These four constant companions become one in this brilliantly witty, time-jumping, loving tribute (and cautionary tale) dedicated to the people-and machines-upon which we all depend.

    Following the Filipino tradition of writing letters to the ghosts of ancestors, Bong Bong Luwad begins to write letters to the ghost of Montgomery Clift, at first asking to be reunited with his family, but as he undergoes the pains of adolescence, sexual discovery, and mental illness, the letters form a journal of self-discovery.

    Winner of the Pulitzer Prize, the Tony Award and the Critics' Circle Award, this is one of the most successful plays of the modern theater.

    Playwright Olympe De Gouge, assassin Charlotte Corday, and former queen (and fan of ribbons) Marie Antoinette, and Haitian rebel Marianne Angelle hang out, murder Marat, loose their heads, and try to beat back the extremist insanity in revolutionary Paris. This grand and dream-tweaked comedy is about violence and legacy, feminism and terrorism, art and how we actually go about changing the world. It a true story. Or total fiction. Or a play about a play. Or a raucous resurrection that ends in a song and a scaffold.

    

    Hoping they’ve left hardship behind—they met when Sally, a doctor, treated Edward for tuberculosis after he escaped from Nazi Germany to England—they raise a family together. The German-Jewish composer has his devoted wife’s support—though he is sidetracked by the temptations of the movie industry. But for Edward and Sally, their children, and their children’s children, tragedy and joy will always go hand-in-hand, as they maneuver through a world of often bitter and brutal realities. And as the decades pass, a family shaped in equal measure by love and human failing will find itself sorely tested by mistrust, tyranny, misunderstanding, and an AIDS diagnosis. It will take more than the strength they found in their wartime romance to fight the battles of everyday life. The critically acclaimed novels of Patrick Gale have been compared to the writings of literary giants from Iris Murdoch to Gabriel García Márquez. Powerful, moving, and magnificent, this multigenerational family saga is one of Gale’s most compassionate and memorable works, a truly masterful fiction that Armistead Maupin, author of Tales of the City, calls “achingly true and beautiful.”

    Set to open in New York in the fall of 2001, this work focuses on fifteen-year-old Lisa, the daughter of a prostitute, and Clint, the car thief she runs away with to escape the misery of life with her mother. But the happier times that sullenly childlike Lisa yearns for never materialize, as Clint orders her to procure young runaways for him. No one notices that these teenage girls are missing until an anonymous call to the police reports their murders. Could the caller--and the killer--be Lisa? Rebecca Gilman has created a riveting, unsentimental portrait of a young woman whose most striking quality is not her capacity for evil but the depth of her emptiness, in an environment as harsh and unyielding as the contours of her life

    Her oldest daughter, Kess, is a university professor in Minneapolis, but she has come home at the request of her sister, Jo who is concerned for Evelyn's mental health. Kess, a professed lesbian, wants to cut her family ties once and for all; Jo, an incurable romantic and longtime virgin, has now become pregnant; while Sherry, salty-tongued and amoral, wants only to finish high school so she can leave home for good. In the end, there is no accommodation possible but, instead, only a kind of arbitrary independence for each of the protagonists, as they come to realize that each must find her own heaven or hell in her own way.

    But her dreams become a nightmare when Louisa is sent to Wildthorn Hall: labeled a lunatic, deprived of her liberty and even her real name. As she unravels the betrayals that led to her incarceration, she realizes there are many kinds of prison. She must be honest with herself - and others - in order to be set free. And love may be the key...

    In a house just outside the village of Ballybeg live the five Mundy sisters, barely making ends meet, their ages ranging from twenty-six up to forty. The two male members of the household are brother Jack, a missionary priest, repatriated from Africa by his superiors after twenty-five years, and the seven-year-old child of the youngest sister. In depicting two days in the life of this menage, Brian Friel evokes not simply the interior landscape of a group of human beings trapped in their domestic situation, but the wider landscape, interior and exterior, Christian and pagan, of which they are nonetheless a part.

    J.B. won the Pulitzer Prize for drama in 1959 & the Tony Award for best play. More important, the play sparked a national conversation about the nature of God, the meaning of hope & the role of the artist in society.

    Like his other works, Arms and the Man questions conventional values and uses war and love as his satirical targets.This edition of Arms and the Man is in the form of a paperback book.

    They were a little shy. But once they got going, you couldn't stop them. Women secretly love to talk about their vaginas. They get very excited, mainly because no one's ever asked them before.

    He just has to stick to a lie he never meant to tell, that the notoriously troubled Connor Murphy was his secret best friend.Suddenly, Evan isn't invisible anymore--even to the girl of his dreams. And Connor Murphy's parents, with their beautiful home on the other side of town, have taken him in like he was their own, desperate to know more about their enigmatic son from his closest friend. As Evan gets pulled deeper into their swirl of anger, regret, and confusion, he knows that what he's doing can't be right, but if he's helping people, how wrong can it be?No longer tangled in his once-incapacitating anxiety, this new Evan has a purpose. And a website. He's confident. He's a viral phenomenon. Every day is amazing. Until everything is in danger of unraveling and he comes face to face with his greatest obstacle: himself.A simple lie leads to complicated truths in this big-hearted coming-of-age story of grief, authenticity and the struggle to belong in an age of instant connectivity and profound isolation.

    The letter A is as far as she gets. Hester Smith of Fucking A works the only job available—abortionist to the lower class, in order to save for a reunion picnic with her imprisoned son. Her branded A bleeds afresh every time a patient comes to see her.These are two mature, beautifully crafted, inventive and poetic plays by one of the most unique voices writing for the stage today.