But the sources of our knowledge about these societies are relatively few, leaving the gods of the North shrouded in mystery. In compiling this dictionary Rudolf Simek has made the fullest possible use of the information available -Christian accounts, Eddic lays, the Elder Edda, runic inscriptions, Roman authors (especially Tacitus), votive stones, place names and archaeological discoveries. He has adhered throughout to a broad definition of mythology which presents the beliefs of the heathen Germanic tribes in their entirety: not only tales of the gods, but beings from lower levels of belief: elves, dwarfs and giants; the beginning and end of the world; the creation of man, death and the afterlife; cult, burial customs and magic - an entire history of Germanic religion. RUDOLF SIMEK is Professor of Medieval German and Scandinavian literature at the University of Bonn in Germany.

    The story portrays the political situation of Europe in the later Viking Age, Andalusia under Al-Mansur Ibn Abi Aamir, Denmark under Harold Bluetooth, followed by the struggle between Eric the Victorious & Sweyn Forkbeard of Denmark, Ireland under Brian Boru, England under Ethelred the Unready, the Battle of Maldon, all before the backdrop of the gradual Christianisation of Scandinavia, contrasting the pragmatic Norse pagan outlook with Islam & Christianity.

    Lewis reworks the classical myth of Cupid and Psyche into an enduring piece of contemporary fiction. This is the story of Orual, Psyche's embittered and ugly older sister, who posessively and harmfully loves Psyche. Much to Orual's frustration, Psyche is loved by Cupid, the god of love himself, setting the troubled Orual on a path of moral development.Set against the backdrop of Glome, a barbaric, pre-Christian world, the struggles between sacred and profane love are illuminated as Orual learns that we cannot understand the intent of the gods "till we have faces" and sincerity in our souls and selves.

    Father of Lies. Harbinger of Destruction. Exiled and tortured by the gods, Loki swears vengeance. He will summon the mighty Fenris Wolf and the legendary Midgard Serpent, and they will lead an army of giants and all the dead in Niflheim. Brimming with the power of the most destructive being in the Nine Worlds, he will not rest till Asgard is in ashes and all the gods are dead under his heel.

    Given half a choice, he would pick admin work over patrolling in a heartbeat, to say nothing of his distaste for engaging in combat. Nonetheless, at the behest of the king, he finds himself issuing a twice-daily challenge to the Israelites: “Choose a man. Let him come to me that we may fight. If he be able to kill me then we shall be your servants. But if I kill him, then you shall be our servants.” Day after day he reluctantly repeats his speech, and the isolation of this duty gives him the chance to banter with his shield-bearer and reflect on the beauty of his surroundings. This is the story of David and Goliath as seen from Goliath’s side of the Valley of Elah. Quiet moments in Goliath’s life as a soldier are accentuated by Tom Gauld’s drawing style, which contrasts minimalist scenery and near-geometric humans with densely crosshatched detail reminiscent of Edward Gorey. Goliath’s battle is simultaneously tragic and bleakly funny, as bureaucracy pervades even this most mythic of figures. Goliath displays a sensitive wit, a bold line, and a traditional narrative reworked, remade, and revolutionized.

    Famous storytellers from JRR Tolkien to Neil Gaiman have drawn their inspiration from the long-haired, mead-drinking, marauding and pillaging Vikings. Their creator is a thirteenth-century Icelandic chieftain by the name of Snorri Sturluson. Like Homer, Snorri was a bard, writing down and embellishing the folklore and pagan legends of medieval Scandinavia. Unlike Homer, Snorri was a man of the world--a wily political power player, one of the richest men in Iceland who came close to ruling it, and even closer to betraying it... In "Song of the Vikings," award-winning author Nancy Marie Brown brings Snorri Sturluson's story to life in a richly textured narrative that draws on newly available sources.

    to give a nuanced and electric portrait of the life of one of ancient mythology’s most fascinating and notorious women, Medea.In brilliant poetic prose Bright Air Black brings us aboard the ship Argo for its epic return journey across the Black Sea from Persia’s Colchis – where Medea flees her home and father with Jason, the Argonauts, and the Golden Fleece. Vann’s reimagining of this ancient tale offers a thrilling, realist alternative to the long held notions of Medea as monster or sorceress. We witness with dramatic urgency Medea’s humanity, her Bronze Age roots and position in Greek society, her love affair with Jason, and her tragic demise.Atmospheric and spellbinding, Bright Air Black is an indispensable, fresh and provocative take on one of our earliest texts and the most intimate and corporal version of Medea’s story ever told.

