Adopted by an American family at age four, Jaclyn goes to her new home with a great burden. Her new family had to leave behind a little boy who had been under her charge at the Chinese orphanage. Jaclyn inspires two families, several agencies, and two governments to cooperate to reunite her with her baby. Everyone who reads this story will believe in the power of love to change the world.

    Her army husband and three young children, including an adopted Chinese daughter, uproot themselves too. Aminta hopes to understand the country with its long civilization, ancient philosophy, and complex language. She is also determined that her daughter Grace, born in China, regain some of the culture she lost when the Arringtons brought her to America as a baby.In the university town of Tai'an, a small city where pigs' hooves are available at the local supermarket, donkeys share the road with cars, and the warm-hearted locals welcome this strange looking foreign family, the Arringtons settle in . . . but not at first. Aminta teaches at the university, not realizing she is countering the propaganda the students had memorized for years. Her creative, independent (and loud) American children chafe in their classrooms, the first rung in society's effort to ensure conformity. The family is bewildered by the seemingly endless cultural differences they face, but they find their way. With humor and unexpectedly moving moments, Aminta's story is appealingly reminiscent of Reading Lolita in Tehran. It will rivet anyone who is thinking of adopting a child, or anyone who is already familiar with the experience. An everywoman with courage and acute cultural perspective, Aminta recounts this transformative quest with a freshness that will delight anyone looking for an original, accessible point of view on the new China.

    But her friend, who had prepared for the adoption for many months, panics soon after being presented with the frail baby, and the situation develops into one of the greatest challenges of Russell's life. Russell, watching in disbelief as Alex distances herself from the child, cares for the baby -- clothing, bathing, and feeding her -- and makes her feel secure in the unfamiliar surroundings. Russell is overwhelmed and disoriented by the unfolding drama and all that she sees in China, and yet amid the emotional turmoil finds herself deeply bonding with the child. She begins to have dreams of an ancient past -- dreams of a young woman who is plucked from the countryside and chosen to be empress, and of the child who is ultimately taken from her. As it becomes clear that her friend -- whose indecisiveness about the adoption has become a torment -- won't be bringing the baby home, Russell is amazed to realize that she cannot leave the baby behind and that her dreams have been telling her something significant, giving her the courage to open her heart and bring the child home against all odds. Steeped in Chinese culture, Forever Lily is an extraordinary account of a life-changing, wholly unexpected love.

    They are strangers to her. When Xiaolu is born her parents hand her over to a childless peasant couple in the mountains. Aged two, and suffering from malnutrition on a diet of yam leaves, they leave Xiaolu with her illiterate grandparents in a fishing village on the East China Sea. It’s a strange beginning.Like a Wild Swans for a new generation, Once Upon a Time in the East takes Xiaolu from a run-down shack to film school in a rapidly changing Beijing, navigating the everyday peculiarity of modern China: censorship, underground art, Western boyfriends. In 2002 she leaves Beijing on a scholarship to study in a picturesque British village. Now, after a decade in Europe, her tale of East to West resonates with the insight that can only come from someone who is both an outsider and at home.Xiaolu Guo’s extraordinary memoir is a handbook of life lessons. How to be an artist when censorship kills creativity and the only job you can get is writing bad telenovela scripts. How to be a woman when female babies are regularly drowned at birth and sexual abuse is commonplace. Most poignantly of all: how to love when you’ve never been shown how.

    Chang was a Red Guard briefly at the age of fourteen, then worked as a peasant, a “barefoot doctor,” a steelworker, and an electrician. As the story of each generation unfolds, Chang captures in gripping, moving—and ultimately uplifting—detail the cycles of violent drama visited on her own family and millions of others caught in the whirlwind of history.

    These are stories which Xinran could not bring herself to tell previously - because they were too painful and close to home. In the footsteps of Xinran's Good Women of China, this is personal, immediate, full of harrowing, tragic detail but also uplifting, tender moments. Ten chapters, ten women and many stories of heartbreak, including her own: Xinran once again takes us right into the lives of Chinese women - students, successful business women, midwives, peasants, all with memories which have stained their lives. Whether as a consequence of the single-child policy, destructive age-old traditions or hideous economic necessity... these women had to give up their daughters for adoption, others were forced to abandon them - on city streets, outside hospitals, orphanages or on station platforms - and others even had to watch their baby daughters being taken away at birth, and drowned. Here are the 'extra-birth guerrillas' who travel the roads and the railways, evading the system, trying to hold onto more than one baby; naive young student girls who have made life-wrecking mistakes; the 'pebble mother' on the banks of the Yangzte still looking into the depths for her stolen daughter; peasant women rejected by their families because they can't produce a male heir; and finally there is Little Snow, the orphaned baby fostered by Xinran but 'confiscated' by the state. The book sends a heartrending message from their birth mothers to all those Chinese girls who have been adopted overseas (at the end of 2006 there were over 120,000 registered adoptive families for Chinese orphans, almost all girls, in 27 countries), to show them how things really were for their mothers, and to tell them they were loved and will never be forgotten.

