Thirteen darkly comic stories, Dangerous Laughter is a mesmerizing journey that stretches the boundaries of the ordinary world.

    No wonder the Atlanta Journal-Constitution calls her "one of the best in the new generation of Southern writers."

    In this distinct selection of stories marked by struggle and compassion, Pieces Like Pottery is a powerful examination of the sorrows of life, the strength of character, the steadfast of courage, and the resiliency of love requisite to find redemption. Filled with graceful insight into the human condition, each linked story presents a tale of loss and love mirroring themes from each of the five Sorrowful Mysteries. In Expect Dragons, James Hinri learns that his old high school teacher is dying. Wanting to tell Mr. Smith one last time how much his teaching impacted him, James drives across the country revisiting past encounters with his father's rejection and the pain of his youth. Disillusioned and losing hope, little did James know that Mr. Smith had one final lesson for him. In The Gravesite, Lisa and Mike's marriage hangs in the balance after the disappearance of their only son while backpacking in Thailand. Mike thinks the authorities are right--that Chris fell to his death in a hiking accident--but Lisa has her doubts. Her son was too strong to die this young, and no one can explain to her why new posts continue to appear on her son's blog. Twenty-Two looks in on the lives of a dock worker suffering from the guilt of a life not lived and a bartender making the best of each day, even though he can see clearly how his life should have been different. The two find their worlds collide when a past tragedy shockingly connects them. A collection of nine stories, each exquisitely written and charged with merciful insight into the trials of life, Pieces Like Pottery reminds us of the sorrows we all encounter in life and the kindness we receive, oftentimes from the unlikeliest of places.

    Gay returns with Difficult Women, a collection of stories of rare force and beauty, of hardscrabble lives, passionate loves, and quirky and vexed human connection.The women in these stories live lives of privilege and of poverty, are in marriages both loving and haunted by past crimes or emotional blackmail. A pair of sisters, grown now, have been inseparable ever since they were abducted together as children, and must negotiate the elder sister's marriage. A woman married to a twin pretends not to realize when her husband and his brother impersonate each other. A stripper putting herself through college fends off the advances of an overzealous customer. A black engineer moves to Upper Michigan for a job and faces the malign curiosity of her colleagues and the difficulty of leaving her past behind. From a girls’ fight club to a wealthy subdivision in Florida where neighbors conform, compete, and spy on each other, Gay delivers a wry, beautiful, haunting vision of modern America reminiscent of Merritt Tierce, Jamie Quatro, and Miranda July.I will follow you --Water, all its weight --The mark of Cain --Difficult women --FLORIDA --La negra blanca --Baby arm --North country --How --Requiem for a glass heart --In the event of my father's death --Break all the way down --Bad priest --Open marriage --A pat --Best features --Bone density --I am a knife --The sacrifice of darkness --Noble things --Strange gods

    In Where the Money Went, he surprises us with stories about love and the desertion of love, all written from a man’s point of view. Rarely is a man so revealing.A narrator struggles with his abiding loyalty to his ex-wife, even when he finds love with another woman. A newly divorced man learns more than he wants to know about his friends’ long-term marriages. In these nine stories, which incisively touch on the complex nature of love, we find men as fathers, as husbands, and as lovers, trying their best in a world that stubbornly refuses to make sense. Canty, whose writing has been praised as “smart, gritty, unsentimental” (New York Times), “lovely and unforgiving” (Boston Globe), and “enchanting and painful” (USA Today), powerfully conveys both the bitterness that can afflict romantic relationships, and the moments of humor and tenderness that cut through it.

    Taut, lucid, and engrossing, provocative and dark—and often darkly funny—these stories have much to offer the lover of literary fiction as well as the reader who just loves a great story.

    Thammavongsa is a master at homing in on moments like this -- moments of exposure, dislocation, and messy feeling that push us right up against the limits of language.The stories that make up How to Pronounce Knife focus on characters struggling to find their bearings in unfamiliar territory, or shuttling between idioms, cultures, and values. A failed boxer discovers what it truly means to be a champion when he starts painting nails at his sister's salon. A young woman tries to discern the invisible but immutable social hierarchies at a chicken processing plant. A mother coaches her daughter in the challenging art of worm harvesting.In a taut, visceral prose style that establishes her as one of the most striking and assured voices of her generation, Thammavongsa interrogates what it means to make a living, to work, and to create meaning.How to pronounce knife --Paris --Slingshot --Randy Travis --Mani pedi --Chick-a-chee! --The universe would be so cruel --Edge of the world --The school bus driver --You are so embarassing --Ewwrrkk --The gas station --A far distant thing --Picking worms

    Spanning several generations and transporting us to exotic locations in Europe, Asia, and America, this wise and exquisite story collection marks the debut of a gifted new voice in literature.

