The stories in Years of Red Dusttrace the changes in modern China over fifty years from the early days of the Communist revolution in 1949 to the modernization movement of the late nineties all from the perspective of one small street in Shanghai, Red Dust Lane. From the early optimism at the end of the Chinese Civil War, through the brutality and upheaval of the Cultural Revolution, to the death of Mao, the pro-democracy movement and the riots in Tiananmen Square history, on both an epic and personal scale, unfolds through the bulletins posted and the lives lived in this one lane, this one corner of Shanghai.

     For most Pagans of any denomination, Yule is a high holy season. The ancient festival was a 12 daylong celebration beginning on the eve of the Winter Solstice (known to most Pagans as Yule) and ending at the new calendar year. This celebration was so important in ancient times that it was converted by the Christians to the 12 Days of Christmas. Many Pagans, especially those devoted to the Norse and Anglo Saxon Gods and Goddesses try to find some way to keep these 12 days, yet many are unsure exactly how to celebrate. Social media blows up in the weeks leading up to the Solstice with questions like: How do you celebrate? What do you do exactly? What activities, what rituals, what prayers and celebrations? For the past several years I have been working on this guide in an attempt to answer some of those questions for my own family and for others. This guide is a result of creating family traditions for this special and most sacred (not to mention FUN!) time of year. I put it all together into one little, handy and easy to follow guide, so that you and your family can celebrate the 12 Days of Yule together, with a little inspiration from what our family has been doing. Please enjoy!

    According to local tradition, marriage is considered a foreign practice; property is passed from mother to daughter; a matriarch oversees each family's customs, rituals, and economies. In this culture a young girl enjoys extraordinary freedoms—but the impulsive, restless Namu is driven to leave her mother's house, to venture out into the larger world, defying the tradition that holds Moso culture together.Leaving Mother Lake is a book filled with drama, strangeness, and beauty. Yet for all the exoticism, Namu's story is a universal tale of mothers and daughters—the battles that drive them apart and the love that brings them back together.

    When massive warehouses surrounded by metal fencing seem to go up overnight, local businesses are bought out, and more than 6,000 families establish residence in a community named Kingdom Come, the FBI begins to suspect cult activity. Agent Ben Atkins is sent to investigate, and though he does sense something major happening, he is not convinced it is sinister. In fact, as he moves in for a closer look, he begins to wonder if those on the inside of Kingdom Come are working to keep evil out. But time is running short for him to discover the truth, as unexpected enemies-law enforcement agencies, media groups, and even the church hierarchy-threaten the community's existence.

    Terrified by his disappearance, his family must reconcile a new world of cruelty and chaos with the collapse of everything they have known. As Isaac navigates the tedium and terrors of prison, forging tenuous trusts, his wife feverishly searches for him, suspecting, all the while, that their once-trusted housekeeper has turned on them and is now acting as an informer. And as his daughter, in a childlike attempt to stop the wave of baseless arrests, engages in illicit activities, his son, sent to New York before the rise of the Ayatollahs, struggles to find happiness even as he realizes that his family may soon be forced to embark on a journey of incalculable danger. A page-turning literary debut, The Septembers of Shiraz simmers with questions of identity, alienation, and love, not simply for a spouse or a child, but for all the intangible sights and smells of the place we call home.

    The two brothers Schiller, Rachel and Malrich, couldn't be more dissimilar. They were born in a small village in Algeria to a German father and an Algerian mother, and raised by an elderly uncle in one of the toughest ghettos in France. But there the similarities end. Rachel is a model immigrant - hard working, upstanding, law-abiding. Malrich has drifted. Increasingly alienated and angry, his future seems certain: incarceration at best. Then Islamic fundamentalists murder the young men's parents in Algeria and the event transforms the destinies of both brothers in unexpected ways. Rachel discovers the shocking truth about his family and buckles under the weight of the sins of his father, a former SS officer. Now Malrich, the outcast, will have to face that same awful truth alone. Banned in the author's native Algeria for of the frankness with which it confronts several explosive themes, The German Mujahid is a truly groundbreaking novel. For the first time, an Arab author directly addresses the moral implications of the Shoah. But this richly plotted novel also leaves its author room enough to address other equally controversial issues; Islamic fundamentalism and Algeria's "dirty war" of the early 1990s, for example or the emergence of grim Muslim ghettos in France's low-income housing projects. In this gripping novel, Boualem Sansal confronts these and other explosive questions with unprecedented sincerity and courage.

