Not so much a stream of consciousness, as an unconscious railing against a life that makes little sense, and a shocking and intimate insight into the thoughts, feelings and chaotic sexuality of a vulnerable and isolated protagonist. To read A Girl Is A Half-Formed Thing is to plunge inside its narrator's head, experiencing her world first-hand. This isn't always comfortable - but it is always a revelation.Touching on everything from family violence to sexuality and the personal struggle to remain intact in times of intense trauma, McBride writes with singular intensity, acute sensitivity and mordant wit. A Girl is a Half-formed Thing is moving, funny – and alarming. It is a book you will never forget.

     On Sundays peace was restored. He would lie down, dream and remember. He would enjoy. And later on the bell would ring. He would get up and walk downstairs. He would open the front door. And his life would come to an end . . . Garda Inspector Michael McLoughlin is trying to enjoy his retirement – doing a bit of PI work on the side, meeting up with former colleagues, fixing up a grand old house in a genteel Dublin suburb near the sea. Then he discovers the body of his neighbour, a retired judge – brutally murdered, shot through the back of the neck, his face mutilated beyond recognition. McLoughlin finds himself drawn into the murky past of the murdered judge, which leads him back to his own father’s killing, decades earlier, by the IRA. In seeking the truth behind both crimes, a web of deceit, blackmail and fragile reputations comes to light, as McLoughlin’s investigation reveals the explosive circumstances linking both crimes – and dark secrets are discovered which would destroy the judge’s legendary family name.

    Historically accurate, it is a story of murder and betrayal, of a failed rebellion, and the love of a national scandal.  Charles Trevelyan was Secretary of the Treasury, and Director of the Famine Relief Programme at a time when famine raged and antipathy in English politics towards the plight of those affected raged equally. Kathryn, Charles' daughter, likewise felt no sympathy until the very scale of the tragedy became apparent. Joining the underground, she preached insurrection, stole food for the starving, and became the lover of the leader of the rebellion. She became known as Dark Rosaleen, the heroine of banned nationalist poem, was branded as both traitor and cause celebré. This is her story.

    At the heart of this book of compassionate and energetic sonnets are ‘The Kids’, her students, the teenagers she nurtured. But the poems go further, meeting her own child self as she comes of age in the riotous 80s and 90s, later bearing witness to her small son learning to negotiate contemporary London. Across these deeply felt poems, Lowe interrogates the acts of teaching and learning with empathy and humour. Social class, gender and race – and their fundamental intersection with education – are investigated with an ever critical and introspective eye. The sonnet is re-energised, becoming a classroom, a memory box and even a mind itself as ‘The Kids’ learn and negotiate their own unknown futures. These boisterous and musical poems explore and explode the universal experience of what it is to be taught, and to teach, ultimately reaching out and speaking to the child in all of us.

    Broken bowls, belligerent cows, swanky aubergines, trembling moonrises and horrifying sunsets, the physical world depicted in these stories is unsettling yet intimately familiar and soon takes on a life of its own. Captivated by the stellar charms of seclusion but restless with desire, the woman’s relationship with her surroundings becomes boundless and increasingly bewildering. Claire-Louise Bennett’s startlingly original first collection slips effortlessly between worlds and is by turns darkly funny and deeply moving.

    Letters. Postcards. Photographs. Each memento plays a role in the secret story that's always in her thoughts. A story that can't remain hidden forever.When Orla is handed an envelope by her father, she is perplexed by what she finds - a photograph of her parents, taken the summer she was born. Her heavily expectant mother, unusually, is smiling. Between her parents stands a teenage boy, her mother's arm lovingly around him.Orla later asks her father about the boy's identity, but he refuses to be drawn. Her mother's mood is low again and he doesn't want her upset. So begins the daughter's investigation, back to the summer of 1983, and the story of a young English boy on holidays in rural Ireland. As the circle closes on a web of tragedy and deceit, the truth that emerges will impact on all their lives. The Boy Between is an expertly crafted, suspenseful and ultimately hopeful story of family secrets, a fateful summer, and the long-buried events of a distant past.

    In this stunningly unusual prose debut, Doireann Ni Ghriofa sculpts essay and autofiction to explore inner life and the deep connection felt between two writers centuries apart. In the 1700s, an Irish noblewoman, on discovering her husband has been murdered, drinks handfuls of his blood and composes an extraordinary poem. In the present day, a young mother narrowly avoids tragedy. On encountering the poem, she becomes obsessed with its parallels with her own life, and sets out to track down the rest of the story. A devastating and timeless tale about one woman freeing her voice by reaching into the past and finding another's.

    Solar Bones is the story of one such visit. Marcus Conway, a middle-aged engineer, turns up one afternoon at his kitchen table and considers the events that took him away and then brought him home again.Funny and strange, McCormack’s ambitious and other-worldly novel plays with form and defies convention. This is profound new work is by one of Ireland’s most important contemporary novelists. A beautiful and haunting elegy, this story of order and chaos, love and loss captures how minor decisions ripple into waves and test our integrity every day.

