Changing styles in feminist thought, the tangled connections between creativity and ideology, the writer’s odd place in our money-centered world, the way we turn our friends into surrogate families—while always fluid and lively, the play is thick with ideas, like a stockpot of good stew.” –Michael Feingold, Village Voice“Beautifully layered. Margulies delivers a spot-on glimpse of New York's literary scene: the power of a Times book review, or the milestone of the 92nd Y's authors series, or the significance of a little-known but much-revered lit mag like the now-defunct Grand Street. He's even better at teasing the sense of betrayal that can dissolve creative friendships…the ethics of friendship and fiction smack into each other.” –Lisa Kennedy, Denver Post“[Collected Stories] digs into its engaging tale of aesthetics and ethics with intelligence and sharp, literate humor….Mr. Margulies has found fertile material in the struggles of the creative classes to reconcile the demands of ambition with the exigencies of life.” –New York Times“This provocative piece of theater serves as a timely reminder that we are defined by our feelings and memories — and such precious thoughts are sacred.” –Matthew J. Palm, Orlando SentinelCollected Stories explores the vexed emotional and legal question of a writer's right to create art from the biographical material of another person's life-particularly when that other person is also a writer. Meditating upon the recent, real-life conflict between poet Stephen Spender and novelist David Leavitt, Margulies has created two of the most vivid and moving fictional characters of his career: Ruth Steiner, an aging, highly regarded author who never wrote about her youthful affair with real-life poet Delmore Schwartz, and Lisa Morrison, a student of Steiner's who, after publishing a much-ballyhooed first short-story collection under Steiner's direction, follows up with a novel that draws upon the Schwartz affair. The result is charged drama with the depth and weight of the finest prose fiction. Winner of the Los Angeles Drama Critics Award for Best New Play.Donald Margulies received the 2000 Pulitzer Prize for Drama for Dinner with Friends. The play received numerous awards, including the American Theatre Critics Association New Play Award, the Dramatists Guild/Hull-Warriner Award, the Lucille Lortel Award, the Outer Critics Circle Award and a Drama Desk nomination, and has been produced all over the United States and around the world. In addition to his adaptation of God of Vengeance, his many plays include Collected Stories, The Country House, Sight Unseen, The Model Apartment, The Loman Family Picnic, What’s Wrong with This Picture? and Time Stands Still. Mr. Margulies currently lives with his wife and their son in New Haven, Connecticut, where he teaches playwriting at Yale University.

    In "Hands," Wing Biddlebaum tries to hide the tale of his banishment from a Pennsylvania town, a tale represented by his hands. In "Adventure," lonely Alice Hindman impulsively walks naked into the night rain. Threaded through the stories is the viewpoint of George Willard, the young newspaper reporter who, like his creator, stands witness to the dark and despairing dealings of a community of isolated people.

    In these dazzling stories she deals with the self-discovery of adolescence, the joys and pains of love and the despair and guilt of those caught in a narrow existence. And in sensitively exploring the lives of ordinary men and women, she makes us aware of the universal nature of their fears, sorrows and aspirations.

    Concerned something has happened to her husband, Jill follows a string of clues to try and find out the secret Charles was keeping from her.

    The abandonment of their father, the so called 'experts' who insist that voices in his head are unnatural and must be dealt with, and the constant threat of being taken away to some hospital and studied like an animal. When two representatives appear claiming to have the answers to Ryland's perceived problem, Becca doesn't buy it for one second. That is until they seem to know things about Ryland and about Becca and Ryland's family, that forces Becca to concede that there may be more to these people than meets the eye. Though still highly skeptical, Becca agrees to do what's best for Ryland.What they find at St. Brigid's is a world beyond their imagination. Little by little they piece together the information of their family's heritage, their estranged Father, and the legend of the Holder race that decrees Ryland is the one they've been waiting for. However, they are all--especially Becca--in for a surprise that will change what they thought they knew about themselves and their kind.She meets Alex, a Holder who is fiercely loyal to their race, and for some reason, Becca and Ryland. There's an attraction between Becca and Alex that can't be denied, but her true nature seems destined to keep them apart. However, certain destinies may not be as clear cut as everyone has always believed them to be.Becca is lost, but found at the same time. Can she bring herself to leave Ryland now that he's settled and can clearly see his future? Will she be able to put the the feelings she has for Alex aside and head back to the US? And can Becca and Ryland ever forgive their father for what he's done?

