She's the new collections curator at Old World Wisconsin, an outdoor ethnic museum showcasing 1870s settlement life. On her first day, Chloe meets with an elderly woman who begs her to find a priceless eighteenth-century Norwegian ale bowl that had been donated to the museum years ago. But before Chloe can find the heirloom and return it to her, the woman dies in a suspicious car crash.Digging up the history and whereabouts of the rare artifact quickly turns dangerous. Chloe discovers that someone is desperately trying to cover up all traces of the bowl's existence—by any means necessary. Assisting Chloe is police officer Roelke McKenna, whose own haunting past compels him to protect her. To catch the covetous killer, Chloe must solve a decades-old puzzle . . . before she becomes a part of history herself.

    Not even the arrival of the elusive Duke of Northcott can distract Mary from her plan; until the local rector is found bludgeoned to death and Mary is named as the prime suspect. When Northcott offers to assist Mary in finding the culprit, she does not think for a second that his motives have anything to do with marriage - but as the list of suspects grows longer, Mary and the duke grow closer and closer, and she begins to wonder if she is not such a determined spinster after all.Henry William Lockheart, Sixth Duke of Northcott, has returned to his ducal seat, determined to attend to the estate he has neglected since his father's death. Nothing shall distract him from his plan, he thinks, until something - or rather someone- does.Miss Mary Mifford is hardly the ideal candidate to be his duchess - given her lack of wealth and connections, along with the bothersome fact that she is the prime suspect in a murder - but Henry is smitten. Determined to help the young lady, Henry throws himself into investigating the death of the rector, Mr Parsims, hoping to clear her name.With a long list of suspects, Henry suspects that the task might be difficult; though it might prove easier to solve a murder than to convince an earnest spinster that she should be his bride...A Death, A Duke, And Miss Mifford is the first book in the Regency Murder and Marriage Series, by Claudia Stone. A light, witty, and fun read this story is sure to delight fans of Regency Romance and Cozy Mysteries alike.

    She’s convinced her daughter is alive but cannot track her into the wilderness alone. Help arrives in the form of James Bailey, an agent of the crown sent to Boston to investigate the murder of Prudence’s husband and to covertly cause a disturbance that would give the king just cause to install royal governors. After his partner is murdered, James needs help too. He strikes a deal with Prudence, and together they traverse the forbidding New England landscape looking for clues. What they confront in the wilderness—and what they discover about each other—could forever change their allegiances and alter their destinies.

    With her specialist's knowledge and demure disposition, Hannah is requested to aid the investigation. Except Hannah discovers her role is to apologise in the wake of the rude and disgraced man tasked with finding the murderer. The obnoxious Viscount Wycliff thinks to employ Hannah purely as a front to satisfy Whitehall, but she'll have none of that. The two must work together to find the murderer before the season is ruined. But the viscount is about to meet his greatest challenge, and it's not a member of the ton with a hankering for brains.

    Ginger's Boston terrier, Boss, noses out a missing phalange from under the cot.It's a mystery that once again puts Ginger alongside the handsome Chief Inspector Basil Reed. Who is the victim? And how did she end up in Ginger's home?Clues lead Ginger and her good friend Haley Higgins to a soirée hosted in 1913 by Ginger's late father, George Hartigan. A shadow of suspicion is cast on her father's legacy, and Ginger isn't so sure she wants to know the truth about the man she dearly loved.Ginger decides to host another soirée, inviting the guest list from ten years previous. Before the night is over, another person is dead.

    Career diplomat Alec Halsey returns to London to the shocking news his estranged brother, the Earl of Delvin, has not only killed his friend in a duel but is engaged to the woman Alec hoped to marry. The dead man’s mother wants Alec to investigate, so he reluctantly attends a weekend house party celebrating the engagement. Houseguests get more than they bargained for when a lady’s maid is murdered, the bride-to-be is attacked, and a guest is shot dead. Uncovering a connection between these sinister acts and his brother's duel, Alec confronts a cruel twist of fate and why his brother will go to any lengths to ruin him in Polite Society.The Alec Halsey mysteries explore the darker side of Lucinda Brant’s deliciously romantic 18th century world. Along with her trademark wit and high drama there are deeper subplots and even quirkier characters that will have you shuddering and laughing in equal measure!

