It’s what I do. This time I'm tidying up the loose ends after a casino heist gone bad. The loose ends being a million cash. But I only have 48 hours, and there’s a guy out there who wants my head in a bag.He'll have to find me first. They don’t call me the Ghostman for nothing...

    Untimely deaths are all too common in rural Blackwater, Kansas, where crime and overdoses are on the rise, and the small-town police force is consumed with the recent discovery of a child's skull in the woods. Sadie is on her own, delving into the dark corners of a life her brother kept hidden and unearthing more questions than answers.Eighteen-year-old Henley Pettit knows more than she'd like to about the seedy side of Blackwater, and she's desperate to escape before she's irreparably entangled in her family's crimes. She dreams of disappearing and leaving her old life behind, but shedding the past is never easy, and getting out of town will be far more dangerous than she ever imagined.As more bones are found in the woods, time is running out for Sadie to uncover the truth and for Henley to make her escape. Both women are torn between family loyalties and the weight of the secrets they carry, knowing full well that while some secrets are hard to live with, others will get you killed.Like Laura McHugh's previous award-winning thrillers, The Weight of Blood and Arrowood, The Wolf Wants In is an atmospheric, beautifully told novel that barrels toward a twisting, chilling end and keeps us turning the page to find out how these small-town secrets will unravel--and who will survive.

    Harry just wants to help, but before long he and Helen are both adrift in a sea of alcohol - until Harry conceives the ultimate crime...

    Our narrator must piece together the history of his blighted existence and discover the agents of its cruel end. What he doesn’t expect is that digging for the truth will demand plenty of lying.

    Later on, the Milford Mute. The Golden Boy. The Young Ghost. The Kid. The Boxman. The Lock Artist. That was all me.But you can call me Mike."Marked by tragedy, traumatized at the age of eight, Michael, now eighteen, is no ordinary young man. Besides not uttering a single word in ten years, he discovers the one thing he can somehow do better than anyone else. Whether it's a locked door without a key, a padlock with no combination, or even an eight-hundred pound safe ... he can open them all.  It's an unforgivable talent. A talent that will make young Michael a hot commodity with the wrong people and, whether he likes it or not, push him ever close to a life of crime. Until he finally sees his chance to escape, and with one desperate gamble risks everything to come back home to the only person he ever loved, and to unlock the secret that has kept him silent for so long. Steve Hamilton steps away from his Edgar Award-winning Alex McKnight series to introduce a unique new character, unlike anyone you've ever seen in the world of crime fiction.

    from the French "D'entre les Morts" by Geoffrey Sainsbury. First published as "The Living and the Dead" in Great Britain in 1956.

    The marathon dance craze flourished during the 1930s, but the underside was a competition and violence unknown to most ballrooms—a dark side that Horace McCoy's classic American novel powerfully captures."Were it not in its physical details so carefully documented, it would be lurid beyond itself." —Nation

    . . It was only cheap glass, a fraud, a come-on for the suckers who paid Doc Magus to gaze into its depths and tell them tomorrow would be better. And Doc--a decent man, a smart man--pitied them. Yet tonight, even Doc had to believe the Madball. There was nothing left to lead him to the money--enough money to spring him free of the raucous, sordid world of the pitchmen and the pickled punks, the cotton candy and the kewpie dolls--and the belly dancers who needed him for all-night alibis.Doc was shrewd, but not quite shrewd enough. Someone else knew about the $42,000--a specialist in death, who was only yards away. . .MADBALL is a novel of one traveling show, and of the lives of its carneys, who live to close to the edge of frenzy.

    Writing in first person from her viewpoint, Woolrich makes us feel her love and anguish and desperation, as she becomes an avenging angel to rescue her husband from execution.

    The victim makes headlines as the Black Dahlia—and so begins the greatest manhunt in California history. Caught up in the investigation are Bucky Bleichert and Lee Blanchard: Warrants Squad cops, friends, and rivals in love with the same woman. But both are obsessed with the Dahlia—driven by dark needs to know everything about her past, to capture her killer, to possess the woman even in death. Their quest will take them on a hellish journey through the underbelly of postwar Hollywood, to the core of the dead girl's twisted life, past the extremes of their own psyches—into a region of total madness.

    On a frozen night in an affluent neighborhood of Minneapolis, a baby is abducted from her home after her teenage babysitter is violently assaulted. The parents are frantic, the police are baffled, and, with the perpetrator already in the wind, the trail is getting colder by the second.As family liaison officer with the Minneapolis P.D., it’s Afton Tangler’s job to deal with the emotional aftermath of terrible crimes—but she’s never faced a case quite as brutal as this. Each development is more heartbreaking than the last and the only lead is a collection of seemingly unrelated clues.But, most disturbing of all, Afton begins to suspect that this case is not isolated.  Whoever did this has taken babies before—and if Afton doesn’t solve this crime soon, more children are sure to go missing . . .

    With the help of three alienated neighborhood kids, he plans to hide razor blades, poison, drugs, and broken glass in Halloween candy and use the deadly treats to maim or kill dozens of innocent children. But as the clock ticks closer to sundown, will one of his helpers—an innocent himself, in his own streetwise way—carry out or defeat the plan?

    When her latest client, Nadia Denham, a curio shop owner, dies from an apparent suicide, Mickie honors the old woman’s last wish and begins curating her peculiar objets d’art. A music box, a hair clip, a key chain―twelve mementos in all that must have meant so much to Nadia, who collected them on her flea market scavenges across the country.But these tokens mean a lot to someone else, too. Mickie has been receiving threatening messages to leave Nadia’s past alone.It’s becoming a mystery Mickie is driven to solve. Who once owned these odd treasures? How did Nadia really come to possess them? Discovering the truth means crossing paths with a long-dormant serial killer and navigating the secrets of a sinister past. One that might, Mickie fears, be inescapably entwined with her own.

    His beat is a rough New Jersey neighborhood where the drug murders blur together, until the day Victor Dunham — a twenty-year-old with a steady job and a clean record — confesses to a shooting outside a fast-food joint. It doesn't take long for Rocco's attention to turn to Victor's brother, a street-corner crack dealer named Strike who seems a more likely suspect for the crime. At once an intense mystery, and a revealing study of two men on opposite sides of an unwinnable war, Clockers is a stunningly well-rendered chronicle of modern life on the streets.

    Now, after moving back home to Alabama to care for her ailing grandmother and autistic brother, she comes face-to-face with the deadly mystery behind his disappearance.Jori has a rare form of synesthesia, meaning she can “hear” colors; to her, tones of voice are as unique as fingerprints. With the help of this ability and a sympathetic cop, Jori comes dangerously close to uncovering the truth. But those responsible will go to any length—including murder—to keep their dark secrets buried.Soon, it seems that no one in the sleepy bayou town is safe, and after Jori’s brother is kidnapped, she knows she must drop the investigation or risk losing her family. But when protecting them means letting an evil deed go unpunished, putting family first may be the last thing she’ll ever do.