    On the rich worlds of Alpha sector, you aren’t considered fully adult until 25, while the frontier worlds of Epsilon sector expect a girl to marry at 17. Clan centred Beta sector is notoriously permissive, while Deltan worlds consider it shocking behaviour to kiss in public. In Kappa sector, the military battle to make new worlds safe for colonization, while Earth is a semi-abandoned ruin.Each story features one of the characters from the Earth Girl trilogy. Eight people, with eight very distinctive backgrounds and problems, all destined to get caught up in one girl’s fight for acceptance. A fight that will change Earth forever.Cover art by Alex Storer/ http://www.thelightdream.net/ EARTH 2788 – Short story. Jarra trespasses on forbidden ground.ALPHA SECTOR 2788 – Short story. Dalmora’s sheltered life is about to change.BETA SECTOR 2788 – A novelette. Lolia’s marriage is falling apart.GAMMA SECTOR 2788 -Short story. Krath’s life is literally on the scrap heap.DELTA SECTOR 2788 – Short story. Fian’s father is planning his future for him, but Fian has his own ideas.EPSILON SECTOR 2788 – Short story. On a frontier planet, Amalie is considering possible husbands.KAPPA SECTOR 2788 – A novelette. As he hands over a new world to its first colonists, Colonel Riak Torrek plans to retire.ZETA SECTOR 2788 – A novelette. The heroic Major Drago Tell Dramis has finally found something that scares him.This set of stories is no longer on the author's website but is now available worldwide in a range of ebook formats as well as paperback.

    Each volume helps the reader to encounter the original more fully by placing it in historical context, focusing on the important aspects of the text and posing key questions.

    Presenting all 49 processes along with the key inputs, tools, and outputs, this helpful tool also depicts techniques, tables, and graphs to highlight the most important information at a glance. Common formulas are organized for rapid look-up, bringing relevant information for the PMP Exam together in one resource.

    In these fourteen stories, Dubus depicts ordinary men and women confronting injury and loneliness, the lack of love and the terror of actually having it. Out of his characters' struggles and small failures--and their unexpected moments of redemption--Dubus creates fiction that bears comparison to the short story's greatest creators--Chekhov, Raymond Carver, Flannery O'Connor. "A master of the short story...It's good to have Andre Dubus back. More than ever, he is an object of hope."--Philadelphia Inquirer"Dubus's detailed creation of three-dimensional characters is propelled by his ability to turn a quiet but perfect phrase...[This] kind of writing raises gooseflesh of admiration."--San Francisco Chronicle

    As Darin Strauss has noted, "Like Bruno Schulz, George Saunders, Donald Barthelme, and no one else I can think of, Greenman has the power to be whimsical without resorting to whimsy." The stories in this new collection, What He's Poised to Do, showcase his wide range, yet are united by a shared sense of yearning, a concern with connections missed and lost, and a poignant attention to how we try to preserve and maintain those connections through the written word.From a portrait of an unfaithful man contemplating his own free will to the saga of a young Cuban man's quixotic devotion to a woman he may never have met; and from a nineteenth-century weapons inventor's letter to his young daughter to an aging man's wistful memory of a summer love affair in a law office; each of these stories demonstrates Greenman's maturity as a chronicler of romantic angst both contemporary and timeless, and as an explorer of the ways our yearning for connection informs our selves and our souls.

    Butler’s shattering meditation on symbiosis, love, power and tough choices. It won the Hugo, Locus, Nebula and Science Fiction Chronicle awards and is widely regarded as one of her greatest works.Years ago, a group known as the Terrans left Earth in search of a life free of persecution. Now they live alongside the Tlic, an alien race who face extinction; their only chance of survival is to plant their larvae inside the bodies of the humans.When Gan, a young boy, is chosen as a carrier of Tlic eggs, he faces an impossible dilemma: can he really help the species he has grown up with, even if it means sacrificing his own life?Perfect for fans of the thrilling Arrival and the works of Ursula Le Guin.

    Their experiences with the underbelly of globalization here in our own backyard, and the legal battles they wage against their traffickers with their immigration attorney, Lily, are told in their own voices, and hers, in vivid and compelling detail.

    Theatre script, playbook

    In these ten stories, Alice Elliott Dark visits the fictional town of Wynnemoor and its residents, present and past, with skill, compassion, and wit. By turns funny, sad, and disturbing, these are stories of remarkable power.

    A mysterious tech conference brings a writer to Montreal, where he discovers new designs on the past in “How It Used to Be.” A grandfather’s Yiddish letters expose a love affair and a wartime secret in “Little Rooster.” In “Childhood,” Mark’s concern about his son’s phobias evokes a shameful incident from his own adolescence. In “Roman’s Song,” Roman’s desire to help a new immigrant brings him into contact with a sordid underworld. At his father’s request, Victor returns to Riga, the city of his birth, where his loyalties are tested by the man he might have been in “A New Gravestone for an Old Grave.” And, in the noir-inspired “The Russian Riviera,” Kostya leaves Russia to pursue a boxing career only to find himself working as a doorman in a garish nightclub in the Toronto suburbs.In these deeply felt, slyly humorous stories, Bezmozgis pleads no special causes but presents immigrant characters with all their contradictions and complexities, their earnest and divided hearts.