One night he witnesses something miraculous, and makes a terrible mistake. His action changes lives—not only his own, but those of his family and the entire tightly knit community in which they live. Can he ever atone for the wrong he has done, and can love grow when its foundation is violence? Based on the legend of the selkies—seals who can transform into people—evokes the harsh beauty of the landscape, the resilience of its people, both human and animal, and the triumph of hope over fear and prejudice. With exquisite grace, Su Bristow transports us to a different world, subtly and beautifully exploring what it means to be an outsider, and our innate capacity for forgiveness and acceptance. Rich with myth and magic, Sealskin is, nonetheless, a very human story, as relevant to our world as to the timeless place in which it is set.

    The year is 2025, and a mysterious virus has broken out in Scotland--a lethal illness that seems to affect only men. When Dr. Amanda MacLean reports this phenomenon, she is dismissed as hysterical. By the time her warning is heeded, it is too late. The virus becomes a global pandemic--and a political one. The victims are all men. The world becomes alien--a women's world.What follows is the immersive account of the women who have been left to deal with the virus's consequences, told through first-person narratives. Dr. MacLean; Catherine, a social historian determined to document the human stories behind the male plague; intelligence analyst Dawn, tasked with helping the government forge a new society; and Elizabeth, one of many scientists desperately working to develop a vaccine. Through these women and others, we see the uncountable ways the absence of men has changed society, from the personal--the loss of husbands and sons--to the political--the changes in the workforce, fertility and the meaning of family.In The End of Men, Christina Sweeney-Baird creates an unforgettable tale of loss, resilience and hope.

    At graduation, the most highly rated girls become “companions”, permitted to live with their husbands and breed sons until they are no longer useful.For the girls left behind, the future – as a concubine or a teacher – is grim.Best friends Freida and Isabel are sure they’ll be chosen as companions – they are among the most highly rated girls in their year.But as the intensity of final year takes hold, Isabel does the unthinkable and starts to put on weight. ..And then, into this sealed female environment, the boys arrive, eager to choose a bride.Freida must fight for her future – even if it means betraying the only friend, the only love, she has ever known. . .

    Opposing him, though, is the evil and manipulative Lord Hong and his army of 750,000 men.Oh?Rincewind is also aided by Twoflower - Discworld's first tourist and the author of a subversive book, about his visit to Ankh-Morpork, which has inspired the rebels in their struggle for freedom.The book is called "What I Did On My Holidays".

    The new Thanatos is superbly competent, ends pain when he ends lives. But Satan is forging a trap for Luna, the woman Death loves.

    But then Lauren finds herself trapped in a town called Lost on the edge of a desert, filled with things abandoned, broken and thrown away. And when she tries to escape, impassable dust storms and something unexplainable lead her back to Lost again and again. The residents she meets there tell her she's going to have to figure out just what she's missing--and what she's running from--before she can leave. So now Lauren's on a new search for a purpose and a destiny. And maybe, just maybe, she'll be found...Against the backdrop of this desolate and mystical town, Sarah Beth Durst writes an arresting, fantastical novel of one woman's impossible journey...and her quest to find her fate.

     In the winter of 1928, still seeking some kind of resolution to the horrors of World War I, Freddie is traveling through the beautiful but forbidding French Pyrenees. During a snowstorm, his car spins off the mountain road. Dazed, he stumbles through the woods, emerging in a tiny village, where he finds an inn to wait out the blizzard. There he meets Fabrissa, a lovely young woman also mourning a lost generation. Over the course of one night, Fabrissa and Freddie share their stories. By the time dawn breaks, Freddie will have unearthed a tragic, centuries-old mystery, and discovered his own role in the life of this remote town.

    She has entered, she realizes, a parallel existence, which she calls 1Q84 —“Q is for ‘question mark.’ A world that bears a question.” Meanwhile, an aspiring writer named Tengo takes on a suspect ghostwriting project. He becomes so wrapped up with the work and its unusual author that, soon, his previously placid life begins to come unraveled. As Aomame’s and Tengo’s narratives converge over the course of this single year, we learn of the profound and tangled connections that bind them ever closer: a beautiful, dyslexic teenage girl with a unique vision; a mysterious religious cult that instigated a shoot-out with the metropolitan police; a reclusive, wealthy dowager who runs a shelter for abused women; a hideously ugly private investigator; a mild-mannered yet ruthlessly efficient bodyguard; and a peculiarly insistent television-fee collector.A love story, a mystery, a fantasy, a novel of self-discovery, a dystopia to rival George Orwell’s — 1Q84 is Haruki Murakami’s most ambitious undertaking yet: an instant best seller in his native Japan, and a tremendous feat of imagination from one of our most revered contemporary writers.

