He thirsted for money, power, and all the elegant and willing, hot-blooded women they could buy. He hadn't reckoned on Sharon and Esther. Sharon was shy but sensual, everything Pride had ever desired in a woman, and he knew he'd never stop loving her - not even when Esther came along. Esther was a passionate heiress with a body to match her fabulous fortune, an attractive stepping-stone to success whom he married for more than money and less than love, a sensuous predator who gave him everything he wanted - and made his life a living hell.

    But they could never forgive the truths he told about them.From this compelling story of a doctor at war with the world he has been taught to heal, Taylor Caldwell has fashioned a novel of an unforgettable, angry idealist -- a novel in which the drama of new medical frontiers becomes part of a sweeping chronicle of love, death, desire, and redemption.

    Grainger laid down the will, and again he regarded me over the rim of his spectacles. "Good God!" cried Sir Richard, leaping to his feet, "the man must have been mad. Ten guineas -- why, it's an insult -- damme! -- it's an insult -- you'll never take it of course, Peter." "On the contrary, sir," said I. "But -- ten guineas!" bellowed the baronet; "on my soul now, George was a cold-blooded fish, but I didn't think even he was capable of such a despicable trick -- no -- curse me if I did! Why, it would have been kinder to have left you nothing at all -- but it was like George -- bitter to the end -- ten guineas!" "Is ten guineas," said I, "and when one comes to think of it, much may be done with ten guineas." Sir Richard grew purple in the face, but before he could speak, Mr. Grainger began to read again: "'Moreover, the sum of five hundred thousand pounds, now vested in the funds, shall be paid to either Maurice or Peter Vibart aforesaid, if either shall, within one calendar year, become the husband of the Lady Sophia Sefton of Cambourne.'" "Good God!" exclaimed Sir Richard. "'Failing which, '" read Mr. Grainger, "'the said sum, namely, five hundred thousand pounds, shall be bestowed upon such charity or charities as the trustees shall select. Signed by me, this tenth day of April, eighteen hundred and --, George Vibrart. Duly witnessed by Adam Penfleet, Martha Trent.'"

    These stories are told with the freshness and directness one has come to expect of Michael Anthony.

    His action-packed stories dealt with eternal themes: honor, deceit, passion, betrayal, loyalty, courage, love. His settings were historically accurate, his prose riveting, and his characters colorful: good guys, bad guys, tough, roughs, sidekicks, and saints. TRAIL MIX II gathers four popular Louis L'Amour stories, performed by Willie Nelson: "Mistakes Can Kill You," "The Nester and the Piute," "Trail to Pie Town," and "Big Medicine."

    In this extensive biography, Grant covers Davies' childhood, relationships, journalism, passion for the theater, and his 20 years as a Master of Toronto's Massey College. of photos.

    

    

    Remarkably, his driver left him off at his home an hour later where he consumed a scotch and several sandwiches. Something is obviously amiss. Add an allegedly forged will, the hint of an old family scandal, and a former secretary of the murdered man whose motives are none too clear, and the mystery only deepens. J. S. Fletcher has put together an intriguing puzzle with plenty of twists and turns in . . . The Herapath Property!

    Beam Piper with active table of contents.Works include:The AnswerThe Cosmic ComputerCrossroads of DestinyDay of the MoronDearestThe Edge of the KnifeFlight From TomorrowFour-Day PlanetGenesisGraveyard of DreamsHe Walked Around the HorsesThe KeeperLast EnemyLittle FuzzyThe MercenariesMinistry of DisturbanceMurder in the GunroomNaudsonceNull-ABCOomphel in the SkyOmnilingualOperation R.S.V.P.PatrolPolice OperationRebel RaiderThe ReturnA Slave is a SlaveSpace VikingTemple TroubleTime and Time AgainTime CrimeUllr Uprising

    Literature and film adaptations studies students will find plenty of material to support their courses and essay writing on how the film versions provide different readings of the original text. Focussing on several film versions and adaptations, the book discusses: the literary text in its historical context, key themes and dominant readings of the text, how the text is adapted for screen and how adaptations have changed our reading of the original text. There are many references to the literary text and screenplays and the book also features quotations from directors, critics and others linked with the chosen film and text.

    

    Overhearing a conversation at his club one day, he becomes interested in a discussion regarding a man named Gastrell. Gastrell is somewhat of a mystery to the club members in spite of his renting a house from one of them. Berrington’s interest in Gastrell intensifies as his fiancé, Dulcie Challoner, befriends a wealthy widow, Mrs. Connie Stapleton who evidently has some type of relationship with Gastrell. As the plot progresses, Berrington finds himself involved with sensational robberies, brutal murders, coded messages, and even mind control! As in many Le Queux books, there are twists and turns as new characters and locations are introduced. When you are sure you know the ending, something new occurs and you wonder how it will affect the conclusion of the book.Excerpt:"I confess I'd like to know somethin' more about him." "Where did you run across him first?" "I didn't run across him; he ran across me, and in rather a curious way. We live in Linden Gardens now, you know. Several of the houses there are almost exactly alike, and about a month ago, at a dinner party we were givin', a young man was shown in. His name was unknown to me, so I supposed that he must be some friend of my wife's. Then I saw that he was a stranger to her too, and then all at once he became very confused, inquired if he were in Sir Harry Dawson's house - Sir Harry lives in the house next to ours - and, findin' he was not, apologized profusely for his mistake, and left hurriedly."

    A passionate novel of patriotic and anti-union propaganda, it portrays the anxieties of the young country threatened by a foreign war after the closing of the frontier. Grey captures the heart of a nation at the brink of a century of change.

    Can Emily and Roger befriend these seeming upstarts without offending their own families and associates?