His novel is at once a major social document and a story that draws us irresistibly into the twilit world of Edwin Reardon, a struggling novelist, and his friends and acquaintances in Grub Street including Jasper Milvain, an ambitious journalist, and Alfred Yule, an embittered critic. Here Gissing brings to life the bitter battles (fought out in obscure garrets or in the Reading Room of the British Museum) between integrity and the dictates of the market place, the miseries of genteel poverty and the damage that failure and hardship do to human personality and relationships.

    The novel is notable for its detailed portrait of the people, culture, and varied religions of India. The book presents a vivid picture of India, its teeming populations, religions, and superstitions, and the life of the bazaars and the road.Two men - a boy who grows into early manhood and an old ascetic priest, the lama - are at the center of the novel. A quest faces them both. Born in India, Kim is nevertheless white, a sahib. While he wants to play the Great Game of Imperialism, he is also spiritually bound to the lama. His aim, as he moves chameleon-like through the two cultures, is to reconcile these opposing strands, while the lama searches for redemption from the Wheel of Life. A celebration of their friendship in a beautiful but often hostile environment, 'Kim' captures the opulence of India's exotic landscape, overlaid by the uneasy presence of the British Raj.

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    In this selection of essays, he ranges from reflections on his boyhood schooling and the profession of writing to his views on the Spanish Civil War and British imperialism. The pieces collected here include the relatively unfamiliar and the more celebrated, making it an ideal compilation for both new and dedicated readers of Orwell's work.

    Huxley's bold, nontraditional narrative tells the loosely autobiographical story of Anthony Beavis, a cynical libertine Oxford graduate who comes of age in the vacuum left by World War I. Unfulfilled by his life, loves, and adventures, Anthony is persuaded by a charismatic friend to become a Marxist and take up arms with Mexican revolutionaries. But when their disastrous embrace of violence nearly kills them, Anthony is left shattered—and is forced to find an alternative to the moral disillusionment of the modern world.

    Dupin he invented the detective story; and tales such as 'MS. Found in a Bottle' and 'Von Kempelen and His Discovery' pioneered modern science-fiction.As readers will discover, Poe possessed an unrivalled capacity to create atmosphere and suspense, and to probe the dark depths of the human psyche. All the stories in this volume push back the boundaries, making the improbable possible, the familiar terrifying and strange.Contents:9 • Introduction (Selected Tales) • essay by John Curtis19 • The Duc de L'Omelette • [Tales of the Folio Club] • (1832) • shortstory by Edgar Allan Poe (variant of The Duke de L'Omelette)23 • MS. Found in a Bottle • [Tales of the Folio Club] • (1833) • shortstory by Edgar Allan Poe35 • The Assignation • [Tales of the Folio Club] • (1834) • shortstory by Edgar Allan Poe (variant of The Visionary)48 • Ligeia • (1838) • shortstory by Edgar Allan Poe65 • How to Write a Blackwood Article • (1838) • shortstory by Edgar Allan Poe (variant of The Psyche Zenobia)76 • The Fall of the House of Usher • (1839) • shortstory by Edgar Allan Poe96 • William Wilson • (1839) • novelette by Edgar Allan Poe (variant of William Wilson: A Tale)118 • The Murders in the Rue Morgue • [Chevalier Dupin] • (1841) • novelette by Edgar Allan Poe154 • A Descent into the Maelström • (1841) • shortstory by Edgar Allan Poe172 • The Island of the Fay • (1841) • shortstory by Edgar Allan Poe178 • The Colloquy of Monos and Una • (1841) • shortstory by Edgar Allan Poe188 • The Oval Portrait • (1842) • shortstory by Edgar Allan Poe192 • The Masque of the Red Death • (1842) • shortstory by Edgar Allan Poe (variant of The Mask of the Red Death)199 • The Mystery of Marie Rogêt • [Chevalier Dupin] • (1842) • novella by Edgar Allan Poe251 • The Pit and the Pendulum • (1842) • shortstory by Edgar Allan Poe267 • The Tell-Tale Heart • (1843) • shortstory by Edgar Allan Poe273 • The Gold-Bug • (1843) • novelette by Edgar Allan Poe311 • The Black Cat • (1843) • shortstory by Edgar Allan Poe322 • The Premature Burial • (1844) • shortstory by Edgar Allan Poe337 • The Purloined Letter • [Chevalier Dupin] • (1844) • novelette by Edgar Allan Poe357 • The Imp of the Perverse • (1845) • shortstory by Edgar Allan Poe364 • The Facts in the Case of M. Valdemar • (1845) • shortstory by Edgar Allan Poe374 • The Cask of Amontillado • [Fortunado] • (1846) • shortstory by Edgar Allan Poe382 • The Domain of Arnheim • (1842) • shortstory by Edgar Allan Poe (variant of The Landscape-Garden)399 • Von Kempelen and His Discovery • (1849) • shortstory by Edgar Allan Poe

    He brings this vibrant city's long and noble history alive through the ever-shifting fortunes, fates, and intrigues of half-a-dozen families, from the age of Julius Caesar to the 20th century. Generation after generation, these families embody the passion, struggle, wealth, and verve of the greatest city in the world.