    But when a little old lady turns up dead and the cops confiscate her last paycheck, she’s forced to take on her least favourite kind of job – missing persons.Being hired by reclusive music producer Odi Huron to find a teenybop pop star should be her ticket out of Zoo City, the festering slum where the criminal underclass and their animal companions live in the shadow of hell’s undertow.Instead, it catapults Zinzi deeper into the maw of a city twisted by crime and magic, where she’ll be forced to confront the dark secrets of former lives – including her own.

    Bank account almost wiped out. Many of my former associates have expressed a desire that I never darken their doorways again for legal and financial reasons.She-Hulk got us got us kicked out of the Avengers Mansion. People keep posting videos online of her New Year's Eve shenanigans: twirling, flaming telephone poles in Times Square, climbing the Empire State Building while dangling Anderson Cooper...Saying there are two sides to Jennifer Walters's personality is an understatement. When she hasn't morphed into a 650-pound, crime-fighting, hard-partying superhero, she's a single lawyer trying to get her act together. Hilarious and action-packed, The She-Hulk Diaries tells her story, as she juggles her intense legal career by day with battling villains and saving the world by night. Maybe bad guys will stop trying to destroy the planet so she can have a real social life and even meet a guy who isn't trying to take over the universe.

    Take Esther’s father, for instance: He’s an agoraphobe who hasn’t left the basement in six years. Then there’s her twin brother, Eugene, whose fear of the dark goes far beyond the things that go bump in the night. And her mother, Rosemary, is absolutely terrified of bad luck.As for Esther, she’s managed to escape the curse…so far. She doesn’t yet have a great fear because she avoids pretty much everything. Elevators, small spaces, crowds—anything that might trigger a phobia is off-limits and is meticulously recorded in her semi-definitive list of worst nightmares. Esther thinks she has it all figured out, until she’s reunited with an old elementary school classmate—and first crush—Jonah Smallwood. The encounter leaves her stranded at a bus stop and swindled out of her phone, all her cash, a Fruit Roll-Up she’d been saving, and her list—not to mention her dignity. But the theft is also the beginning of an unexpected friendship between the two, one that sends the pair on a journey of self-discovery as they try to break the curse that’s consumed Esther’s family. Together they face their greatest fears, one debilitating phobia at a time, only to discover the one fear they hadn’t counted on: love.

    A beautiful older woman named Peggy greets her and invites her to stay, on the house's usual conditions: she has ninety-nine nights to turn her life around. With nothing left to lose, Alba takes a chance and moves in. She soon discovers that this is no ordinary house. Past residents have included Virginia Woolf and Dorothy Parker, who, after receiving the assistance they needed, hung around to help newcomers - literally, in talking portraits on the wall. As she escapes into this new world, Alba begins a journey that will heal her wounds - and maybe even save her life. Filled with a colorful and unforgettable cast of literary figures, The House at the End of Hope Street is a charming, whimsical novel of hope and feminine wisdom that is sure to appeal to fans of Jasper Fforde and especially Sarah Addison Allen.

    Were it not for Zelda, a protective coworker, and Giles, her loving neighbor, she doesn’t know how she’d make it through the day.Then, one fateful night, she sees something she was never meant to see, the Center’s most sensitive asset ever: an amphibious man, captured in the Amazon, to be studied for Cold War advancements. The creature is terrifying but also magnificent, capable of language and of understanding emotions…and Elisa can’t keep away. Using sign language, the two learn to communicate. Soon, affection turns into love, and the creature becomes Elisa’s sole reason to live.But outside forces are pressing in. Richard Strickland, the obsessed soldier who tracked the asset through the Amazon, wants nothing more than to dissect it before the Russians get a chance to steal it. Elisa has no choice but to risk everything to save her beloved. With the help of Zelda and Giles, Elisa hatches a plan to break out the creature. But Strickland is on to them. And the Russians are, indeed, coming.

    until it was unravelled by something as simple as a blood test.Taken from his family, Toby now lives in the Death House: an out-of-time existence far from the modern world, where he, and the others who live there, are studied by Matron and her team of nurses. They're looking for any sign of sickness. Any sign of their wards changing. Any sign that it's time to take them to the sanatorium.No one returns from the sanatorium.Withdrawn from his house-mates and living in his memories of the past, Toby spends his days fighting his fear. But then a new arrival in the house shatters the fragile peace, and everything changes.Because everybody dies. It's how you choose to live that counts.

    Bekah expected a pleasant year to get her head together and have a romantic fling. Problem is, the house is full of junk...and siblings she didn't know she had are willing to kill her for it.More important, the junk in her new house is magical, she's surrounded by monsters, and her life seems to be in mortal peril every time she ventures into a new room. As Bekah discovers more about her mysterious benefactor and the magical world he inhabited, she's realizes that as tough and resourceful as she is, she might just be in over her head...Heirs of Grace is a tale of family and magic, action and wonder, blending the strong heroine, cheeky humor, and dark fantasy that have become the hallmarks of Tim Pratt's writing.