Its lyrical scenes still etch a portrait of Cyrano as a man of uncompromising bravery except in matters of the heart. They come off beautifully in the intimate off-Broadway-size Roundabout Theater. To the open minded, Langella's work will hardly seem felonious and it may be a breakthrough!" --David Patrick Stearns, U S A Today"Frank Langella has abridged the text and given the play a bare-bones production shorn of extravagance. CYRANO is compelling enough in its characterizations, dialogue and situations to withstand minimalism." --Frank Scheck, Hollywood Reporter"Frank Langella's adaptation is relatively short, fast and intimate. The speed of the shortened version allows the ideas behind the play to emerge with great force and clarity. The result is a terrifically enjoyable and surprising thought-provoking piece of theater." --Fintan O'Toole, Daily News, New York

    So when the British Secret Service asks him to become their ‘man in Havana’ he can’t afford to say no. There’s just one problem…he doesn’t know anything! To avoid suspicion, he begins to recruit nonexistent sub-agents, concocting a series of intricate fictions. But Wormold soon discovers that his stories are closer to the truth than he could have ever imagined… In Clive Francis’ adaptation, Graham Greene’s classic satirical novel becomes a wonderfully funny and fast-moving romp.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    This play, first staged at the Leicester Haymarket Theatre, is based on a tenth-century Jain myth about a king who finds his queen involved with an elephant-keeper.

    The topics include feminism and the role of women in the drama, the American Dream, business and capitalism, the significance of technology, the legacy that Willy leaves to Biff, and Miller's use of symbolism. The authors of the essays include prominent Arthur Miller scholars such as Terry Otten and the late Steven Centola as well as young, emerging scholars. Some of the essays, particularly the ones written by the emerging scholars, tend to employ literary theory while the ones by the established scholars tend to illustrate the strengths of traditional criticism by interpreting the text closely. It is fascinating to see how scholars at different stages of their academic careers approach a given topic from distinct perspectives and sometimes diverse methodologies. The essays offer insightful and provocative readings of Death of a Salesman in a collection that will prove quite useful to scholars and students of Miller's most famous play.

    Her lovely singing voice and good looks lead her to her great ambition - to go on the stage and see her name top of the bill. She becomes a music hall star both in her native town and in the south, after an appearance in the theatre at Brighton - she even performs in Paris, to tremendous acclaim. But when her first love, an ambitious shoemaker in her home town, becomes engaged to someone else Poppy is devastated. She disappears, believing that she will never return to her life of stardom. But her fame cannot be kep a secret...

    A short critical essay which considers the significance of the title.

    One of his best-loved and most famous plays, it exposes the lies plaguing the family of a wealthy Southern planter of humble origins.

    York Notes author John Scicluna discusses all aspect of An Inspector Calls --a thorough run-down very helpful to anyone studying the famous Priestley play.

    In the century since its first performance, The Cherry Orchard has undergone a wide range of conflicting interpretations: tragic and comic, naturalistic and symbolic, reactionary and radical. Beginning with the 1904 premiere at Stanislavsky's Moscow Art Theatre, this study traces the performance history of one of the landmark plays of the modern theatre. Considering the work of such directors as Anatoly Efros, Giorgio Strehler, Peter Brook, and Peter Stein, Chekhov: The Cherry Orchard explores the way different artists, periods and cultures have reinvented Chekhov's poignant comedy of failure and hope.

    When the world did crash, his family’s home of Stonemont became not only a refuge, but a place where it might be possible to start over again, and reclaim the American ideal. Among the many novels in the SHTF/TEOTWAWKI genre, The Reversion stands apart – and, perhaps, alone. It does not follow the survival learning curve of the unprepared or minimally-prepared, as so many excellent books have already done so well. Rather, it is the story of a man who was prepared, and of how his preparation and foresight provided not only a safe haven for him and his family, but a re-start point for those who come together to survive the collapse of the world around them. As such, it is an unbelievably positive book about an unbelievably negative circumstance, and carries within it the lessons of preparedness and survival that every person should strive to learn. Tightly woven into the story are threads of history, morality, politics, economics, philosophy and comparative justice – the kind America was founded on, the kind they had devolved to under the weight of an increasingly liberal and socialist society, and the kind that might re-establish a society reflective of America’s original ideals. As these threads are woven into the fabric of the larger story of survival, the realization emerges that a great catastrophe enabled the return of what makes us, as human beings, truly happy and fulfilled, and that, perhaps, only a great catastrophe could. The Reversion, written by an expert in survival and preparedness with an interesting government and non-government background, is destined to be an instant classic in the preparedness/survival genre. More than a good story, it is a manual and a resource for all who are interested in these fields, and deserves to be kept on your desk or chair-side table where it can be read, re-read and referred to often.

    Back-in-print early work by the author of subUrbia and Sex, Drugs, Rock & Roll.

    Designed to provide insight and an overview about each text for students and teachers, these guides endeavor to develop knowledge and understanding rather than just provide answers and summaries.

    This edition contains the definitive versions of these works, a foreword in which Rabe examines the interwoven relationship of the plays, and an afterword in which he discusses the process of their construction.

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