    C. Boyle is one of the most renowned storytellers of the modern era. This collection of fourteen stories drifts effortlessly between myth and reality, encompassing a panorama of human emotions. In “The Marlbane Manchester Musser Award,” Boyle reveals a writer’s dismay when a simple trip is turned upside down by a stranger. “Los Gigantes” tells the story of a group of giants being used to create a new breed of soldier for the military. In “The Way You Look Tonight” Boyle examines the way our perceptions of our loved ones can change on a dime with just a simple revelation. And in “Sic Transit” he shows how quickly we can become consumed with curiosity.Boyle travels the world in these and the rest of the stories, from California to Russia, Latin America to upstate New York, but his adept touch at depicting the lives of his characters never wavers.

    Stories increasingly change point of view, switch location, and sometimes pack as much material as a short novel might,” writes guest editor Elizabeth Strout. “It’s the variety of voices that most indicates the increasing confluence of cultures involved in making us who we are.” The Best American Short Stories 2013 presents an impressive diversity of writers who dexterously lead us into their corners of the world.In “Miss Lora,” Junot Díaz masterfully puts us in the mind of a teenage boy who throws aside his better sense and pursues an intimate affair with a high school teacher. Sheila Kohler tackles innocence and abuse as a child wanders away from her mother, in thrall to a stranger she believes is the “Magic Man.” Kirstin Valdez Quade’s “Nemecia” depicts the after-effects of a secret, violent family trauma. Joan Wickersham’s “The Tunnel” is a tragic love story about a mother’s declining health and her daughter’s helplessness as she struggles to balance her responsibility to her mother and her own desires. New author Callan Wink’s “Breatharians” unsettles the reader as a farm boy shoulders a grim chore in the wake of his parents’ estrangement.“Elizabeth Strout was a wonderful reader, an author who knows well that the sound of one’s writing is just as important as and indivisible from the content,” writes series editor Heidi Pitlor. “Here are twenty compellingly told, powerfully felt stories about urgent matters with profound consequences.”

    The nine stories in this collection feature four generations of characters grappling with who they want to be in the world, caught as they are between the church's double standards and their own needs and passions. With their secret longings, new love, and forbidden affairs, these church ladies are as seductive as they want to be, as vulnerable as they need to be, as unfaithful and unrepentant as they care to be, and as free as they deserve to be.

    Macabre, unsettling and deliciously enjoyable, these stories make the perfect bedtime read – but be warned, once you've started reading you won't be able to stop . .

    Exotic beasts and improbable travelers roam restlessly through these darkly diverting and finely honed tales.In “The Situation,” a beleaguered office worker creates a child-swallowing manta-ray to be used for educational purposes (once described as Dilbert meets Gormenghast). In “Three Days in a Border Town,” a sharpshooter seeks the truth about her husband in an elusive floating city beyond a far-future horizon; “Errata” follows an oddly familiar writer who has marshaled a penguin, a shaman, and two pearl-handled pistols with which to plot the end of the world. Also included are two stories original to this collection, including “The Quickening,” in which a lonely child is torn between familial obligation and loyalty to a maligned talking rabbit.Chimerical and hypnotic, VanderMeer leads readers through the postmodern into a new literature of the imagination.

    Award-winning and best-selling author Junot Díaz guest edits this year’s The Best American Short Stories, the premier annual showcase for the country's finest short fiction.

    At a deluxe medical spa on a nameless Caribbean island, a middle-aged woman hopes to revitalize her fading youth with grotesque rejuvenating therapies that combine cutting-edge medical technologies with holistic approaches and the pseudo-religious dogma of Zen-infused self-help. And in a rinky-dink mill town, an adolescent girl is unexpectedly inspired by the ravings and miraculous levitation of her fundamentalist friend’s weird grandmother. These are only a few of the scenarios readers encounter in Julia Elliott’s debut collection, The Wilds. In these genre-bending stories, teetering between the ridiculous and the sublime, Elliott’s language-driven fiction uses outlandish tropes to capture poignant moments in her humble characters’ lives. Without abandoning the tenets of classic storytelling, Elliott revels in lush lyricism, dark humor, and experimental play.