He dreamed of the Viking ideal, sailing to distant shores and battling honorable foes. Laden with gold, he would return home in glory. The same life of adventure that his grandfather, Ulfrik Ormsson, experienced awaited him. It proved a false dream. Along with his cousin and best friend, Yngvar discovers a world unlike the sagas of the great heroes. He encounters murder and treachery. Raiding is nothing more than merciless theft. True riches remain elusive and sea kings dominate the waves. Yngvar trusts to his honor and courage to carry him. Yet powerful enemies swarm all around him. Fate guides him into the teeth of a clash between two of history's mightiest jarls. He will require all his cunning and daring to survive. So begins a new saga of Viking adventure and war. Join the shield wall once more and witness the fierce history of the Norsemen.

    It's a story of love and hate and Viking action, infused with Norse mythology. Does Sigurd’s love for Yljali lead to his dark deeds, or do other powers force him to act?The stage is set in the Scandinavian Viking Age in 967 AD. Young Sigurd is in love with Ylajali, a mysterious foreign thrall girl. Helgi Blackbeard, the king's captain of arm, discovers her beauty and wants to marry her. Blackbeard is a powerful man, a friend of the king, but he is not the only one to lust for the girl. Harald Chieftain, Sigurd's father, has sworn an oath never to touch Yljali.Sigurd has friends. Grim teaches him the use of runes, and Gisli owns the best sword at Vik. When Sigurd decides to act, he sparks a chain of event he is unable to control. In the book you’ll meet Odd the Squinter, Big Bork and his brother Bork Berserk, Skarphedin the Second-Sighted, Hakon, Hild, Sigrunn Silkyhair, and the Witch from Spedale. They are all unique characters who play pivotal roles in the plot. Will Sigurd get Yljali?The Slayer Rune is the first book in The Viking Series.

    Tolkien composed his own version, now published for the first time, of the great legend of Northern antiquity, in two closely related poems to which he gave the titles The New Lay of the Völsungs and The New Lay of Gudrún.In the "Lay of the Völsungs" is told the ancestry of the great hero Sigurd, the slayer of Fáfnir most celebrated of dragons, whose treasure he took for his own; of his awakening of the Valkyrie Brynhild, who slept surrounded by a wall of fire, and of their betrothal; and of his coming to the court of the great princes who were named the Niflungs (or Nibelungs), with whom he entered into blood-brotherhood. In that court there sprang great love but also great hate, brought about by the power of the enchantress of the Niflungs, skilled in the arts of magic, of shape-changing and potions of forgetfulness.In scenes of dramatic intensity, of confusion of identity, thwarted passion, jealousy, and bitter strife, the tragedy of Sigurd and Brynhild, of Gunnar the Niflung and Gudrún his sister, mounts to its end in the murder of Sigurd at the hands of his blood-brothers, the suicide of Brynhild, and the despair of Gudrún. In the "Lay of Gudrún" her fate after the death of Sigurd is told, her marriage against her will to the mighty Atli, ruler of the Huns (the Attila of history), his murder of her brothers the Niflung lords, and her hideous revenge.Deriving his version primarily from his close study of the ancient poetry of Norway and Iceland known as the Poetic Edda (and where no old poetry exists, from the later prose work Völsunga Saga), J.R.R. Tolkien employed a verse-form of short stanzas whose lines embody in English the exacting alliterative rhythms and the concentrated energy of the poems of the Edda.

    Their world is thrown upside down when the King of Norway colludes with their jarl to take over their home. They flee to the land north of Mercia. Hoping for a life free from the tyranny of a king they have to fight Danes and Saxons. When King Harald of Norway sends ships to destroy them then the Clan of the Fox is forced to flee to the newly discovered land of ice and fire. They travel beyond sight of land into an uncharted ocean to face a future which is uncertain. Their only certainty lies that their navigator, Erik. He is their only chance to find a new home.

    But at the centre of their cosmos stands a gnarled old ash tree from which all distances and times are measured. When the old tree creaks, Ragnarok - the end of the world and of the gods themselves - is at hand. It is from this tree that Odin, father of the gods, hanged himself in search of the wisdom of the dead: a disturbing image of divine sacrifice far removed from the feasting and fighting of his otherworld home, Valhalla. This is the first book to show how the Norse myths have resonated from era to era: from Viking-age stories of ice and fire to the epic poetry of Beowulf; and from Wagner's Ring to Marvel Comics' Mighty Thor. Heather O'Donoghue considers the wider contexts of Norse mythology, including its origins, medieval expression and reception in post-medieval societies right up to the present. From Asgard to Valhalla is a book that will intrigue and delight anyone with an interest in how the Norse myths have so profoundly shaped the western cultural heritage.

    Nobody knows why.And Odd has run away from home, even though he can barely walk and has to use a crutch.Out in the forest he encounters a bear, a fox, and an eagle - three creatures with a strange story to tell.Now Odd is faced with a stranger journey than he had ever imagined.A journey to save Asgard, City of the Norse Gods, from the Frost Giants who have invaded it.It's going to take a very special kind of boy to defeat the most dangerous of all the Frost Giants and rescue the mighty Gods. Someone cheerful and infuriating and clever.Someone just like Odd...

