With comfort-food recipes gathered from across America as well as 46 other countries, you'll find homemade classics along with dishes that may be difficult to pronounce, but are easy to enjoy. And nearly all 440 of these simple and economical recipes are made from ingredients available in most local groceries, so you can delight your family and friends again and again. As you turn the more than 340 pages of this charming book, you'll discover recipes for real food cooked by real people around the globe—dishes for every occasion and every taste. Enjoy a traditional British Sunday dinner, or delight your family and friends with a delicious Finnish glass cake. You may even want to whip up a batch of Brigham Young's favorite buttermilk donuts. You'll find savory soups to sweet treats, creamy casseroles, entrées with a little bit of kick, and dishes that younger taste buds will like. But perhaps your favorite part of this delightful book will be the stories behind the recipes—snippets that will bring a smile, and maybe even inspire you to start a few new traditions. So pull out the pans, fire up the stove, and create some new favorites with the abundance of appetizing ideas found in your Worldwide Ward Cookbook. 9.5" X 11", 342 pages ISBN 978-1-59811-779-0

    Fisher searches for the traces of these lost futures in the work of David Peace, John Le Carré, Christopher Nolan, Joy Division, Burial and many others.

    They take the reader from the backwoods roads of Georgia, to the high altitude of Ruidoso Downs in New Mexico; from the social decay of Atlantic City, to Scotland, where a pilgrimage for art's sake leads to a surprising encounter with history on a hilltop with a view of a fifth of the entire country. McPhee's writing is more than informative; these are stories, artful and full of character, that make compelling reading. They play with and against one another, so that Pieces of the Frame is distinguished as much by its unity as by its variety. Subjects familiar to McPhee's readers—sports, Scotland, conservation—are treated here with intimacy and a sense of the writer at work.

    In this collection of interviews, articles, and editorials, Vladimir Nabokov ranges over his life, art, education, politics, literature, movies, and modern times, among other subjects. Strong Opinions offers his trenchant, witty, and always engaging views on everything from the Russian Revolution to the correct pronunciation of Lolita.

    Mine is predicated on formative years spent cleaning my father’s calf pens: Just keep shoveling until you’ve got a pile so big, someone has to notice. The fact that I cast my life’s work as slung manure simply proves that I recognize an apt metaphor when I accidentally stick it with a pitchfork. . . . Poetry was my first love, my gateway drug—still the poets are my favorites—but I quickly realized I lacked the chops or insights to survive on verse alone. But I wanted to write. Every day. And so I read everything I could about freelancing, and started shoveling."  The pieces gathered within this book draw on fifteen years of what Michael Perry calls "shovel time"—a writer going to work as the work is offered. The range of subjects is wide, from musky fishing, puking, and mountain-climbing Iraq War veterans to the frozen head of Ted Williams. Some assignments lead to self-examination of an alarming magnitude (as Perry notes, "It quickly becomes obvious that I am a self-absorbed hypochondriac forever resolving to do better nutritionally and fitness-wise but my follow-through is laughable.") But his favorites are those that allow him to turn the lens outward: "My greatest privilege," he says, "lies not in telling my own story; it lies in being trusted to tell the story of another."

    This collection provides a complete picture of the man, his influence, and the impact of his life and death on his fans. Color photos. 72 b&w photos.

    Barbers commentaries on Fridays at 7:35 A.M. wove together tales from sports events past, his views of the current athletic scene, biblical allegories, historical references, & the latest goings-on among the flora & fauna of his garden. Those commentaries became one of NPRs best-loved features, & Barber became a grandfather figure for his listeners, dispensing wisdom & advice along with the anecdotes & reminisces. Through the years, their friendship grew & bloomed in full aural view of an appreciative audience. Photos.

    Woulfe compares this training exercise with other schemes in other branches of service.

    The book also gives advices to young people who are dreaming of studying in the United States.Based on the author’s personal experience and observations, it provides topical analysis of the American academic environment in chapters two and three, “American Environment” and “Notes” respectively.The author calls on young people to take advantage of opportunities available in open, democratic societies.

    But she was wrong. Her entire existence was based on nothing but. She thought that evil did not exist. Lie. That magic was not real. Lie. And that the land of Meros was all there was. One more lie. With Aleric telling her that evil is knocking on the door and that she is the only one who can stop them she has a choice to make. Refuse, or start the wildest most painful ride of her life. She reluctantly dips her toe into her new existence of magic and threads, dragons and shapeshifters, and the person who wants to take control of it all: the evil Dralazar. However, this journey was never meant to be hers alone. She will be accompanied by a Protector. To her disbelief, and utter irritation they name the hotheaded, stubborn, non -magical, (albeit gorgeous) Prince Emane. They will have to trust each other with their lives, but right now Kiora would settle for a non hostile conversation. And now it comes down to this, If you had never heard a lie, would you know when you heard one? Is knowing good from evil innate? Kiora finds herself having to decide who lives and who dies on those very questions.

