The black sheep of the family, Charlie, feels her life as a barista and exercise instructor doesn’t measure up to that of her gifted and successful sisters.Dealing with their bereft father who is determined to sell the family motel, their loves old and new and a series of troublesome decisions doesn’t make life any easier, but when they go through their mother’s possessions and uncover the shocking secret of an old family curse, they begin to question everything they thought they knew.A warm and wise novel about secrets revealed, finding your soulmate and the unique bond between sisters.

    She’s a prankster and a risk-taker, and she’s not afraid of anything—except losing. As part of the long-running feud between two local schools in Swanston, Grace accepts a challenge to walk the pipe. That night she experiences something she can’t explain. The funny girl isn’t laughing anymore. She’s haunted by voices and visions—but nobody believes a girl who cries wolf.As she’s drawn deeper into a twenty-year-old mystery surrounding missing girl Hannah Holt, the thin veil between this world and the next begins to slip. She can no longer tell what’s real or imagined—all she knows is the ghosts of Swanston, including that of her own mother, are restless. It seems one of them has granted her an extraordinary gift at a terrible price.Everything about her is changing—her body, her thoughts, even her actions seem to belong to a stranger. Grace is losing herself, and her friends don’t understand. Is she moving closer to the truth? Or is she heading for madness?

    The man runs an unlicensed mechanic’s workshop at the back of their property. The girl resists the man with silence, and finally with sabotage. She fights him at the place where she believes his heart lives—in the engine of the car.Set at the close of the 1970s and traversing thousands of kilometres of inland roads, Exploded View is a revelatory interrogation of Australian girlhood.Must a girl always be a part—how can she become a whole?

    Both the book and the film have achieved a cult status as the Australian answer to US and UK novels and films of 1960s youthful alienation. It is the gruelling story of a young Australian schoolteacher on his way back from the outback to Sydney and civilization when things start to go wrong. He finds himself stuck overnight in Bundanyabba, a rough outback mining town. An ill-advised and drink-fuelled visit to a gambling den leaves Grant broke and he realizes he has no way of escaping. He descends into a cycle of hangovers, fumbling sexual encounters, and increasing self-loathing as he becomes more and more immersed in the grotesque and surreal nightmare that his life has become.

    To which I say something like: ‘People are infinitely complex.’ But I say it in such a way—so pregnant with misanthropy—that it’s obvious I hate her.​Michaela and Eve are two bright, bold women who befriend each other their first year at a residential college at university, where they live in adjacent rooms. They could not be more different; one assured and popular – the other uncertain and eager-to-please. But something happens one night in O-week – a drunken encounter, a foggy memory that will force them to confront the realities of consent and wrestle with the dynamics of power.Initially bonded by their wit and sharp eye for the colleges’ mix of material wealth and moral poverty, Michaela and Eve soon discover how fragile friendship is, and how capable of betrayal they both are.​Written with a strikingly contemporary voice that is both wickedly clever and incisive, issues of consent, class and institutional privilege, and feminism become provocations for enduring philosophical questions we face today.

    This is the Pilbara. And it’s the Pilbara that makes the rules’Lena Todd is a city girl who thrives on cocktails and cappuccinos. So when her boss announces he’s sending her to the outback to join a construction team, her world is turned upside down.Lena’s new accommodation will be an aluminium box called a dongar.Her new social network: three hundred and fifty men.Her daily foot attire: steel-capped boots.Unfortunately, Lena can’t refuse. Mistakes of the past are choking her confidence. She needs to do something to right those wrongs and prove herself. Going into a remote community might just be the place to do that, if only tall, dark and obnoxious Dan didn’t seem so determined to stand in her way ...

    But in Thirroul, in 1948, she’s not the only person trying to chase dreams through books. There’s Roy McKinnon, who found poetry in the mess of war, but who has now lost his words and his hope. There’s Frank Draper, trapped by the guilt of those his medical treatment and care failed on their first day of freedom. All three struggle to find their own peace, and their own new story.But along with the firming of this triangle of friendship and a sense of lives inching towards renewal come other extremities—and misunderstandings. In the end, love and freedom can have unexpected ways of expressing themselves.The Railwayman’s Wife explores the power of beginnings and endings, and how hard it can sometimes be to tell them apart. Most of all, it celebrates love in all its forms, and the beauty of discovering that loving someone can be as extraordinary as being loved yourself.

    But failed efforts to win a fortune at the racetracks turned Emmett into a broken down gambling drunk who terrorized his wife and children. Starting at Emmett’s funeral and reflecting back, the two eldest Brown children—Louise and Rob—recount the rise and fall of their family. Each of Emmett’s children must address the fallout of Emmett, and each comes to discover that they loved and learnt from their father in both his golden and his dark days.

    For Whiskey and Charlie Ferns, the two-way alphabet (alpha, bravo, charlie, delta) whispered back and forth over their crackly walkie-talkies is the best they can do. But as the brothers grow up, they grow apart. Whiskey is everything Charlie is not-bold, daring, carefree-and Charlie blames his brother for always stealing the limelight, always striving ahead while seeming to push Charlie back. By the time the twins reach adulthood, they are barely even speaking to each other.When Charlie hears that Whiskey has been in a terrible accident and has slipped into a coma, he is shocked...although perhaps not devastated. But as days and weeks slip by and the chances of Whiskey recovering grow ever more slim, Charlie is forced to look back on their lives and examine whether or not Whiskey's actions were truly as unforgivable as Charlie believed them to be.

