The title story, inspired by Raymond Carver’s masterpiece, is a provocative portrait of two marriages in which the Holocaust is played out as a devastating parlor game. In the outlandishly dark “Camp Sundown” vigilante justice is undertaken by a group of geriatric campers in a bucolic summer enclave. “Free Fruit for Young Widows” is a small, sharp study in evil, lovingly told by a father to a son. “Sister Hills” chronicles the history of Israel’s settlements from the eve of the Yom Kippur War through the present, a political fable constructed around the tale of two mothers who strike a terrible bargain to save a child. Marking a return to two of Englander’s classic themes, “Peep Show” and “How We Avenged the Blums” wrestle with sexual longing and ingenuity in the face of adversity and peril. And “Everything I Know About My Family on My Mother’s Side” is suffused with an intimacy and tenderness that break new ground for a writer who seems constantly to be expanding the parameters of what he can achieve in the short form.   Beautiful and courageous, funny and achingly sad, Englander’s work is a revelation.

    Samanta Schweblin haunts and mesmerizes in this extraordinary, masterful collection.Schweblin's stories have the feel of a sleepless night, where every shadow and bump in the dark take on huge implications, leaving your pulse racing, and the line between the real and the strange blur.

    The deadbeat father of a pregnant teenager tries to transform his life by playing the role of Jesus in a bloody penitential Passion. A young man discovers that his estranged father and a boa constrictor have been squatting in his grandmother’s empty house. A lonely retiree new to Santa Fe becomes obsessed with her housekeeper. One girl attempts to uncover the mystery of her cousin's violent past, while another young woman finds herself at an impasse when she is asked to hear her priest's confession.Always hopeful, these stories chart the passions and obligations of family life, exploring themes of race, class, and coming-of-age, as Quade's characters protect, betray, wound, undermine, bolster, define, and, ultimately, save each other.

    Since her death in 1965, her place in the landscape of twentieth-century fiction has grown only more exalted.As we approach the centenary of her birth comes this astonishing compilation of fifty-six pieces—more than forty of which have never been published before. Two of Jackson’s children co-edited this volume, culling through the vast archives of their mother’s papers at the Library of Congress, selecting only the very best for inclusion.Let Me Tell You brings together the deliciously eerie short stories Jackson is best known for, along with frank, inspiring lectures on writing; comic essays about her large, boisterous family; and whimsical drawings. Jackson’s landscape here is most frequently domestic: dinner parties and bridge, household budgets and homeward-bound commutes, children’s games and neighborly gossip. But this familiar setting is also her most subversive: She wields humor, terror, and the uncanny to explore the real challenges of marriage, parenting, and community—the pressure of social norms, the veins of distrust in love, the constant lack of time and space.For the first time, this collection showcases Shirley Jackson’s radically different modes of writing side by side. Together they show her to be a magnificent storyteller, a sharp, sly humorist, and a powerful feminist.This volume includes a foreword by the celebrated literary critic and Jackson biographer Ruth Franklin.

    These stories feature clockwork hearts, lascivious queens, paper men, island circuses, and a flooded world.• On the island of Skye, an antlered girl and a tiger-tailed boy resolve never to be friends – but can they resist their unique connection?• In an alternative 19th-century Paris, a love triangle emerges between a man, a woman, and a coin-operated boy.• A teenager deals with his sister’s death by escaping from their tiny Scottish island – but will she let him leave?• In 1920s New Orleans, a young girl comes of age in her mother’s brothel.Some of these stories are radical retellings of classic tales, some are modern-day fables, but all explore substitutions for love.

    From the title story told by a woman suffering from gaps in her memory, to one about a man seeking insight in bags of garbage, to a surreal story about a car salesman and the customer he tries to seduce, The Woman Next Door charms and provokes with an incomparable style.

    The nine stories in this collection feature four generations of characters grappling with who they want to be in the world, caught as they are between the church's double standards and their own needs and passions. With their secret longings, new love, and forbidden affairs, these church ladies are as seductive as they want to be, as vulnerable as they need to be, as unfaithful and unrepentant as they care to be, and as free as they deserve to be.

    Dolls, sewing machines, tinned foods, mirrors, malfunctioning bodies - many images recur in stories that are in turn child-like and naive, grotesque and very dark.In Unstitching, a feminist revolution takes place. In Waxy, a factory worker fights to keep hold of her Man in a society where it is frowned upon to be Manless. In Agata's Machine, two schoolgirls conjure a Pierrot and an angel in a dank attic room. In Notes from a Spider, a half-man, half-spider finds love in a great European city.By constantly reinventing ways to engage with her obsessions and motifs, Camilla Grudova has come up with a method for storytelling that is highly imaginative, incredibly original, and absolutely discomfiting.Content:- Unstitching (2017)- The Mouse Queen (2017)- The Gothic Society (2017)- Waxy (2016)- The Doll's Alphabet (2017)- The Mermaid (2017)- Agata's Machine (2015)- Rhinoceros (2017)- The Sad Tale of the Sconce (2017)- Edward, Do Not Pamper the Dead (2017)- Hungarian Sprats (2017)- The Moth Emporium (2017)- Notes from a Spider (2017)

    Among other fine works, the collection also includes “Wunderkind,” McCullers’s first published story written when she was only seventeen about a musical prodigy who suddenly realizes she will not go on to become a great pianist. Newly reset and available for the first time in a handsome trade paperback edition, The Ballad of the Sad Café is a brilliant study of love and longing from one of the South’s finest writers.

    For Hemingway fans The Complete Short Stories is an invaluable treasury.

    A New Yorker, trying not to be jaded, accompanies a cash-strapped pot grower to a “clothing optional resort” in California. A nerdy high-schooler has her first sexual experience at Geology Camp. A college student, on the night of her father’s funeral, watches a video of her bat mitzvah, hypnotized by the image of the girl she used to be . . . Frank and irreverent, Rebecca Schiff’s stories offer a singular view of growing up (or not) and finding love (or not) in today’s ever-uncertain landscape. In its bone-dry humor, its pithy observations, and its thrilling ability to unmask the most revealing moments of human interaction—no matter how fleeting—The Bed Moved announces a new talent to be reckoned with.

    Spanning several generations and transporting us to exotic locations in Europe, Asia, and America, this wise and exquisite story collection marks the debut of a gifted new voice in literature.

    Here are tales of suspense and the supernatural that will chill, amuse, and exhilarate.

    Many of these characters live in a utopian future of instant connection and technological gratification that belies an unbridgeable human distance, while others inhabit a post-collapse landscape made primitive by disaster, which they must work to rebuild as we once did millennia ago.In “The Cartographers,” the main character works for a company that creates and sells virtual memories, while struggling to maintain a real-world relationship sabotaged by an addiction to his own creations. In “Saying Goodbye to Yang,” the robotic brother of an adopted Chinese child malfunctions, and only in his absence does the family realize how real a son he has become.Children of the New World grapples with our unease in this modern world and how our ever-growing dependence on new technologies has changed the shape of our society. Alexander Weinstein is a visionary new voice in speculative fiction for all of us who are fascinated by and terrified of what we might find on the horizon.

    Here are characters faced with dangerous decisions, children slick with oil from the river, a woman in love with another despite the penalties. Here is a world marked by electricity outages, lush landscapes, folktales, buses that break down and never start up again. Here is a portrait of Nigerians that is surprising, shocking, heartrending, loving, and across social strata, dealing in every kind of change. Here are stories filled with language to make your eyes pause and your throat catch. Happiness, Like Water introduces a true talent, a young writer with a beautiful heart and a capacious imagination.