fiction, film, the state of her mind, the State of the Nation. There is a great variety, but what remains consistent is how differently she writes about them, how well she understands, how passionate and bold her writing is.What does Lynne Tillman do? Everything. Anything. You name it. She has a conversation with you, and you're a better, smarter person for it.

    How far will you go to save someone you love and trust when they’ve kept a dangerous secret for years? That’s the question facing Lance Kingston, a successful Houston magazine executive whose recent marriage to beautiful, high-powered attorney Tia Jiles seemed to promise a bright future for both of them. But under the surface, a fierce and frightening storm was brewing. That’s because Tia never revealed to Lance what she and her family have known since Tia was seventeen—she has an illness that takes over her mind, transforming her into a raging, violent woman hell-bent on destruction. Bipolar disorder. Schizophrenia. Or crazy, as Lance’s grandmother continually reminds him. “Crazy leaves clues,” she told him point-blank, and perhaps Lance should have listened. Tia’s mother tries to pray the problem away . . . and Tia’s doctors can’t help her if she won’t do what they advise. Now there’s more than their marriage and Tia’s survival at stake: Tia is pregnant, and Lance will stop at nothing to keep his troubled wife and unborn daughter safe. But at what price?

    Here are 17 startlingly original masterpieces of the macabre—gruesome tales of madness, vengeance and heart-stopping horror in a world of Indians and aliens, of gunmen, ghouls and Elvis impersonators. Experience a modern-day dinosaur round-up, learn the shocking truth about the hideous curse that killed Doc Holliday... and ride a 40-foot rattlesnake in a bizarre post-nuclear rodeo. All this and more awaits you in a remarkable anthology of evil that gives the western a black hat and a bad name.Contents:Introduction: The Cowpunk Anthology, by Joe R. Lansdale and Pat LoBrutto.Black Boots, by Robert R. McCammon.Thirteen Days of Glory, by Scott Cupp.Gold, by Lewis Shiner.The Tenth Toe, by F. Paul Wilson,Sedalia, by David J. Schow.Trapline, by Ardath Mayhar.Trail of the Chromium Bandits, by Al Sarrantonio.Dinker's Pond, by Richard Laymon.Stampede, by Melissa Mia Hall.Empty Places, by Gary L. Raisor.Tony Red Dog, by Neal Barrett, Jr.The Passing of the Western, by Howard Waldrop.Eldon's Penitente, by Lenore Carroll.The Job, by Joe R. Lansdale.I'm Always Here, by Richard Christian Matheson."Yore Skin's Jes's Soft 'N Purty..." He Said, by Chet Williamson.Razored Saddles, by Robert Petitt.

    If we really do get the government we deserve, On Mutiny might provoke a civilian rebellion.

    From heated panels at Book Expo in Chicago to contretemps at writers’ watering holes in New York, voices—even fists—have been raised.Peck’s bracing philippic proposes that contemporary literature is at a dead end. Novelists have forfeited a wider audience, succumbing to identity politicking and self-reflexive postmodernism. In the torrent of responses to this fulguration, opinions were not so much divided as cleaved in two with, for example, Carlin Romano contending that “Peck’s judgments are worse than nasty—they are hysterical” and Benjamin Schwarz retorting that “in his meticulous attention to diction, his savage wit, his exact and rollicking prose and his disdain for pseudointellectual flatulence, Dale Peck is Mencken’s heir.”Hatchet Jobs includes swinging critiques of the work of, among others, Sven Birkerts, Julian Barnes, Philip Roth, Colson Whitehead, Jim Crace, Stanley Crouch, and Rick Moody.

    Written in a voice that moves between elegy and prayer, The Simple Truth contains thirty-three poems whose aim is to weave a complex tapestry of myth, history (both public and private), family, memory, and invention in a search for truths so basic and universal they often escape us all.