    This book provides an account of the life of LTTE chief Prabhakaran, who led an armed struggle against the Sri Lankan state to create Eelam, a separate nation for the Sri Lankan Tamils.The book begins from Prabhakaran’s childhood days in the aftermath of India’s and Sri Lanka’s independence from Britain. The Sri Lankan Tamils were following Gandhi’s non-violent methods to fight for their rights as citizens of Sri Lanka. Prabhakaran, an ardent fan of Bhagat Singh and Subhash Chandra Bose, felt that non-violence would not work against a Sinhala dominated government and began experimenting with violent acts against the Government to send a message. His initial success became the nucleus for the formation of LTTE, which became the quintessential guerrilla organization fighting the State.The book details various incidents of Prabhakaran’s life including terror attacks, assassination of politicians, heads of States and militant leaders; India’s role in the Sri Lankan ethnic conflict; Indian Peace Keeping Force in Sri Lanka; the Eelam wars, negotiations, betrayals and elections; through to his killing in May 2009.

    But she survived, and perseverance in the face of extreme hardship has defined her life ever since. Despite the abuse of her family, the exploitative Russian and Taliban regimes, the murders of her father, brother, and husband, and numerous attempts on her life, she rose to become the first Afghani woman Parliament speaker. Here, she shares her amazing story, punctuated by a series of poignant letters she wrote to her two daughters before each political trip—letters describing the future and freedoms she dreamed of for them and for all the women of Afghanistan.Her story movingly captures the political and cultural moment in Afghanistan, a country caught between the hope of progress and the bitter truth of history.

    A cow stands inside, angled diagonally to fit. It doesn’t look uncomfortable, merely impatient. “It is for the housewarming ceremony on the third floor,” explains the woman who stands behind the cow, holding it loosely with a rope. She has the sheepish look of a person caught in a strange situation who is trying to act as normal as possible. She introduces herself as Sarala and smiles reassuringly. The door closes. I shake my head and suppress a grin. It is good to be back. When Shoba Narayan—who has just returned to India with her husband and two daughters after years in the United States—asks whether said cow might bless her apartment next, it is the beginning of a beautiful friendship between our author and Sarala, who also sells fresh milk right across the street from that thoroughly modern apartment building. The two women connect over not only cows but also family, food, and life. When Shoba agrees to buy Sarala a new cow, they set off looking for just the right heifer, and what was at first a simple economic transaction becomes something much deeper, though never without a hint of slapstick.The Milk Lady of Bangalore immerses us in the culture, customs, myths, religion, sights, and sounds of a city in which the twenty-first century and the ancient past coexist like nowhere else in the world. It’s a true story of bridging divides, of understanding other ways of looking at the world, and of human connections and animal connections, and it’s an irresistible adventure of two strong women and the animals they love.

    The setting is a small village in southwestern Anatolia in the waning years of the Ottoman Empire. Everyone there speaks Turkish, though they write it in Greek letters. It’s a place that has room for a professional blasphemer; where a brokenhearted aga finds solace in the arms of a Circassian courtesan who isn’t Circassian at all; where a beautiful Christian girl named Philothei is engaged to a Muslim boy named Ibrahim. But all of this will change when Turkey enters the modern world. Epic in sweep, intoxicating in its sensual detail, Birds Without Wings is an enchantment.