    Every evening after dinner he entrances his fellow travellers with the tale of how he sailed with the fabled vessel the Argo on the Argonauts’ quest to retrieve the Golden Fleece.A master storyteller, Sjón seamlessly blends seafaring yarns of the ancient world with the manners of the modern age.

    Millions love the hit television show Vikings—but how many fans know that its main character, Ragnar, is based on an actual Viking king whose ambitious and terrifying exploits have been legend since the ninth century AD? The Legend of Ragnar Lothbrok presents fascinating new translations of ninth, twelfth, and thirteenth-century writings—including sagas, poems, and historical accounts—that describe, in vivid detail, the adventures of Ragnar, his sons, and his formidable wives, Lagertha the Shieldmaiden and Princess Aslaug.

    His ship is fast and sleek, his crew skilled and eager, and they will seek out new lands and win fame in the eyes of the gods. But Raef’s father refuses to allow the journey and when a stranger brings word that the king is dead and a gathering has been called to choose a successor, Raef must set aside his dream for his duty to his ancestral lands and his father.When factions split at the gathering to choose a successor, Raef finds himself mired in bloodshed and treachery. Forced to make an uneasy alliance with a man he does not trust, Raef must navigate the tides of a war among three kings while seeking revenge for cold-blooded murder.But winter has come early to Midgard, and even the gods will feel the cold.

    Under the benevolent rule of King Hrethel and his sons the King’s grandchild, Beowulf, the only child of his daughter, is carefully groomed by the family in the skills and duties of the warrior elite. As Beowulf reaches adulthood a death suddenly tears the family apart. Torn between family loyalties and the freshly sworn demands of his warrior code, Beowulf must choose between those he loves and his personal ambition as the dynasty begins to tear itself apart. Sensing weakness the Geats most feared enemy appears on their northern border and Beowulf must fight his first desperate battle to save the Kingdom…. Skilfully interwoven into the fabric of the old English poem we know as ‘Beowulf’ lies the tale of a great but ultimately doomed people, the Geats. It is a tale of decay and renewal as the old order is swept away and the new nations of Europe struggle to emerge from the ensuing chaos in an age when it was common for Kings to die in battle. Beowulf, Sorrow Hill, is the first in a series of novels which seek to unravel the threads contained within the original poem by recounting the full life story of Beowulf and his family.

    But the Fates have other plans—the Fates, and a woman named Helen. In the shadow of Troy's gates, all must be reborn in the greatest war of the ancient world: slaves and queens, heroes and cowards, seers and kings . . . and these are their stories. A young princess and an embittered prince join forces to prevent a fatal elopement. A tormented seeress challenges the gods themselves to save her city from the impending disaster. A tragedy-haunted king battles private demons and envious rivals as the siege grinds on. A captured slave girl seizes the reins of her future as two mighty heroes meet in an epic duel. A grizzled archer and a desperate Amazon risk their lives to avenge their dead. A trickster conceives the greatest trick of all. A goddess' son battles to save the spirit of Troy even as the walls are breached in fire and blood. Seven authors bring to life the epic tale of the Trojan War: its heroes, its villains, its survivors, its dead. Who will lie forgotten in the embers, and who will rise to shape the bloody dawn of a new age?

    Warriors, raiders, and rulers, Ragnar and his sons inspired unknown writers to set down their stories over seven centuries ago. This volume presents new and original translations of the three major Old Norse texts that tell Ragnar's story: the Saga of Ragnar Lodbrok, the Tale of Ragnar's Sons, and the Sogubrot. Ragnar's death song, the Krakumal, and a Latin fragment called the List of Swedish Kings, complete the story. Extensive notes and commentary are provided, helping the reader to enter the world of these timeless stories of Viking adventure.

    Icelandic poems of the 11th and 13th century

    We meet the Greek gods on Olympus and Norse gods in Valhalla. We follow the drama of the Trojan War and the wanderings of Odysseus. We hear the tales of Jason and the Golden Fleece, Cupid and Psyche, and mighty King Midas. We discover the origins of the names of the constellations. And we recognize reference points for countless works of art, literature, and cultural inquiry--from Freud's Oedipus complex to Wagner's Ring Cycle of operas to Eugene O'Neill's Mourning Becomes Electra. Praised throughout the world for its authority and lucidity, Mythology is Edith Hamilton's masterpiece--the standard by which all other books on mythology are measured.