    Twenty-six years earlier, Sammy Went, a two-year old girl vanished from her home in Manson, Kentucky. An American accountant who contacts Kim is convinced she was that child, kidnapped just after her birthday. She cannot believe the woman who raised her, a loving social worker who died of cancer four years ago, crossed international lines to steal a toddler.On April 3rd, 1990, Jack and Molly Went’s daughter Sammy disappeared from the inside their Kentucky home. Already estranged since the girl’s birth, the couple drifted further apart as time passed. Jack did his best to raise and protect his other daughter and son while Molly found solace in her faith. The Church of the Light Within, a Pentecostal fundamentalist group who handle poisonous snakes as part of their worship, provided that faith. Without Sammy, the Wents eventually fell apart.Now, with proof that she and Sammy are in fact the same person, Kim travels to America to reunite with a family she never knew she had. And to solve the mystery of her abduction—a mystery that will take her deep into the dark heart of religious fanaticism where she must fight for her life against those determined to save her soul…

    Alice must reconstruct the events of a lost decade, and find out whether it’s possible to reconstruct her life at the same time. She has to figure out why her sister hardly talks to her, and how is it that she’s become one of those super skinny moms with really expensive clothes. Ultimately, Alice must discover whether forgetting is a blessing or a curse, and whether it’s possible to start over.

    I'd bring him back, though, if I could find him. What could be more precious, what could be more valuable to my family than Michael? This was going to be so good. Roll on, bus, I cried in my head.From the outside, Josh's life looks pretty much perfect. He's in a band, he has a gorgeous girlfriend and he does well at school. But Josh's family has been slowly falling apart since his older brother disappeared two years before.Then Josh comes across a clue to Michael's whereabouts in the Lost Property Office where he's working for the holidays. Determined to put his family back together, and without a word to anyone, Josh too leaves Sydney in a desperate bid to bring his brother home.

    Providing you with the antidote to every annoying little thing, these rules are not made to be broken.488 Rules for Life is not a self-help book, because it's not you who needs help, it's other people. Whether they're walking and texting, asphyxiating you on public transport with their noxious perfume cloud, or leaving one useless square of toilet paper on the roll, a lot of people just don't know the rules. But thanks to Kitty Flanagan's comprehensive guide to modern behaviour, our world will soon be a much better place. A place where people don't ruin the fruit salad by putting banana in it … where your co-workers respect your olfactory system and don't reheat their fish curry in the office microwave ... where middle aged men don't have ponytails …What started as a joke on Kitty Flanagan's popular segment on ABC TV's The Weekly, is now a quintessential reference book with the power to change society. (Or, at least, make it a bit less irritating.) What people are (Kitty Flanagan is) saying about this book: 'You're welcome everyone.''Thank god for me.''I'd rather be sad and lonely, but right.''There's not actually 488 rules in here but it sure feels like it'.

    In his earlier, award-winning novels, Dominic Smith demonstrated a gift for coaxing the past to life. Now, in The Last Painting of Sara de Vos, he deftly bridges the historical and the contemporary, tracking a collision course between a rare landscape by a female Dutch painter of the golden age, an inheritor of the work in 1950s Manhattan, and a celebrated art historian who painted a forgery of it in her youth.In 1631, Sara de Vos is admitted as a master painter to the Guild of St. Luke's in Holland, the first woman to be so recognized. Three hundred years later, only one work attributed to de Vos is known to remain--a haunting winter scene, At the Edge of a Wood, which hangs over the bed of a wealthy descendant of the original owner. An Australian grad student, Ellie Shipley, struggling to stay afloat in New York, agrees to paint a forgery of the landscape, a decision that will haunt her. Because now, half a century later, she's curating an exhibit of female Dutch painters, and both versions threaten to arrive. As the three threads intersect, The Last Painting of Sara de Vos mesmerizes while it grapples with the demands of the artistic life, showing how the deceits of the past can forge the present.

    A funny and frank look at the way Australia used to be - and just how far we have come. "It was simpler time". We had more fun back then". "Everyone could afford a house". There's plenty of nostalgia right now for the Australia of the past, but what was it really like? In The Land Before Avocado, Richard Glover takes a journey to an almost unrecognisable Australia. It's a vivid portrait of a quite peculiar land: a place that is scary and weird, dangerous and incomprehensible, and, now and then, surprisingly appealing. It's the Australia of his childhood. The Australia of the late '60s and early '70s. Let's break the news now: they didn't have avocado. It's a place of funny clothing and food that was appalling, but amusingly so. It also the land of staggeringly awful attitudes - often enshrined in law - towards anybody who didn't fit in. The Land Before Avocado will make you laugh and cry, be angry and inspired. And leave you wondering how bizarre things were, not so long ago. Most of all it will make you realise how far we've come - and how much further we can go.