    It is said that he was a contemporary of Mencius, an official in the Lacquer Garden of Meng in Honan Province around the 4th century b.c. Chuang Tsu was to Lao Tsu as Saint Paul was to Jesus and Plato to Socrates.While the other philosophers were busying themselves with the practical matters of government and rules of conduct, Chuang Tsu transcended the whang cheng, the illusory dust of the world—thus anticipating Zen Buddhism’s emphasis on a state of emptiness or ego transcendence. With humor, imagery, and fantasy, he captures the depth of Chinese thinking. The seven “Inner Chapters” presented in this translation are accepted by scholars as being definitely the work of Chuang Tsu. Another twenty-six chapters are of questionable origin; they are interpretations of his teaching and may have been added by later commentators.      This is an updated version of the translation of Chuang Tsu: Inner Chapters that was originally published in 1974. Like the original Chinese, this version uses gender-neutral language wherever possible. This edition includes many new photographs by Jane English and an introduction by Tai Ji master Chungliang Al Huang, who has been highly successful in bringing to the West the wisdom of the East.

    Now, in China: The Novel, Rutherfurd takes readers into the rich and fascinating milieu of the Middle Kingdom..The story begins in 1839, at the dawn of the First Opium War, and follows Chinese history through Mao's Cultural Revolution and up to the present day. Rutherfurd chronicles the rising and falling fortunes of members of Chinese, British, and American families, as they negotiate the tides of history. Along the way, in his signature style, Rutherfurd provides a deeply researched portrait of Chinese history and society, its ancient traditions and great upheavals, and China's emergence as a rising global power. As always, we are treated to romance and adventure, heroines and scoundrels, grinding struggle and incredible fortunes. China: The Novel brings to life the rich terrain of this vast and constantly evolving country. From Shanghai to Nanking to the Great Wall, Rutherfurd chronicles the turbulent rise and fall of empires as the colonial West meets the opulent and complex East in a dramatic struggle between cultures and people.Extraordinarily researched and majestically told, Edward Rutherfurd paints a thrilling portrait of one of the most singular and remarkable countries in the world.

    Josef meets his wife, Kveta, before the Second World War at a public lecture on Hittite culture. Kveta chooses to marry Josef over their mutual friend Hynek, but when her husband is later arrested and imprisoned for an unnamed crime, Kveta gives herself to Hynek in return for help and advice. The author explores the complexities of what is not spoken, what cannot be said, the repercussions of silence after an ordeal, the absurdity of forgotten pain, and what it is to be an outsider.   In Zmeškal’s tale, told not chronologically but rather as a mosaic of events, time progresses unevenly and unpredictably, as does one’s understanding. The saga belongs to a particular family, but it also exposes the larger, ongoing struggle of postcommunist Eastern Europe to come to terms with suffering when catharsis is denied. Reporting from a fresh, multicultural perspective, Zmeškal makes a welcome contribution to European literature in the twenty-first century.

    In this poignant, eye-opening and emotionally vivid novel, Mahbod Seraji lays bare the beauty and brutality of the centuries-old Persian culture, while reaffirming the human experiences we all share. In a middle-class neighborhood of Iran's sprawling capital city, 17-year-old Pasha Shahed spends the summer of 1973 on his rooftop with his best friend Ahmed, joking around one minute and asking burning questions about life the next. He also hides a secret love for his beautiful neighbor Zari, who has been betrothed since birth to another man. But the bliss of Pasha and Zari's stolen time together is shattered when Pasha unwittingly acts as a beacon for the Shah's secret police. The violent consequences awaken him to the reality of living under a powerful despot, and lead Zari to make a shocking choice...

    Abandoned by his father as a child, he grows up to become an electoral assistant to the parliamentary office in Tallinn and it is in this position that Ullo witnesses first the Soviet and then the German occupation of Estonia. Forced out of his honest profession Ullo becomes involved with the Resistance but, when many Estonians flee the country, he chooses to remain. An interlude of a decade shows much has changed since the end of the War; Soviet influence is marked in the style of government and the manner of the people. The narrative unfolds in stories imparted to an unknown "author" by a 70-year-old Ullo. Just before the end, however, Kross introduces a teasing ambiguity: Ullo dies before he is able to answer the last question about his life.