Fiske differentiates between mass culture - the cultural products put out by an industrialized, capitalist society, and popular culture - the ways in which people use, abuse, and subvert these products to create their own meanings and message. Companion volume to Reading the Popular, this book presents a radically different theory of what it means for culture to be popular: that is, literally, of the people.

    Bell suggests that the answer is yes."Everyone interested in anorexia nervosa . . . should skim this book or study it. It will make you realize how dependent upon culture the definition of disease is. I will never look at an anorexic patient in the same way again."—Howard Spiro, M.D., Gastroenterology"[This] book is a first-class social history and is well-documented both in its historical and scientific portions."—Vern L. Bullough, American Historical Review"A significant contribution to revisionist history, which re-examines events in light of feminist thought. . . . Bell is particularly skillful in describing behavior within its time and culture, which would be bizarre by today's norms, without reducing it to the pathological."—Mary Lassance Parthun, Toronto Globe and Mail"Bell is both enlightened and convincing. His book is impressively researched, easy to read, and utterly fascinating."—Sheila MacLeod, New Statesman

    James Garfield's 1880 dark horse campaign after the longest-ever Republican nominating convention, his victory in the closest-ever popular vote for president, his struggle against bitterly feuding factions once elected, and the public's response to his assassination is the most dramatic presidential odyssey of the Gilded Age—and among the most momentous in our nation's history. This journey through political backrooms, dazzling convention floors, and intrigue-filled congressional and White House chambers, reveals the era's decency and humanity as well as the sharp partisanship that exploded in the pistol shots of assassin Charles Guiteau, the disgruntled patronage-seeker eager to replace the elected Commander-in-Chief with one of his own choosing.

    As Adam Domby reveals here, this was not only an insidious goal; it was founded on falsehoods. The False Cause focuses on North Carolina to examine the role of lies and exaggeration in the creation of the Lost Cause narrative. In the process the book shows how these lies have long obscured the past and been used to buttress white supremacy in ways that resonate to this day.Domby explores how fabricated narratives about the war's cause, Reconstruction, and slavery--as expounded at monument dedications and political rallies--were crucial to Jim Crow. He questions the persistent myth of the Confederate army as one of history's greatest, revealing a convenient disregard of deserters, dissent, and Unionism, and exposes how pension fraud facilitated a myth of unwavering support of the Confederacy among nearly all white Southerners. Domby shows how the dubious concept of "black Confederates" was spun from a small number of elderly and indigent African American North Carolinians who got pensions by presenting themselves as "loyal slaves." The book concludes with a penetrating examination of how the Lost Cause narrative and the lies on which it is based continue to haunt the country today and still work to maintain racial inequality.

    Donald Worster's classic chronicle of the devastating years between 1929 and 1939 tells the story of the Dust Bowl in ecological as well as human terms.Now, twenty-five years after his book helped to define the new field of environmental history, Worster shares his more recent thoughts on the subject of the land and how humans interact with it. In a new afterword, he links the Dust Bowl to current political, economic and ecologicalissues--including the American livestock industry's exploitation of the Great Plains, and the on-going problem of desertification, which has now become a global phenomenon. He reflects on the state of the plains today and the threat of a new dustbowl. He outlines some solutions that have beenproposed, such as the Buffalo Commons, where deer, antelope, bison and elk would once more roam freely, and suggests that we may yet witness a Great Plains where native flora and fauna flourish while applied ecologists show farmers how to raise food on land modeled after the natural prairies thatonce existed.

    Its impact is felt to this day, and the basic story is known to all. Anthony Pitch’s thrilling account of the Lincoln conspiracy and its aftermath transcends the mere facts of that awful night during which dashing actor John Wilkes Booth shot Lincoln in the head and would-be assassin Lewis Payne butchered Secretary of State William Seward in the bed of his own home. “They Have Killed Papa Dead!” transports the reader to one of the most breathtaking moments in history, and reveals much that is new about the stories, passions, and times of those who shaped this great tragedy.Virtually every word of Anthony Pitch’s account is based on primary source material: new quotes from previously unpublished diaries, letters and journals – authentic contemporary voices writing with freshness and clarity as eyewitnesses or intimate participants – new images, a new vision and understanding of one of America’s defining moments. With an unwavering fidelity to historical accuracy, Pitch provides new confirmation of threats against the president-elect’s life as he traveled to Washington by train for his first inauguration, and a vivid personal account of John Wilkes Booth being physically restrained from approaching Lincoln at his second inauguration. Perhaps most chillingly, new details come to light about conditions in the special prison where the civilian conspirators accused of participating in the Lincoln assassination endured tortuous conditions in extreme isolation and deprivation, hooded and shackled, before and even during their military trial. Pitch masterfully synthesizes the findings of his prodigious research into a tight, gripping narrative that adds important new insights to our national story.