    Christianity has swept unstoppably across Scandinavia, leaving few enclaves of the old ways clinging on to their fading world as King Olof of Sweden works to convert his people.A young warrior, Halfdan, has witnessed the ‘mercy’ of the Christian lords, watched his people attacked, his village burned and the Odin stone toppled as heretical. Watched his father cut down by an ambitious Christian jarl and his zealous priest. Among the ashes of his world he vowed an oath of vengeance before all the gods.That oath will bring together an unlikely band of allies and carry them to the very edge of the world, fighting giants, dragons and wraiths, in pursuit of his father’s killer: Yngvar. The jarl is powerful, and the weaving of Fate difficult, but the blood price must be paid.

    The mythic legacy of the Scandinavians includes a cycle of stories filled with magnificent images from pre-Christian Europe. Gods, humans, and monstrous beasts engage in prodigious drinking bouts, contests of strength, greedy schemes for gold, and lusty encounters. The Norse pantheon includes Odin, the wisest and most fearsome of the gods; Thor, the thundering powerhouse; and the exquisite, magic-wielding Freyja. Their loves, wars, and adventures take us through worlds both mortal and divine, culminating in a blazing doomsday for gods and humans alike. These stories bear witness to the courage, passion, and boundless spirit that were hallmarks of the Norse world.“Kevin Crossley-Holland retells the Norse myths in clear, attractive prose . . . An excellent introduction, notes, and a glossary provide mythological and historical backgrounds and suggest parallels with myths in other parts of the world.”–The Denver Post

    Absolutely gripping and compulsively readable, Booklist said this book, "does what good historical fiction is supposed to do: put a face on history that is recognizable to all." And medieval expert Tom Shippey, writing for the Times Literary Supplement said, "Sagas look like novels superficially, in their size and layout and plain language, but making their narratives into novels is a trick which has proved beyond most who have tried it. Janoda's Saga provides a model of how to do it: pick out the hidden currents, imagine how they would seem to peripheral characters, and as with all historical novels, load the narrative with period detail drawn from the scholars. No better saga adaptation has been yet written."

    To save the Norse faith and himself, he embarks upon a journey, where he must confront not only his own gods but the gods of a people yet more savage."'The action sweeps across oceans and continents... As with all Watkins' work, the writing is terse and physical, the themes big and resonant.' Tatler; 'A Viking Odyssey... Thunder God vividly charts the voyages of Hakon, a fisherman's son who is struck by lightning, kidnapped by raiders, taken to Miklagard (Constantinople), where he becomes part of the Emperor's personal guard, caught up in a raid on the Welsh coast, storm-driven across the Atlantic...' The Times; 'The rich physical descriptions are matched by an equally sure understanding of the ways of religious belief... This unusual, fluent novel suggests that Watkins remains a force to be reckoned with.' Sunday Telegraph; 'A thundering good read... Watkins is a master of suspense, and his action sequences have a visceral power' Sunday Times"

    Odin All Father crossed the Rainbow Bridge to walk among men in Midgard. Thor defended Asgard with his mighty hammer. Mischievous Loki was constantly getting into trouble with the other gods, and dragons and giants walked free. This collection of Norse sagas retold by author Padraic Colum gives us a sense of that magical time when the world was filled with powers and wonders we can hardly imagine.

    He certainly has no love for Alfred, whom he considers a pious weakling and no match for Viking savagery, yet when Alfred unexpectedly defeats the Danes and the Danes themselves turn on Uhtred, he is finally forced to choose sides. By now he is a young man, in love, trained to fight and ready to take his place in the dreaded shield wall. Above all, though, he wishes to recover his father’s land, the enchanting fort of Bebbanburg by the wild northern sea.This thrilling adventure—based on existing records of Bernard Cornwell’s ancestors—depicts a time when law and order were ripped violently apart by a pagan assault on Christian England, an assault that came very close to destroying England.

    At its heart are the heroic deeds of Sigurd the dragon slayer who acquires magical knowledge from one of Odin's Valkyries. Yet it is also set in a very human world, incorporating strands from the oral narratives of the fourth and fifth centuries, when Attila the Hun and other warriors fought on the northern frontiers of the Roman Empire. One of the great books of world literature, the saga is an unforgettable tale of princely jealousy, unrequited love, greed and vengeance. With its cursed treasure of the Rhine, sword reforged and magic ring of power, it was a major influence for writers including William Morris and J. R. R. Tolkien and for Wagner's Ring cycle.

    A unique body of medieval literature, the Sagas rank with the world’s great literary treasures – as epic as Homer, as deep in tragedy as Sophocles, as engagingly human as Shakespeare. Set around the turn of the last millennium, these stories depict with an astonishingly modern realism the lives and deeds of the Norse men and women who first settled in Iceland and of their descendants, who ventured farther west to Greenland and, ultimately, North America. Sailing as far from the archetypal heroic adventure as the long ships did from home, the Sagas are written with psychological intensity, peopled by characters with depth, and explore perennial human issues like love, hate, fate and freedom.

    Written in Iceland a century after the close of the Viking Age, it tells ancient stories of the Norse creation epic and recounts the battles that follow as gods, giants, dwarves and elves struggle for survival. It also preserves the oral memory of heroes, warrior kings and queens. In clear prose interspersed with powerful verse, the Edda provides unparalleled insight into the gods' tragic realisation that the future holds one final cataclysmic battle, Ragnarok, when the world will be destroyed. These tales from the pagan era have proved to be among the most influential of all myths and legends, inspiring modern works as diverse as Wagner's Ring Cycle and Tolkien's The Lord of the Rings.This new translation by Jesse Byock captures the strength and subtlety of the original, while his introduction sets the tales fully in the context of Norse mythology. This edition also includes detailed notes and appendices.