. . and menace.Aided only by a beautiful young Florentine with a conspirator’s mind and dark secrets, Franco is soon caught up in a life-and-death struggle from which there is no escape. Relentlessly pursued by deadly assassins and demons of his own, in the end he must confront—and defeat—an evil greater than anything conjured in his worst nightmares.Packed with breathtaking invention and breakneck adventure, The Medusa Amulet is a harrowing ride from the streets of Chicago to the châteaux of France, from the ramparts of the French Revolution to the palazzos of Rome, a story where historical fact meets with fascinating conjecture . . . and the impossible becomes terrifyingly real. Like a masterpiece from the hand of Cellini himself, The Medusa Amulet is a unique and powerful work, as inviting as it is forbidding, as ingenious as it is bold.

    When a former client bequeaths Drayco a rundown Opera House in a Virginia seaside town, he figures he'll arrange for a quick sale of the place while nursing his battered soul in a peaceful setting near the shore. What he doesn't count on is finding a dead body on the Opera House stage with a mysterious "G" carved into the man's chest. With hopes for a quick sale dashed and himself a suspect in the murder, Drayco digs into very old and very dangerous secrets to solve the crime and clear his name. Along the way, Drayco must dodge a wary sheriff, hostility over coastal development, and the seductive wife of a town councilman - before the tensions explode into more violence and he becomes the next victim. Want to read a Scott Drayco novella for FREE? Sign up for BV’s Mysteries in Crimetime newsletter at bvlawson.com and receive a FREE copy of "The Maltese Moon Rock"! Scott Drayco Thrillers in order: PLAYED TO DEATH (A Shamus Award Finalist and Best Mystery, Next Generation Book Awards) REQUIEM FOR INNOCENCE DIES IRAE ELEGY IN SCARLET

    Based on the 1999 Walter Neurath Memorial Lecture, this book uses the work of the Belgian artist Marcel Broodthaers to argue that the specifity of mediums, even modernist ones, can never be simply collapsed into the physicality of their support.