    Part Three Cups of Tea, and part Into Thin Air, Grennan's remarkable memoir is at once gripping and inspirational, and it carries us deep into an exotic world that most readers know little about.One Person Can Make a DifferenceIn search of adventure, twenty-nine-year-old Conor Grennan traded his day job for a year-long trip around the globe, a journey that began with a three-month stint volunteering at the Little Princes Children's Home, an orphanage in war-torn Nepal. Conor was initially reluctant to volunteer, unsure whether he had the proper skill, or enough passion, to get involved in a developing country in the middle of a civil war. But he was soon overcome by the herd of rambunctious, resilient children who would challenge and reward him in a way that he had never imagined. When Conor learned the unthinkable truth about their situation, he was stunned: The children were not orphans at all. Child traffickers were promising families in remote villages to protect their children from the civil war - for a huge fee - by taking them to safety. They would then abandon the children far from home, in the chaos of Nepal's capital, Kathmandu. For Conor, what began as a footloose adventure becomes a commitment to reunite the children he had grown to love with their families, but this would be no small task. He would risk his life on a journey through the legendary mountains of Nepal, facing the dangers of a bloody civil war and a debilitating injury. Waiting for Conor back in Kathmandu, and hopeful he would make it out before being trapped in by snow, was the woman who would eventually become his wife and share his life's work. Little Princes is a true story of families and children, and what one person is capable of when faced with seemingly insurmountable odds. At turns tragic, joyful, and hilarious, Little Princes is a testament to the power of faith and the ability of love to carry us beyond our wildest expectations.

    One of the country's youngest Buddhist nuns, she grew up in a remote mountain village where, as a teenager, she entered the local nunnery. Though simple, Kunsang's life gave her all she needed: a oneness with nature and a sense of the spiritual in all things. She married a monk, had two children, and lived in peace and prayer. But not for long. There was a saying in Tibet: "When the iron bird flies and horses run on wheels, the Tibetan people will be scattered like ants across the face of the earth." The Chinese invasion of Tibet in 1950 changed everything. When soldiers arrived at her mountain monastery, destroying everything in their path, Kunsang and her family fled across the Himalayas only to spend years in Indian refugee camps. She lost both her husband and her youngest child on that journey, but the future held an extraordinary turn of events that would forever change her life--the arrival in the refugee camps of a cultured young Swiss man long fascinated with Tibet. Martin Brauen will fall instantly in love with Kunsang's young daughter, Sonam, eventually winning her heart and hand, and taking mother and daughter with him to Switzerland, where Yangzom will be born. Many stories lie hidden until the right person arrives to tell them. In rescuing the story of her now 90-year-old inspirational grandmother and her mother, Yangzom Brauen has given us a book full of love, courage, and triumph,as well as allowing us a rare and vivid glimpse of life in rural Tibet before the arrival of the Chinese. Most importantly, though, ACROSS MANY MOUNTAINS is a testament to three strong, determined women who are linked by an unbreakable family bond.

    According to local tradition, marriage is considered a foreign practice; property is passed from mother to daughter; a matriarch oversees each family's customs, rituals, and economies. In this culture a young girl enjoys extraordinary freedoms—but the impulsive, restless Namu is driven to leave her mother's house, to venture out into the larger world, defying the tradition that holds Moso culture together.Leaving Mother Lake is a book filled with drama, strangeness, and beauty. Yet for all the exoticism, Namu's story is a universal tale of mothers and daughters—the battles that drive them apart and the love that brings them back together.

