A librarian helps Sylvia find a book about ballet and the determined seven-year-old, with the help of her new books, starts teaching herself the basics of classical ballet.Soon Sylvia learns how to fly—how to dance—and how to dare to dream.Lyrical, easy-to-read, and affecting text paired with bright, appealing illustrations make Ready to Fly perfect for aspiring ballerinas everywhere who are ready to leap and to spread their wings.Includes a foreword from Sylvia Townsend, a brief history of the bookmobile, an author’s note, and a further reading list.

    When a farm girl discovers a runaway slave hiding in the barn, she is at once startled and frightened. But the stranger's fearful eyes weigh upon her conscience, and she must make a difficult choice. Will she have the courage to help him? Unspoken gifts of humanity unite the girl and the runaway as they each face a journey: one following the North Star, the other following her heart. Henry Cole's unusual and original rendering of the Underground Railroad speaks directly to our deepest sense of compassion.

    Inspired by real events, master storyteller Eve Bunting recounts the harrowing yet hopeful story of a family, a war--and a dazzling discovery.

    But on the first day, a boy points at her and shouts: "A crow! A crow! The new girl's hair is black like a crow!" The others whisper and laugh, and Lila's heart grows as heavy as a stone.The next day, Lila covers her hair. But this time, the boy points at her dark skin. When she covers her face, he mocks her dark eyes. Now every day at school, Lila hides under her turtleneck, dark glasses, and hat. And every day when she goes home, she sees a crow who seems to want to tell her something. Lila ignores the bird and even throws rocks at it, but it won't go away. Meanwhile, the great autumn festival is approaching. While the other kids prepare their costumes, Lila is sadder and lonelier than ever. At her lowest point of despair, a magical encounter with the crow opens Lila's eyes to the beauty of being different, and gives her the courage to proudly embrace her true self.

    Every time the girl insists that she will stay, her mother repeats that she must go—that there is more to life than labor in the coffee fields. Their loving exchange reveals the struggles and sacrifices that they will both have to make for the sake of the young girl’s future. The sweet, simple text captures a mother’s love and her wish for a life of opportunity for her daughter.

    "Black is beautiful" to a little white rabbit and while trying to discover the secret that will make him black, readers get a funny, yet educational introduction to genetics. Full color.

    Other days he weaves it into one long braid hanging down her back, just like a unicorn tail.  But her favorite style is when he combs her hair in a tight bun on the top of her head, just like the joora he wears every day under his turban. They call this their hair twin look!

    The rainy season has come to the Mekong Delta, and An, a young Vietnamese boy, sets out alone in a wooden boat wearing a little backpack and armed only with a single oar. On the way, he is confronted by giant crested waves, heavy rainfall and eerie forests where fear takes hold of him. Although daunted by the dark unknown, An realizes that he is not alone and continues to paddle. He knows it will all be worth it when he reaches his destination--one familiar to children all over the world.

    A hunterman and a crocodile take turns being captive and captor in a humorous folktale that teaches the importance of living in harmony with nature and is illustrated with ceramic-tile paintings.

    She feels the magic of the place that her family comes from through her Babi Ba’s colorful descriptions of India – from the warm smell of spices to the swish-swish sound of a rustling sari. Together, Priya and Babi Ba make their heritage live on through the traditions that they infuse into their everyday lives.Priya Dreams of Marigolds & Masala is a celebration of the threads that connect each of us to our heritage, the power of sharing our traditions with others, and the special bond between grandparents and grandchildren.

    She remembers the fields and parks they explored in the springtime and the old toys they fixed up in the summer. She remembers the handmade gifts they exchanged in the fall and the stories Grandpa told by the fi re each winter. But this year, the girl must say good-bye to Grandpa. In the face of her grief, she is determined to find a way to honor him. She decides to record her Grandpa stories in the notebook he made for her and carry Grandpa with her as she grows. An honest and relatable depiction of loss, Grandpa’s Stories celebrates life and the ways in which love lives on.

    Based on the real journal kept by French explorer Jacques Cartier in 1534, Encounter imagines a first meeting between a French sailor and a Stadaconan fisher. As they navigate their differences, the wise animals around them note their similarities, illuminating common ground.This extraordinary imagining by Brittany Luby, Professor of Indigenous History, is paired with stunning art by Michaela Goade, winner of 2018 American Indian Youth Literature Best Picture Book Award. Encounter is a luminous telling from two Indigenous creators that invites readers to reckon with the past, and to welcome, together, a future that is yet unchartered.

    The incident makes the kids nervous, giggly, and curious at first, but then they're worried, confused, sad and angry. Everyone is suspicious. Who did it, and why? They miss the days before the bad-something appeared, because everything—and everyone—feels different now. It takes a lot of talking, listening, looking, and creating something good together to find a way to heal. The story acknowledges that while the scars of such incidents remain, it is possible to teach tolerance and feel true community once again.Written and illustrated by the acclaimed creators of Adrian Simcox Does NOT Have a Horse!, here is a brave book about the power of words that tackles one of the most difficult topics for elementary school-aged children—hate speech—in a direct, realistic, and empathetic manner.

    "She can have all the collards she wants. She's earned it." And so begins the tale of a simple mule in Gee's Bend, Alabama, who played a singular part in the civil rights movement of the 1960s. When African-Americans in a poor community-- inspired by a visit from Dr. Martin Luther King, Jr.-- defied local authorities who were trying to stop them from registering to vote, many got around a long detour on mule-drawn wagons. Later, after Dr. King's assassination, two mules from Gee's Bend pulled the farm wagon bearing his casket through the streets of Atlanta. As Alex looks into the eyes of gentle Belle, he begins to understand a powerful time in history in a very personal way.

    D. Nelson   Sitting Bull (c. 1831–1890) was one of the greatest Lakota/Sioux warriors and chiefs who ever lived. He was eventually named war chief, leader of the entire Sioux nation—a title never before bestowed on anyone. As a leader, Sitting Bull resisted the United States government’s attempt to move the Lakota/Sioux to reservations for more than twenty-five years.   From Sitting Bull’s childhood—killing his first buffalo at age ten—to being named war chief, to leading his people against the U.S. Army, and to his surrender, Sitting Bull: Lakota Warrior and Defender of His People brings the story of the great chief to light. Sitting Bull was instrumental in the war against the invasive wasichus (White Man) and was at the forefront of the combat, including the Battles of Killdeer Mountain and the Little Bighorn. He and Crazy Horse were the last Lakota/Sioux to surrender their people to the U.S. government and resort to living on a reservation.   Award-winning author and member of the Standing Rock Sioux tribe S. D. Nelson intersperses archival images with his own artwork, inspired by the ledger-art drawings of the nineteenth-century Lakota. Through the art and riveting story, Nelson conveys how Sitting Bull clung to his belief that the Lakota were a free people meant to live, hunt, and die on the Great Plains.