Leave the body for the hyenas to devour-no body, no case.But when Kalahari game rangers stumble on a human corpse midmeal, it turns out the murder wasn't perfect after all. Enough evidence is left to suggest foul play. Detective David "Kubu" Bengu of the Botswana Criminal Investigation Department is assigned to the case.The detective's personality and physique match his moniker. The nickname "Kubu" is Setswana for "hippopotamus"-a seemingly docile creature, but one of the deadliest on the continent. Beneath Kubu's pleasant surface lies the same unwavering resolve that makes the hippopotamus so deceptively dangerous. Both will trample everything in their path to reach an objective.From the sun-baked riverbeds of the Kalahari to the highest offices of an international conglomerate, Kubu follows a blood-soaked trail in search of answers.Beneath a mountain of lies and superstitions, he uncovers a chain of crimes leading to the most powerful figures in the country-influential enemies who will kill anyone in their way.A memorable detective makes his debut in this gritty, mesmerizing thriller. Set amid the beauty and darkness of contemporary Africa, A Carrion Death is the first entry in an evocative new series cutting to the heart of today's Botswana-a modern democracy threatened by unstable neighbors, poachers, and diamond smugglers. Those trying to expose the corrupt ringleaders will find themselves fighting for their lives...

    There is no A-to-Z path, and there are no magic beans that will carry you upward overnight. Have you ever wondered how to start, scale up, build teams, and flourish in an uncontested market? I can tell you. I did it. In 1992, I landed in Estonia with $400 in my pocket. There, I discovered a truth that changed my life and the way I conducted business: You can make a lot of money as an entrepreneur by moving decisively in blue-sky markets - markets where you face very little competition and the tide can carry you to riches.Over the next decade and a half, I built a portfolio of businesses worth $200 million. Now, I want to share the paths that led me to success, passing on my knowledge to you. In Why Sell Tacos in Africa? I explain sixteen principles that allowed me to drive such tremendous growth. May you, too, find a blue-market and watch your business soar.

    As Alison McCulloch noted in the New York Times, “Wicomb deftly explores the ghastly soup of racism in all its unglory—denial, tradition, habit, stupidity, fear—and manages to do so without moralizing or becoming formulaic.”Caught in the narrow world of private interests and self-advancement, Marion eschews national politics until the Truth and Reconciliation Commission throws up information that brings into question not only her family’s past but her identity and her rightful place in contemporary South African society. “Stylistically nuanced and psychologically astute” (Kirkus), Playing in the Light is as powerful in its depiction of Marion’s personal journey as it is in its depiction of South Africa’s bizarre, brutal history.

    Paton's second novel portrays a police lieutenant's struggle with his conscience when he violates strict South African law concerning relationships between Blacks and whites.

    As Rumi said, "Love will find its way through all languages on its own". In 'teaching my mother how to give birth', Warsan's debut pamphlet, we witness the unearthing of a poet who finds her way through all preconceptions to strike the heart directly. Warsan Shire is a Kenyan-born Somali poet and writer who is based in London. Born in 1988, she is an artist and activist who uses her work to document narratives of journey and trauma. Warsan has read her work internationally, including recent readings in South Africa, Italy and Germany, and her poetry has been translated into Italian, Spanish and Portuguese.

    It centers around a young Nigerian woman, Ada, who develops separate selves within her as a result of being born "with one foot on the other side." Unsettling, heartwrenching, dark, and powerful, Freshwater is a sharp evocation of a rare way of experiencing the world, one that illuminates how we all construct our identities.Ada begins her life in the south of Nigeria as a troubled baby and a source of deep concern to her family. Her parents, Saul and Saachi, successfully prayed her into existence, but as she grows into a volatile and splintered child, it becomes clear that something went terribly awry. When Ada comes of age and moves to America for college, the group of selves within her grows in power and agency. A traumatic assault leads to a crystallization of her alternate selves: Asụghara and Saint Vincent. As Ada fades into the background of her own mind and these selves--now protective, now hedonistic--move into control, Ada's life spirals in a dark and dangerous direction.Narrated by the various selves within Ada and based in the author's realities, Freshwater dazzles with ferocious energy and serpentine grace, heralding the arrival of a fierce new literary voice.

    A gripping love declaration to Africa with the troubles of Rhodesia/Zimbabwe as background, the real protagonist of this book is Africa with all her wonders and horrors. "Highly recommended for lovers of the continent, especially those longing for a well-balanced and honest insider’s account of recent African history (B. Pataki 2013) "

    Hannah's encounter with Taylor ultimately triggers a series of events whose momentum catches Hannah's family in its grip and forces her to make a heartrending choice.

    Contents: A city of the dead, a city of the living --At the rendezvous of victory --Letter from his father --Crimes of conscience --Sins of the third age --Blinder --Rags and bones --Terminal --A correspondence course --Something out there

    As he hits the city streets running, still reeling from his new-found condition, Furo finds the dead ends of his life open out before him. As a white man in Nigeria, the world is seemingly his oyster – except for one thing: despite his radical transformation, Furo's ass remains robustly black . . .Funny, fierce, inventive and daringly provocative – this is a very modern satire, with a sting in the tail.

    One is black, one white. Both are successful women with impressive careers. Both have recently been widowed. And both are sworn enemies, sharing hedge and hostility which they prune with a zeal that belies the fact that they are both over eighty.But one day an unforeseen event forces the women together. And gradually the bickering and sniping softens into lively debate, and from there into memories shared. But could these sparks of connection ever transform into friendship? Or is it too late to expect these two to change?

    An adoring little sister, their traditional parents, and a host of aunties and cousins make Morayo's home their own. So there's nothing unusual about her charming but troubled cousin Bros T moving in with the family. At first Morayo and her sister are delighted, but in her innocence, nothing prepares Morayo for the shameful secret Bros T forces upon her. Thrust into a web of oppressive silence woven by the adults around her, Morayo must learn to fiercely protect herself and her sister from a legacy of silence many women in Morayo's family share. Only Aunty Morenike—once shielded by her own mother—provides Morayo with a safe home and a sense of female community that sustains her as she grows into a young woman in bustling, politically charged, often violent Nigeria.

    She shows off a luxurious life in a gated community that her almost five thousand followers can only dream of. @Sho4Sure is determined to be part of it. The macho mechanic is Treasure’s number one fan, and double taps and blushing emojis are no longer enough. He needs to meet her in the flesh. If only Treasure were more prepared for destiny.Oyinkan Braithwaite’s Treasure is part of Hush, a collection of six stories, ranging from political mysteries to psychological thrillers, in which deception can be a matter of life and death. Each piece can be read or listened to in one truly chilling sitting.

    Traversing 2,500 miles of the toughest terrain on the planet in a twenty-five year-old Land Rover, they faced repeated challenges, from kleptocracy and fire ants to non-existent roads and intense suspicion from local people. Through imagination and teamwork -- including building rafts and bridges, conducting makeshift surgery in the jungle and playing tribal politics -- they got through. But the Congo is raw, and the journey took an unexpected psychological toll on them all. Crossing the Congo is an offbeat travelogue, a story of friendship and what it takes to complete a great journey against tremendous odds, and an intimate look into one of the world's least-developed and most fragile states, told with humor and sensitivity.