    I was caught upon a chessboard, a helpless pawn in a game of life and death, and the green rook was hunting me. That tall rook of green-black yew who had it in his power to destroy the king and end the game..." When Eve North returns to Athmore after three years' separation from her husband Justin, she finds the great estate-and Justin himself-vastly changed. Eve too has changed. She knows now the mistakes she made in her marriage in the past, and she now dares to win back the love of her own husband. Like another Eve, she wanders into the gardens of Athmore, unsuspecting. Yet she has reason to fear. Justin's brother Marc had once before placed her in a compromising position in that place of secrets-the green velvet room. Justin had believed Marc and never forgiven her. Now Marc waits for her at Athmore. Then, too, she has been warned that Justin has made up his mind at last to divorce her in order to marry Alicia Daven-the cool, serene Alicia whose quiet assurance comes from generations at Grovesend, and who has always taunted the American Eve with her tempting of Justin. Old Daniel-just before he is sent to his death-tries to warn Eve. It is he who carved from the green-black yew a topiary garden, one of the marvels of Athmore. The dark trees are clipped into the shape of chessmen, at a game forever in play. The black rook stands poised in readiness, like a hunter ready for the kill, challenging the white king. Daniel cries to Eve, "It's the black rook's play!"--but he dies before Eve can learn his fateful meaning. Eve finds herself entrapped on a chessboard of evil, unsure of her next move, yet aware that the black rook will move again-this time to destroy her.

    A fellow redcoat comes to Ty’s aid and insists the peer ride his horse to safety. Later, horrified to learn of his rescuer's death, Ty vows to live up to the brash young soldier’s parting challenge to save someone else’s life.To repay the debt of honor, Ty offers his hand in marriage to the dead man's sister. And Delia Croft is certainly in need of help. For the retainer her cousin provides is barely enough to keep her and her dependents clothed and fed. But Delia longs for a union of love, not obligation—a union that the handsome officer may not even believe in…

    When financial problems force her family to sell their London home, a strange solicitor arrives with an astounding offer: the use of a distant manor house abandoned for eighteen years. The Fosters journey to imposing Pembrooke Park and are startled to find it entombed as it was abruptly left: tea cups encrusted with dry tea, moth-eaten clothes in wardrobes, a doll's house left mid-play . . . The handsome local curate welcomes them, but though he and his family seem to know something about the manor's past, the only information they offer Abigail is a warning: Beware trespassers who may be drawn by rumors that Pembrooke contains a secret room filled with treasure. Hoping to improve her family's financial situation, Abigail surreptitiously searches for the hidden room, but the arrival of anonymous letters addressed to her, with clues about the room and the past, bring discoveries even more startling. As secrets come to light, will Abigail find the treasure and love she seeks...or very real danger?

    Now it turns out that numerous people with secrets to hide had every reason to wish him dead. But which of them murdered him? For Freddy Pilkington-Soames, newspaper reporter and man-about-town, the question hits a little too close to home, thanks to an unfortunate drunken encounter with Ticky's corpse which he'd much rather the police didn't find out about—and thanks also to his exasperating mother Cynthia's seeming determination to get herself arrested by tampering with the evidence. But a pretty girl with big blue eyes is demanding his help in solving the mystery, so what can he do but agree? Now all he has to do is hide the wrong clues, find the right ones, and unmask the murderer before the police discover what's really been going on. That ought to be easy enough. If only people didn't keep getting killed...