    . . must be the most accessible and enjoyable major poet in America. His lines are so clear and simple." --Michael Dirda, The Washington Post"Nothing escapes him; everything is illuminated." --Library Journal"Will one day rank alongside of Edgar Lee Masters, Robert Frost, and William Carlos Williams." --Minneapolis Tribune"Kooser's ability to discover the smallest detail and render it remarkable is a rare gift." --The Bloomsbury ReviewFour decades of poetry--and a generous selection of new work--make up this extraordinary collection by Pulitzer Prize winner Ted Kooser. Firmly rooted in the landscapes of the Midwest, Kooser's poetry succeeds in finding the emotional resonances within the ordinary. Kooser's language of quiet intensity trains itself on the intricacies of human relationships, as well as the animals and objects that make up our days. As Poetry magazine said of his work, "Kooser documents the dignities, habits, and small griefs of daily life, our hunger for connection, our struggle to find balance."From "March 2" Patchy clouds and windy.All morningour house has been flashing in and out of shadelike a signal, and far across the waves of grassa neighbor's house has answered, offering help.Ted Kooser is the author of eleven collections of poetry, including Delights & Shadows, which won the Pulitzer Prize. He served as the Poet Laureate of the United States, and is a visiting professor at the University of Nebraska-Lincoln.

    With hair teased to Jesus, mile-long false eyelashes, and a white Cadillac Eldorado with atomic-red leather seats, Fanny is not your typical granny rocking in a chair. Instead, think of a character that looks a lot like Eva Gabor in Green Acres, but darkened with a shadow of Flannery O’Connor. A cross-genre collection that reads like a novel, this book is both a collection of oral history and a lyrical and moving biography that wrestles with the complexities of the South, including poverty, racism, and domestic violence.

    But this particular tour with its cast of unintentionally hilarous characters leaves seasoned tour guide Conor speechless for the first time in his life. Among this eclectic group are Corlene, a gold digging multiple divorcee on the prowl; Patrick, a love-starved Boston cop; Dylan, a goth uilleann piper; Dorothy, a poisonous college professor who wouldn't spend Christmas; Elliot, a wall street shark who finally shows his true colours, and then there's Ellen, back on Irish soil after so many years to discover a truth no-one could have guessed, least of all herself. And thats just a few of the colourful cast.The locals they meet on their journey, eccentric West Brits, passionate musicians, Ukranian waitresses and Garda high flyers all help to make this a tour that nobody will ever forget. And of course, there's Conor, stuck in the thick of it all, solving problems and mending hearts, but what about his own?

    TWELVE INTERVIEWS.TWELVE MOTIVES FOR MURDER . . .This Christmas, sit back and become a real armchair detective.A murder mystery told entirely through interviews.Private Investigator Elizabeth Chalice needs YOU to help her solve this case.It’s a beautiful Christmas day in Como, and the Caswell-Jones family are celebrating with their nearest and dearest in their Villa Janus. Merriment and limoncello abound . . .That is, until Jonty Caswell-Jones is found dead in his study. With no staff today, the only suspects are the guests and the family. Under the surface, tensions have been brewing, guests seething, and rivalries have reared their ugly head . . .Jonty’s wife, Catherine, knows there’s a killer among them so she calls her acquaintance, Elizabeth Chalice, to investigate. She wants to keep this firmly within the family if she can. No one else must know.As each suspect is interviewed in turn, Elizabeth must work out who killed Jonty and why. And is anyone else in danger? But with twelve suspects each with their own very clear motive, anything is possible . . .

    In these new poems, the ghosts of the past are conjured as part of the present day: the deceased beloved, the father long dead, the ailing mother, the victims of holocaust and war. With these spirits beside her, Gallagher confronts her own illness and mortality, and celebrates love and friendship in these spare lyrics and muscular narratives, each punctuated by her resilience and grace. Here is the new work by one of America's most accomplished poets.

    Sometimes these dramas are found in ordinary, mundane situations; sometimes they are triggered by a fateful encounter or a tragic decision. At the heart of these stories, crucially, is how people are drawn to each other and cling to love when and where it can be found. In a number of the these stories, emotional bonds are forged by traumatic events caused by one of the characters - between an old man and the frightened young burglar left to guard him while his brother is beaten; between another young man and the mother of a girl whose death he caused when he crashed his car; between a lonely middle-aged shopkeeper and her assistant. Disconnection and new discoveries pervade stories involving emigration (an Irish priest in war-torn Syria) or immigration (an African refugee in Ireland). Some of the stories are set in the same small town in rural Ireland as the novels, with names that will be familiar to Ryan's readers.In haunting prose, Donal Ryan has captured the brutal beauty of the human heart in all its failings, hopes and quiet triumphs.

    The extraordinary sequence at the heart of this book taps into the radical power of the sonnet form, bending it into a kind of metaphysical and psychological outcry. Beginning in the cramped space of selfhood―in the bedroom, cluttered with doubts, and in the throes of marital loss―these poems edge toward the clarity of “what I can know and admit to knowing.” In song and in silence, Ford inhabits the rooms of anguish and redemption with scouring exactness. This is poetry that “can break open, // it can break your life, it will break you // until you remain.” If You Have to Go is Ford’s most luminous and moving collection.