    It’s a book of unforgettable moments: when Scott and Caroline get their first thumb-size pictures of their daughters, when the small girls are placed in their arms, and all the laughs and tumbles along the road as they become a real family.Woven into the tale of Scott, Caroline, and the two little girls who changed their lives are the stories of other adoptive families. Some are famous and some are not, but each family’s saga captures facets of the miracle of adoption. Baby, We Were Meant for Each Other is a love story that doesn’t gloss over the rough spots. There are anxieties and tears along with hugs and smiles and the unparalleled joy of this blessed and special way of making a family. Here is a book that families who have adopted—or are considering adoption—will want to read for inspiration. But everyone can enjoy this story because, as Scott Simon writes, adoption can also help us understand what really makes families, and how and why we fall in love.

    Presents a cultural history of the events that led to the controversial one-child policy in China and the subsequent generation-long abandonment of Chinese daughters to American families.

    But at what cost? Now, as China closes the book on the policy after over three decades, it faces a population grown too old and too male, with a vastly diminished supply of young workers. Mei Fong has spent years documenting the policy's repercussions on every sector of Chinese society. In One Child, she explores its true human impact, traveling across China to meet the people who live with its consequences. Their stories reveal a dystopian reality: unauthorized second children ignored by the state, only children supporting aging parents and grandparents on their own, villages teeming with ineligible bachelors. Fong tackles questions that have major implications for China's future: whether its Little Emperor cohort will make for an entitled or risk-averse generation; how China will manage to support itself when one in every four people is over sixty-five years old; and above all, how much the one-child policy may end up hindering China's growth. Weaving in Fong's reflections on striving to become a mother herself, One Child offers a nuanced and candid report from the extremes of family planning.

    But while these workers, who leave their rural towns to find jobs in China's cities, are the driving force behind China's growing economy, little is known about their day-to-day lives or the sociological significance of this massive movement. In Factory Girls, Leslie T. Chang tells the story of these workers primarily through the lives of two young women whom she follows over the course of three years. Chang vividly portrays a world where you can lose your boyfriend and your friends with the loss of a cell phone; where lying about your age, your education, and your work experience is often a requisite for getting ahead; where a few computer or English lessons can catapult you into a completely different social class. Throughout this affecting portrait of migrant life, Chang also interweaves the story of her own family's migrations, within China and to the West, providing a historical frame of reference for her investigation. At a time when the Olympics will have shifted the world's focus to China, Factory Girls offers a previously untold story about the immense population of unknown women who work countless hours, often in hazardous conditions, to provide us with the material goods we take for granted. A book of global significance, it demonstrates how the movement from rural villages to cities is remaking individual lives and the fates of families, transforming our world much as immigration to America's shores remade our own society a century ago.

    Mei-Ling Hopgood had an all-American upbringing, never really identifying with her Asian roots or harboring a desire to uncover her ancestry. She believed that she was lucky to have escaped a life that was surely one of poverty and misery, to grow up comfortable with her doting parents and brothers. Then, when she's in her twenties, her birth family comes calling. Not the rural peasants she expected, they are a boisterous, loving, bossy, complicated middle-class family who hound her daily life by phone, fax, and letter, in a language she doesn't understand until she returns to Taiwan to meet them. As her sisters and parents pull her into their lives, claiming her as one of their own, the devastating secrets that still haunt this family begin to emerge. Spanning cultures and continents, Lucky Girl brings home a tale of joy and regret, hilarity, deep sadness, and great discovery as the author untangles the unlikely strands that formed her destiny.

    Maarten Troost has charmed legions of readers with his laugh-out-loud tales of wandering the remote islands of the South Pacific. When the travel bug hit again, he decided to go big-time, taking on the world’s most populous and intriguing nation. In Lost on Planet China, Troost escorts readers on a rollicking journey through the new beating heart of the modern world, from the megalopolises of Beijing and Shanghai to the Gobi Desert and the hinterlands of Tibet. Lost on Planet China finds Troost dodging deadly drivers in Shanghai; eating Yak in Tibet; deciphering restaurant menus (offering local favorites such as Cattle Penis with Garlic); visiting with Chairman Mao (still dead, very orange); and hiking (with 80,000 other people) up Tai Shan, China’s most revered mountain. But in addition to his trademark gonzo adventures, the book also delivers a telling look at a vast and complex country on the brink of transformation that will soon shape the way we all work, live, and think. As Troost shows, while we may be familiar with Yao Ming or dim sum or the cheap, plastic products that line the shelves of every store, the real China remains a world—indeed, a planet--unto itself. Maarten Troost brings China to life as you’ve never seen it before, and his insightful, rip-roaringly funny narrative proves that once again he is one of the most entertaining and insightful armchair travel companions around.