    But wait — Edward “Mitch” Mitchell is no Hercule Poirot, and The Back Passage is no Murder of Roger Ackroyd. Mitch is a handsome, insatiable 22-year-old hunk who never lets a clue stand in the way of a steamy encounter, whether it’s with the local constabulary, the house secretary, or his school chum and fellow athlete Boy Morgan, who becomes his Watson when they’re not busy boffing each other. When Reg Walworth is found dead in a cabinet, Sir James Eagle has his servant Weeks immediately arrested as the killer. But Mitch’s observant eye pegs more plausible possibilities: polysexual chauffeur Hibbert, queenly pervert Leonard Eagle, missing scion Rex, sadistic copper Kennington, even Sir James Eagle himself. Blackmail, police corruption, a dizzying network of spyholes and secret passages, watersports, and a nonstop queer orgy backstairs and everyplace else mark this hilariously hard-core mystery by a major new talent.

      The daughter of a baronet and minor heiress, Rosalind Thorne was nearly ruined after her father abandoned the family. To survive in the only world she knew, she began to manage the affairs of some of London society’s most influential women, who have come to rely on her wit and discretion.   So, when artistocratic wastrel Jasper Aimesworth is found dead in London’s most exclusive ballroom, Almack’s, Rosalind must use her skills and connections to uncover the killer from a list of suspects that includes Almack’s powerful patronesses and her former suitor Devon Winterbourne, now Lord Casselmaine.   Torn between her old love and a growing attraction to a compelling Bow Street runner, Rosalind must not only unravel the mysteries surrounding Jasper’s death, but the mysteries of her own heart as well...

    Hazel Holt has published 19 Mrs. Malory mysteries in the tradition of Barbara Pym and has admirers around the world. My Dear Charlotte is a departure from her other work. It is a novel-in-letters written “with the assistance of Jane Austen’s letters.” From the Introduction by Jan Fergus:"Of course, you don’t have to love Austen to love this book. If you enjoy detective novels, you will find here a completely satisfying murder mystery, coupled with a romance (or more than one, in fact). My Dear Charlotte gives you, in addition to mystery and romance, a portrait of the world of the English gentry at around 1815, immediately after the defeat of Napoleon—its manners and its moral certainty. As in Austen, Napoleon is not directly mentioned, but his shadow is there: one brother of the heroine is a sailor and the other a junior diplomat at the Congress of Vienna. It’s the social world at home that is central, however, with its balls, visits, courtships, gossip, and of course murder, underlining the tensions and rifts within that apparently civilized society. But it’s readers of Jane Austen who will get the most pleasure from My Dear Charlotte. It is in my opinion the only successful attempt to re-create the world of Austen’s novels, better even than the best of Georgette Heyer’s Regency romances. Holt does much more, though: she has chosen to write a novel-in-letters, which allows her to incorporate witty quotations directly from Austen’s letters into her novel, quotations about persons, occasions, the minutiae of daily life from housekeeping and shopping to the weather and human nature."Fans of Sharon Lathan, Georgette Heyer and Barbara Pym will love this new mystery.

    Miss Scrimshaw’s Academy for Girls is a cover for an all-female investigative unit called The Agency, and at seventeen, Mary is about to put her training to the test. Assuming the guise of a lady’s companion, she must infiltrate a rich merchant’s home in hopes of tracing his missing cargo ships. But the household is full of dangerous deceptions, and there is no one to trust — or is there? Packed with action and suspense, banter and romance, and evoking the gritty backstreets of Victorian London, this breezy mystery debuts a daring young detective who lives by her wits while uncovering secrets — including those of her own past.

    Marion Abbott is summoned to Brawders House asylum to collect the body of her sister, Alice. She’d been found dead after falling four stories from a steep-pitched roof. Officially: an accident. Confidentially: suicide. But Marion believes a third option: murder.Returning to her family home to stay with her brother and his second wife, the recently widowed Marion is expected to quiet her feelings of guilt and grief—to let go of the dead and embrace the living. But that’s not easy in this house full of haunting memories.Just when the search for the truth seems hopeless, a stranger approaches Marion with chilling words: I saw her fall.Now Marion is more determined than ever to find out what happened that night at Brawders, and why. With no one she can trust, Marion may risk her own life to uncover the secrets buried with Alice in the family plot.