    With her husband, Leonard Woolf, she started the Hogarth Press in 1917: the list ranged widely in fiction, poetry, politics and psychoanalysis, and published all Virginia Woolf’s own work.Its first publication appeared in 1917: Two Stories, bound in bright Japanese paper, contained a short story from both Virginia and Leonard. Typeset and bound by Virginia, with illustrations by Dora Carrington, 134 copies were printed by Leonard using a small handpress installed in the dining room at Hogarth House, Richmond.To celebrate the 100th anniversary of ‘Publication No. 1’ this new edition of Two Stories takes the original text of Virginia’s story, ‘The Mark on the Wall’ (with illustrations by Dora Carrington), and pairs it with a new story, ‘St Brides Bay’, by Mark Haddon, a lifelong reader of Virginia Woolf.Two Stories also includes a portrait of Virginia Woolf by Mark Haddon, and a short introduction from the publisher about the founding of the Press.

    He immediately receives four white feathers—symbols of cowardice—one each from his three best friends and his fiancée. To disprove this grave dishonor, Harry dons an Arabian disguise and leaves for the Sudan, where he anonymously comes to the aid of his three friends, saving each of their lives.Having proved his bravery, Harry returns to England, hoping to regain the love and respect of his fiancée. This suspenseful tale movingly depicts a distinctive code of honor that was deeply valued and strongly promoted by the British during the height of their imperial power.

    Her over-the-top drama was one of the most popular novels of the mid-1800s and provides an interesting portrayal of both class- and gender issues as they intersect within the domestic sphere.

    Ellen Wood played upon the anxieties of the Victorian middle classes who feared a breakdown of the social order as divorce became more readily available and promiscuity threatened the sanctity of the family. In her novel the simple act of hiring a governess raises the spectres of murder, disguise, and adultery. Her sensation novel was devoured by readers from the Prince of Wales to Joseph Conrad and continued to fascinate This edition returns for the first time to the racy, slang-ridden narrative of the first edition, rather than the subsequent stylistically 'improved' versions hitherto reproduced by modern editors.

    She thinks she sees through everyone and rules over a family of dependents with knowing cynicism. But there are two people in Redborough who resist her. One is Hester, a young relation with a personality as strong as Catherine's, and as determined to find a role for herself. The other is Edward, who Catherine treats like a son. Conflict between the young and the old is inevitable, and in its depiction of the complex relationships that develop between the three principal characters, Hester is a masterpiece of psychological realism. In exploring the difficulty of understanding human nature, it is also a compulsive story of financial and sexual risk-taking that inevitably results in a searing climax.Margaret Oliphant is one of the great Victorian novelists, and this edition re-establishes her importance.

    He imagines us capable of disinterested curiosity in the behaviour of our kind.' In this, the most dazzlingly intellectual of all his novels, Meredith tries to illuminate the pretensions of the most powerful class within the very citadel of security which its members have built. He develops to their logical extremity his ideas on egoism, on sentimentality and on the power of comedy. Meredith saw egoism as the great enemy of truth, feeling and progress, and comedy as the great dissolver of artifice. The Egoist is the extreme expression of his recurrent theme: the defeat of egoism by the power of comedy.

    Henry Perowne is a contented man — a successful neurosurgeon, happily married to a newspaper lawyer, and enjoying good relations with his children. Henry wakes to the comfort of his large home in central London on this, his day off. He is as at ease here as he is in the operating room. Outside the hospital, the world is not so easy or predictable. There is an impending war against Iraq, and a general darkening and gathering pessimism since the New York and Washington attacks two years before.On this particular Saturday morning, Perowne's day moves through the ordinary to the extraordinary. After an unusual sighting in the early morning sky, he makes his way to his regular squash game with his anaesthetist, trying to avoid the hundreds of thousands of marchers filling the streets of London, protesting against the war. A minor accident in his car brings him into a confrontation with a small-time thug. To Perowne's professional eye, something appears to be profoundly wrong with this young man, who in turn believes the surgeon has humiliated him — with savage consequences that will lead Henry Perowne to deploy all his skills to keep his family alive.

    That the marriage should fail and poor Lilia die tragically are only to be expected. But that Lilia should have had a baby - and that the baby should be raised as an Italian! - are matters requiring immediate correction by Philip Herriton, his dour sister Harriet, and their well-meaning friend Miss Abbott.