    A collection of stories from Vanity Fair magazine about the current financial crisis by some of the country’s best business journalists, including Michael Lewis (Moneyball, Liar’s Poker), Bryan Burrough (Barbarians at the Gate), and Mark Bowden (Black Hawk Down), edited by Vanity Fair editor Graydon Carter, and with an introduction by Cullen Murphy (Are We Rome?).

    However, over the following eight years, he exposed gross incompetence and corruption within An Garda Siochána. It ranged from a violent criminal being free to murder, to country-wide corruption in the policing of road safety.Along the way he paid a terrible price, enduring vilification, bullying and harassment by forces who wanted to silence him and his inconvenient truths. Worse still were the rumours of an extreme nature, which had a devastating effect on his whole family.McCabe's actions ultimately led to some of the biggest reforms of An Garda Siochána since the foundation of the state, caused major political upheaval, and culminated in a Tribunal established in 2017, to examine whether there had been a smear campaign against him within the force.A Force For Justice reveals the story behind the scenes, of one man struggling to survive in the most challenging of circumstances. It is a dramatic account of a garda sergeant's journey from a rural outpost into the heart of the Irish political and legal system.

    And during those four decades, his wide knowledge, keen judgment, prodigious energy, and sharp sense of humor have made him America’s most celebrated film critic. He was the first such critic to win a Pulitzer Prize—one of just three film critics ever to receive that honor—and the only one to have a star dedicated to him on the Hollywood Walk of Fame. His groundbreaking hit TV show, At the Movies, meanwhile, has made “two thumbs up” one of the most coveted hallmarks in the entire industry. No critic alive has reviewed more movies than Roger Ebert, and yet his essential writings have never been collected in a single volume—until now. With Awake in the Dark, both fans and film buffs can finally bask in the best of Ebert’s work. The reviews, interviews, and essays collected here present a picture of this indispensable critic’s numerous contributions to the cinema and cinephilia. From The Godfather to GoodFellas, from Cries and Whispers to Crash, the reviews in Awake in the Dark span some of the most exceptional periods in film history, from the dramatic rise of rebel Hollywood and the heyday of the auteur, to the triumph of blockbuster films such as Star Wars and Raiders of the Lost Ark, to the indie revolution that is still with us today. The extraordinary interviews gathered in Awake in the Dark capture Ebert engaging not only some of the most influential directors of our time—Martin Scorsese, Steven Spielberg, Woody Allen, Robert Altman, Werner Herzog, and Ingmar Bergman—but also some of the silver screen’s most respected and dynamic personalities, including actors as diverse as Robert Mitchum, James Stewart, Warren Beatty, and Meryl Streep. Ebert’s remarkable essays play a significant part in Awake in the Dark as well. The book contains some of Ebert’s most admired pieces, among them a moving appreciation of John Cassavetes and a loving tribute to the virtues of black-and-white films. If Pauline Kael and Andrew Sarris were godmother and godfather to the movie generation, then Ebert is its voice from within—a writer whose exceptional intelligence and daily bursts of insight and enthusiasm have shaped the way we think about the movies. Awake in the Dark, therefore, will be a treasure trove not just for fans of this seminal critic, but for anyone desiring a fascinating and compulsively readable chronicle of film since the late 1960s.

    Unlike most of our conversations, which deal with family updates and the like, he began this call with a rather firm declaration. "I know what your next book should be," he said. I had recently completed a book with two dear friends, the late Rex E. Lee and his wife, Janet-and I responded that I did not have plans to write another book. He continued, undeterred, "No, you need to write a biography of  James E. Faust." Though still half asleep, I knew immediately that he was right, but I asked him anyway why he would make this suggestion. His answer was simple: "Because he's a good man, and the members of the Church don't know enough about him." Not knowing President Faust, but feeling a need to act on my father's suggestion, I passed the idea along to Sheri Dew, who is the vice-president of publishing at Deseret Book and a long-time friend. She, in turn, discussed it with Ron Millett, president of Deseret Book, and the two of them arranged to meet with President Faust and discuss the idea with him. He listened politely and said he would consider their proposal and then let them know of his decision. Having read, some months later, his journal entry for that day, I know that his initial reaction was a preference that such a book not be done. But after several weeks of discussion with his wife, family members, and a few close associates, he informed Ron and Sheri that he would agree to have a book done-but with two conditions: First, that the biography be brief; and, second,  that a selection of his teachings be included in the same volume.

    A collection of essays about the journey to adulthood celebrates the maturity, confidence, and wisdom that comes with time while offering reminders about how to continue to feel young.